Paolo Veronese, 1580 - Saint Catherine nke Aleksandria n'ụlọ mkpọrọ - mbipụta nka mara mma

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The Roman Emperor Maxentius condemned Saint Catherine, a fourth-century princess of Alexandria who had attempted to convince him of the validity of Christianity, to twelve days of starvation in prison. Veronese shows her in a dark prison cell comforted by the dove of the Holy Ghost. Behind and below her are fragments of the wheel with which the Emperor sought, unsuccessfully, to kill her. She was ultimately martyred by beheading and holds the martyr's palm. The painting was done late in Veronese's career, probably around 1580–85, when his work was characterized by a dramatic use of light and a new depth of expression.

Nkọwa ngwaahịa nka

Saint Catherine of Alexandria in Prison is a painting created by the male Italian painter Paolo Veronese in 1580. Ụdị nka ahụ dị afọ 440 tụrụ nha: 45 3/4 x 33 inch (116,2 x 83,8 cm) and was painted with the medium oil on canvas. The work of art forms part of the digital collection of Museumlọ ihe ngosi nka nke Obodo. We are delighted to reference that this work of art, which is in the ngalaba ọha a na-enye ya site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye amabeghị, 1999. : Anonymous Gift, 1999. Furthermore, alignment is Eserese ma nwee akụkụ nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara. Paolo Veronese was a painter of Italian nationality, whose artistic style can mainly be classified as Mannerism. The painter lived for a total of 60 afọ a mụrụ ya n'afọ 1528 in Verona, Verona province, Veneto, Italy and deceased in 1588.

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Nchịkọta nhọrọ ngwaahịa na-enye gị ohere ịhọrọ nha na ihe ị họọrọ. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

• Ihe odide acrylic glass: The acrylic glass print, which is sometimes named as a print on plexiglass, will turn the original work of art into beautiful décor. Besides, it offers a distinct alternative option to dibond or canvas prints. The artwork is made with the help of modern UV printing machines. The real glass coating protects your selected fine art print against light and heat for up to 6 decades.
• Mbipụta akwụkwọ mmado (ihe kwaaji): Our poster print is a UV printed sheet of canvas paper with a slightly roughened surface texture, which reminds the original artwork. It is best suited for framing the art replica using a custom-made frame. Please bear in mind, that depending on the size of the poster we add a white margin between 2-6 cm round about the print motif, which facilitates the framing with your custom frame.
• Kwaaji: A canvas print is a printed cotton canvas stretched on a wooden frame. Also, a canvas generates a charming and positive appearance. The great advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang up your Canvas print without extra wall-mounts. Because of thatcanvas prints are suitable for any kind of wall.
• Aluminom dibond (ọkpụkpụ ọla): An Aluminium Dibond print is a print material with an impressive effect of depth. A direct Aluminium Dibond Print is the perfect start to fine art replicas on aluminum.

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Ederede iwu dị mkpa: We try everythig possible in order to describe the art products as clearly as possible and to demonstrate them visually on the various product detail pages. Although, the tone of the print products and the print result can diverge slightly from the representation on your device's monitor. Depending on the screen settings and the condition of the surface, not all color pigments will be printed as realisitcally as the digital version on this website. Since all art prints are processed and printed by hand, there might also be minor discrepancies in the size and exact position of the motif.

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