Salvator Rosa, 1659 - Allegory of Fortune - ọmarịcha nka

29,99 €

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Nkọwapụta ngwaahịa nka

Amụma nke Fortune bụ ihe osise nke onye na-ese ihe Salvator Rosa in 1659. The original had the size - 200,7 × 133 cm (79 × 52 3/8 in) and was painted with the medium oil on canvas. What is more, this artpiece can be viewed in in the Ụlọ ihe ngosi nka nke J. Paul Getty digital collection, which is part of the J. Paul Getty trust and is one of the world's largest arts organizations worldwide. It seeks to inspire curiosity about, and enjoyment and understanding of, the visual arts by collecting, conserving, exhibiting, and interpreting works of art of outstanding quality and historical importance.. The nka ochie ngalaba ọha Ibé nka na-gụnyere na nkwanye ùgwù nke Ụlọ ihe ngosi nka nke J. Paul Getty.Ebe E Si Nweta nke ihe osise:. Kedu ihe ọzọ, nhazi ahụ dị na eserese format ma nwee oke nke 2: 3, nke pụtara na ogologo bụ 33% mkpụmkpụ karịa obosara. The actor, poet, musician, painter, printmaker Salvator Rosa was a European artist, whose artistic style was primarily Baroque. The Italian artist was born in 1615 in Naples, Napoli province, Campania, Italy and passed away at the age of 58 Na 1673 na Rome, Rome Province, Lazio, Italy.

Nkọwa nka mbụ sitere na ụlọ ngosi nka (© Nwebiisinka - Ụlọ ihe ngosi nka J. Paul Getty - Ụlọ ihe ngosi nka nke J. Paul Getty)

A personification of Fortune bestows symbols of wealth, status, and power on dumb animals who neither need nor deserve them. Fortune is usually represented with a blindfold, but Salvator Rosa showed her fully aware of her favors. Similarly, the cornucopia is usually shown facing upward; by depicting it overturned, Rosa expressed reckless extravagance.

The beasts, portrayed with stark realism, trample the attributes of art and learning, including books and a palette. Draped in the cardinal red of the Catholic Church, an ass shields an owl, the symbol for wisdom, from the light. Bitter over his exclusion from papal patronage, Rosa included personal references: a book bearing his monogram and a pig stepping on a rose, which alludes to his name.

As a satire of Pope Alexander VII's nepotistic artistic patronage, this painting nearly sent Rosa to prison. After showing it privately in his studio, he flagrantly disregarded all advice and exhibited it publicly in the Pantheon in 1659. Allegory of Fortunearoused such a furor that only intervention by the pope's brother saved him.

Ozi ndabere na nka pụrụ iche

Aha eserese ahụ: "Alegory of Fortune"
nhazi ọkwa: sere
Otu izugbe: nka ochie
Narị afọ nka: 17th narị afọ
Emepụtara n'afọ: 1659
Afọ nka: ihe dị ka afọ 360
Ọkara nke ihe osise izizi: mmanụ na kwaaji
Akụkụ izizi (ọrụ nka): 200,7 × 133 cm (79 × 52 3/8 na)
Ụlọ ihe ngosi nka / ebe: Ụlọ ihe ngosi nka nke J. Paul Getty
Ebe ebe ngosi nka: Los Angeles, California, Njikota Obodo Amerika
Ebe nrụọrụ weebụ ihe ngosi nka: Ụlọ ihe ngosi nka nke J. Paul Getty
Ụdị nka nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke J. Paul Getty

