Onye na-ese ihe Italian - Eserese nwoke nọ na profaịlụ - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi nka ndị ọzọ sitere na webụsaịtị ihe ngosi nka (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
This enigmatic portrait is difficult to place geographically and has few, if any, stylistic parallels. It was previously attributed to the Lombard school, largely because of its Italian pure profile format, but its technique appears to be northern European. In the 1520s such portraits became fashionable in Augsburg, where the Imperial Hapsburg court had close ties with Lombardy, and an attribution of the present work to a painter in that town seems most prudent.
Tebụl a haziri ahazi nke ihe osise
Aha nka: | "Portrait of a Man in Profile" |
nhazi ọkwa: | sere |
Ọkara nke ihe osise izizi: | mmanụ n'elu osisi |
Ogo nke ọrụ nka izizi: | 13 1/4 x 10 1/2 na (33,7 x 26,7 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
License: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Friedsam, Arịrịọ nke Michael Friedsam, 1931 |
Ebe kredit nke ọrụ nka: | Nchịkọta Friedsam, Arịrịọ nke Michael Friedsam, 1931 |
Ozi izugbe na onye na-ese ihe
Ihe nkiri: | Onye na-ese ihe Italian |
Obodo onye nka: | Italian |
Ọrụ: | onye na-ese ihe |
Mba onye si: | Italy |
Nkọwa ngwaahịa
Nkewa ngwaahịa: | mmepụta nka |
Usoro mmeghari: | mmeputakwa n'ụdị dijitalụ |
Usoro mmepụta: | Mbipụta UV ozugbo |
Mmalite nke ngwaahịa a: | emepụtara na Germany |
Ụdị ngwaahịa: | na mmepụta ihe |
A na-atụ aro iji ngwaahịa eme ihe: | ihe ndozi mgbidi, ụlọ ihe osise nka |
Ndepụta: | usoro eserese |
Oke akụkụ onyonyo: | 1: 1.2 |
Nkọwa: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ dị: | Mpempe akwụkwọ, akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Ụdị nha ebipụta aluminom: | 50x60cm - 20x24", 100x120cm - 39x47" |
Igwe onyonyo: | mmeputakwa na-enweghị isi |
Họrọ ihe ngwaahịa gị
Maka mbipụta nka ọ bụla anyị na-enye ihe & nha dị iche iche. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Ihe odide acrylic glass: An print on acrylic glass, which is sometimes named as a UV print on plexiglass, makes your favorite artwork into beautiful décor. Furthermore, the acrylic print forms a distinct alternative option to canvas or dibond fine art prints. Your artwork is manufactured with the help of modern UV print machines. This creates the impression of intense and sharp colors.
- Aluminom dibond (ọkpụkpụ ọla): Aluminium Dibond prints are metal prints with an impressive effect of depth, creating a modern look with a non-reflective surface structure. For the Print On Aluminum Dibond, we print your chosen artpiece onto the surface of the white-primed aluminum. The colors are luminous, fine details of the print appear crisp, and the print has a a matte look that you can literally feel.
- Mbipụta kwaaji: The canvas direct print is a printed cotton canvas mounted on a wooden frame. Further, a canvas creates a familiar and comfy appearance. A printed canvas of this work of art will give you the unique opportunity of transforming your new fine art print into a large size artpiece like you would see in a real gallery. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang the Canvas print without extra wall-mounts. Hence, a canvas print is suited for all types of walls.
- Mpempe akwụkwọ mmado ebipụtara na akwa akwa: The poster print is a printed flat cotton canvas paper with a nice structure on the surface. Please keep in mind, that depending on the absolute size of the poster we add a white margin of something between 2-6 cm round about the print, which facilitates the framing with your custom frame.
Ozi ndabere gbasara akụkọ
onye na-ese ihe Ịtali Onye na-ese ihe Italian kere ibe nka na aha "Portrait of a Man in Profile". The original was made with the size: 13 1/4 x 10 1/2 in (33,7 x 26,7 cm) and was manufactured on the medium mmanụ n'elu osisi. It can be viewed in in the collection of The Metropolitan Museum of Art. With courtesy of - The Metropolitan Museum of Art, New York, The Friedsam Collection, Bequest of Michael Friedsam, 1931 (nwere ikike: ngalaba ọha). Ọzọkwa, ihe nkiri ahụ nwere kreditline ndị a: Nchịkọta Friedsam, Arịrịọ nke Michael Friedsam, 1931. Ọzọkwa, itinye n'ọnọdụ Eserese format ma nwee oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.
Nkwupụta iwu: We try everything in order to describe our products as closely as possible and to demonstrate them visually in our shop. At the same time, the pigments of the printed materials and the printing can diverge marginally from the image on the monitor. Depending on your settings of your screen and the quality of the surface, not all colors are printed one hundret percent realistically. Given that all our art reproductions are processed and printed by hand, there might as well be minor discrepancies in the size and exact position of the motif.
© Nchekwa ikike nwebisiinka | www.artprinta.com (Artprinta)