Ọgbakọ nke Francesco Trevisani - Kadịnal Pietro Ottoboni - mbipụta nka mara mma

59,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Ozi mgbakwunye sitere na weebụsaịtị Nationalmuseum Stockholm (© Nwebiisinka - nke Nationalmuseum Stockholm - National Museum nke Stockholm)

Kopia Kopia efter gravyr av M Marbeck efter Trevisani

Nkọwa nka ahaziri

Aha ọrụ nka: "Cardinal Pietro Ottoboni"
nhazi ọkwa: sere
Ihe osise izizi: mmanụ na kwaaji
Nha izizi (ọrụ nka): Ogologo: 76 cm (29,9 ″); Obosara: 63 cm (24,8 ″) Ekebere: Elu: 90 cm (35,4 ″); Obosara: 77 cm (30,3 ″); Omimi: 8 cm (3,1 ″)
Ụlọ ihe ngosi nka / mkpokọta: National Museum nke Stockholm
Ebe ngosi nka: Stockholm, Obodo Stockholm, Sweden
Weebụsaịtị nke ihe ngosi nka: National Museum nke Stockholm
Licensedị ikike: ngalaba ọha
Site n'aka: Nationalmuseum Stockholm na Wikimedia Commons

Tebụl nchịkọta ihe nkiri

Ihe nkiri: Ụlọ ọrụ Francesco Trevisani
Obodo onye nka: Italian
Ọrụ onye na-ese ihe: onye na-ese ihe
Country: Italy
Ndụ: 90 afọ
A mụrụ: 1656
Ebe amụrụ onye: Koper
Nwụrụ n'afọ: 1746
Obodo ọnwụ: Rome

Nkọwa ngwaahịa

Bipụta ngwaahịa: ọrụ mgbidi
Usoro mmeghari: dijitalụ mmeputakwa
Produzọ mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Production: emere na Germany
Ụdị ngwaahịa: mmepụta ihe na-achọ
Eji ngwaahịa emebere: ịchọ mma mgbidi, ihe ndozi ụlọ
Ndepụta: nhazi ihe osise
Njikwa oyiyi: (ogologo: obosara) 1: 1.2
Ihe: ogologo bụ 20% mkpụmkpụ karịa obosara
Akụrụngwa ị nwere ike ịhọrọ site na: ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 50x60cm - 20x24", 100x120cm - 39x47"
Mbipụta aluminom: 50x60cm - 20x24", 100x120cm - 39x47"
Nhazi mmeputa nka nka: na-enweghị etiti

Kedu ihe ngwaahịa masịrị gị?

For every art print we offer a range of different materials & sizes. You can pick your favorite material and size among the subsequent options:

  • Poster (akwa akwa akwa): The poster print is a printed flat canvas paper with a slightly roughened surface finish. A printed poster is perfectly suited for placing your fine art print using a customized frame. Please bear in mind, that depending on the size of the poster we add a white margin 2-6cm round about the work of art, which facilitates the framing with a custom frame.
  • Mbipụta kanvas: The canvas direct print is a printed cotton canvas mounted on a wood frame. A canvas print has the advantage of being relatively low in weight, which means that it is quite simple to hang the Canvas print without extra wall-mounts. A canvas print is suited for all kinds of walls in your house.
  • Aluminom ihe eji eme ihe: Aluminium Dibond prints are prints on metal with an impressive depth. Its non-reflective surface structure creates a contemporary impression. A direct Aluminium Dibond Print is your perfect introduction to replicas made on aluminum. For the Print On Aluminum Dibond, we print your selected artwork right onto the aluminium composite surface. The white & bright parts of the work of art shine with a silk gloss but without glow. Colors are luminous and vivid in the highest definition, details of the print are crisp and clear. The UV print on aluminium is the most popular entry-level product and is a truly contemporary way to display art prints, since it puts 100% of the viewer’s focus on the artwork.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, often labelled as a UV print on plexiglass, will change your chosen original work of art into lovely décor. Additionally, the acrylic art print forms a viable alternative option to dibond and canvas fine art prints. The work of art will be manufactured with the help of state-of-the-art UV direct printing machines. It makes sharp and rich color shades. With an acrylic glass art print contrasts and smaller image details become exposed due to the fine gradation of the picture. Our real glass coating protects your selected fine art print against sunlight and external influences for between 4 and 6 decades.

Banyere ngwaahịa nka

na Italian painter Workshop of Francesco Trevisani made this work of art. The version of the work of art measures the size: Ogologo: 76 cm (29,9 ″); Obosara: 63 cm (24,8 ″) Ekebere: Elu: 90 cm (35,4 ″); Obosara: 77 cm (30,3 ″); Omimi: 8 cm (3,1 ″) and was manufactured with the techinque oil on canvas. What is more, this artpiece can be viewed in in the digital collection of Nationalmuseum Stockholm, which is Sweden's museum of art and design, a Swedish government authority with a mandatet o preserve cultural heritage and promote art, interest in art and knowledge of art. This work of art, which is in the ngalaba ọha a na-enye ya site n'ikike nke Nationalmuseum Stockholm na Wikimedia Commons.: . On top of that, alignment is portrait and has a side ratio of 1 : 1.2, which implies that the length is 20% shorter than the width.

Nkwupụta iwu: We try everything to depict the products with as many details as we can and to showcase them visually on the product detail pages. At the same time, the pigments of the printed materials, as well as the imprint might vary somehwat from the presentation on your screen. Depending on the screen settings and the condition of the surface, color pigments can unfortunately not be printed as exactly as the digital version shown here. In view of the fact that our art reproductions are processed and printed by hand, there may as well be minor deviations in the motif's size and exact position.

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