Banyere omenka

aha: Salvator Rosa
Aha ndị ọzọ: Italiaansche Roos, Rosa, Salvatorello Rosa, Salbador de Rojas, Salvad.e Rosa, Rosa Salvator, Salvalorosa, Salvata Rosa, Salvat. Rosa, S. Rossa, Salv. Rossa, Romynsche Roos, Rose, Salvatore Rosa, Sal: Rosa, Römischen Roose, Salvator Roosa, Salvater Rossa, Salvador Rosa, Salvr. Rosa, Salvator, רוזה סלווטור, Salv.re Rosa, Salavator Rosa, Salvator Rosi, Salvatore dj rosa, S. V. Rosa, Salvator Rossa, Rosa Le Romain, Salvator Roza, Salv. Rosa, Savator Rossa, Rosa Salvator, Sal. Rose, Salvadore Rosa, Salva. Rosa, Salva or Rosa, Salvatore Roza, S.V. Rosa, Salvator de Rosa, Salvatoriello di Rosa, Salvator Rosa, Salvatorello di Rosa, Salvatoriello, Salvador, Salvatore Rosa Napolitano, Salvadore, Sal Rosa, Salv. Rose, S: Rosa, Salvatore Rosi, Rosa Salvatore, Salvator Ros, Savator Rosa, Salvator-Roza, Salvater Rosa, Salvata, de Romynsche Roos, Roza Sal'vator, Rosa S., Rom. Rose, Salvatorello, S. Rosa, Salvator-Rose, Salvator-Rosa, Salbador de Rossa, Salvato Rose, Savaltorose, Sal. V. Rosa, Sal. Rosa, Salvator Rosa di Roma, Salvatorino, Salvator Rore, Salvador Roosa, Salvat.re Rosa, Salvatore di Rosa, Salv.e Rosa, rosa salvatore, Seb. Rosa, Salvatre Rosa, S Rosa, S Rosa, De Roos, S. Rose, Salvator Roze, Salvato Rosa, Salvatore, Salvat.e Rosa, Salvator Rose, Rosa Salv.
okike nke onye nka: nwoke
Obodo onye nka: Italian
Ọrụ onye na-ese ihe: musician, poet, actor, painter, printmaker
Mba onye si: Italy
nhazi ọkwa: nna ukwu ochie
Ụdị nke onye na-ese ihe: Baroque
Akwụsị: 58 afọ
Afọ amụrụ: 1615
Amụrụ na (ebe): Naples, mpaghara Napoli, Campania, Italy
Afọ ọnwụ: 1673
Ebe ọnwụ: Rome, Rome Province, Lazio, Italy

Akụrụngwa ị nwere ike ịhọrọ

For every art print we offer different materials & sizes. Pick your favorite material and size among the following alternatives:

  • Mbipụta kwaaji: The UV printed canvas applied on a wooden stretcher frame. A canvas creates a special impression of three dimensionality. The advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang the Canvas print without any wall-mounts. Hence, a canvas print is suited for any type of wall.
  • Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with an outstanding depth - for a modern impression and a non-reflective surface structure. For your Print On Aluminum Dibond, we print the selected artpiece on the aluminium composite surface. The UV print on Aluminum Dibond is one of the most demanded entry-level products and is an extremely modern way to showcase artworks, since it draws focus on the replica of the artwork.
  • Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster print is a UV printed cotton canvas paper with a slightly roughened structure on the surface. Please bear in mind, that depending on the size of the poster we add a white margin between 2-6cm around the artwork in order to facilitate the framing.
  • Mbipụta iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko n'elu): A glossy acrylic glass print, which is sometimes labelled as a UV print on plexiglass, makes the original work of art into magnificient décor. Your favorite work of art will be made with state-of-the-art UV print technology. It makes sharp and vivid print colors. Our acrylic glass protects your custom fine art print against light and heat for between four and 6 decades.

Banyere ngwaahịa

Ụdị ngwaahịa: nka nka
Usoro mmeghari: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Mmalite nke ngwaahịa a: German mmepụta
Ụdị ngwaahịa: na mmepụta ihe
Ngwaahịa were: mkpokọta nka (mmeputakwa), nka mgbidi
Nhazi nka nka: usoro eserese
Ụdị anya: 2: 3
Ntụgharị nkọwa akụkụ akụkụ: ogologo bụ 33% mkpụmkpụ karịa obosara
Akụrụngwa ị nwere ike ịhọrọ: ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), akwụkwọ akwa akwa.
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47"
Nha ebipụta aluminom: 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47"
ụba: enweghị etiti

Ederede iwu: We try everythig possible in order to describe our products in as much detail as possible and to illustrate them visually. Nevertheless, the colors of the print products and the printing can vary slightly from the representation on your screen. Depending on your screen settings and the nature of the surface, not all colors will be printed 100% realistically. Because all our are printed and processed by hand, there might also be minor discrepancies in the size and exact position of the motif.

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