Francesco Guardi, 1765 - ọmarịcha ọdịdị ala - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi nka ndị ọzọ sitere na webụsaịtị ihe ngosi nka (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
Ebe atọ ndị a mara mma (capricci) dị na njedebe narị afọ nke iri na itoolu na nnukwu ụlọ Colloredo di Monte Albano, na North-Eastern Italy, na nso Udine. O doghị anya ma ọ bụrụ na agbagoro akpa akwa maka nnukwu ụlọ ahụ, nke sitere na ezinụlọ Colloredo Mels. Ogo na ọdịdị nke eserese ahụ yiri ka Guardi gbanwere ya n'oge eserese ma ọ bụ ozugbo emechara. Ihe atọ a mejupụtara gbadoro ụkwụ n'okirikiri nkume nkume, ogwe osisi na-egbu egbu na mkpọmkpọ ebe oge gboo. A na-edobe obere ihe ndị na-adọgbu onwe ha n'ọrụ na ịkụ azụ megide nnukwu mbara igwe na mmiri nwere agba agba.
The masterpiece was painted by the baroque master Francesco Guardi. Ihe okike izizi tụrụ nha: Oge oge, 61 1/4 x 74 1/2 inch (155,6 x 189,2 cm). Mmanụ na kwaaji was applied by the painter as the medium of the masterpiece. This work of art belongs to the digital art collection of Museumlọ ihe ngosi nka nke Obodo. With courtesy of The Metropolitan Museum of Art, New York, Gift of Julia A. Berwind, 1953 (ikike ngalaba ọha). : Gift of Julia A. Berwind, 1953. Moreover, alignment is landscape with an aspect ratio of 1.2: 1, which means that the length is 20% longer than the width. The painter Francesco Guardi was an artist from Italy, whose artistic style was primarily Baroque. The European artist was born in 1712 na Venice, Venezia n'ógbè, Veneto, Italy ma nwụọ mgbe ọ dị afọ 81 na 1793.
Họrọ ihe gị
In the dropdown menu next to the article you can choose your prefered size and material. The following sizes and materials are the options we offer you for individualization:
- Glass acrylic ebipụtara nwere mmetụta na-egbuke egbuke: An print on acrylic glass, often denoted as a UV print on plexiglass, changes the original work of art into décor. The work of art is made with state-of-the-art UV direct print machines. This makes impressive and rich colors. With an acrylic glass fine art print sharp contrasts as well as granular color details become recognizeable because of the subtle gradation in the print. Our plexiglass protects your custom art print against light and external influences for many years.
- Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster print is a UV printed canvas with a nice structure on the surface. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6cm round about the artwork, which facilitates the framing.
- Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with an impressive depth effect - for a modern impression and non-reflective surface. For your Aluminium Dibond print, we print the artpiece right on the aluminium surface. Colors are luminous in the highest definition, details of the print appear crisp and clear, and there’s a matte appearance that you can literally feel.
- Mbipụta kwaaji: The printed canvas material mounted on a wooden frame. A canvas produces the exclusive look of three dimensionality. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without any wall-mounts. Canvas prints are suitable for all kinds of walls.
Data omenka ahaziri ahazi
Ihe nkiri: | Francesco Guardi |
A makwaara dịka: | Guada Francesco, Gaurdy, גוארדי פרנצ'סקו, Garde, guardi francesco de, Franc. Guardi, Garde Francesco, francesco quardi, Guardie, Guardi, franzesco guardi, Gauda Francesco, Guardet, Giradi, f. guardi, Francisco Wardi élève de Canaletti, Fran. Guardi, Gardis, Guada, Francesco Guarde, guardi francesco, Gouardi, Guardet Francesco, Guarde Francesco, guardi f., guarde f., Guarde, Fr. Guardi, François Guardi, guardi fr., Gvardi Franchesko, Gardis Francesco, Guardo, guardi franc., Guardi Francesco, Gardi, Francesco Guardi, francesco de guardi, Gauda, Gardi Francesco, Gaurdi, Fr: Guardi, guardi f., Francisco Guardi |
Gender: | nwoke |
Obodo onye nka: | Italian |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Obodo obibi: | Italy |
nhazi ọkwa: | nna ukwu ochie |
Ụdị nka: | Baroque |
Nwụrụ anwụ: | 81 afọ |
Afọ ọmụmụ: | 1712 |
Amụrụ na (ebe): | Venice, mpaghara Venezia, Veneto, Italy |
Afọ ọnwụ: | 1793 |
Ebe ọnwụ: | Venice, mpaghara Venezia, Veneto, Italy |
Nkọwapụta nka
Aha nka: | "Okirikiri ala mara mma" |
Nhazi nka nka: | sere |
Okwu nche anwụ: | nka ochie |
Time: | 18th narị afọ |
Year: | 1765 |
Afọ nka: | ihe karịrị 250 afọ |
Agba na: | mmanụ na kwaaji |
Akụkụ izizi (ọrụ nka): | Oge oge, 61 1/4 x 74 1/2 inch (155,6 x 189,2 cm) |
Ụlọ ihe ngosi nka / ebe: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Ibe weebụ: | Museumlọ ihe ngosi nka nke Obodo |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye Julia A. Berwind, 1953 |
Ebe E Si Nweta: | Onyinye nke Julia A. Berwind, 1953 |
Ozi ederede ahaziri
Nkewa ngwaahịa: | ọrụ mgbidi |
Mmeputakwa: | dijitalụ mmeputakwa |
Production usoro: | Mbipụta UV / dijitalụ |
Nlụpụta: | German mere |
Stockdị ngwaahịa: | na mmepụta ihe |
A na-atụ aro iji ngwaahịa eme ihe: | ihe ndozi mgbidi, gallery mgbidi |
Ndepụta: | usoro odida obodo |
Njikwa oyiyi: | 1.2: 1 |
Ihe: | ogologo bụ 20% ogologo karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 60x50cm - 24x20", 120x100cm - 47x39" |
Ụdị mbipụta Dibond (ihe alumnium) dị iche iche: | 60x50cm - 24x20", 120x100cm - 47x39" |
Igwe onyonyo: | adịghị |
Ozi dị mkpa: We try all that we can in order to depict our products with as many details as it is possible and to display them visually on the various product detail pages. However, the tone of the print materials and the imprint can vary to a certain extent from the presentation on your screen. Depending on the screen settings and the quality of the surface, not all color pigments are printed 100% realistically. Bearing in mind that all our fine art prints are printed and processed by hand, there may also be minor differences in the exact position and the size of the motif.
© Nwebiisinka nke, www.artprinta.com (Artprinta)