Barthel Beham, 1527 - Chancellor Leonhard Eck (1480-1550) - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nchịkọta nke oyiri nka kpochapụwo
"Chancellor Leonhard Eck (1480-1550)" is a piece of art painted by Barthel Beham in 1527. Nke kariri 490 okike izizi nke afọ nwere nha: 22 1/8 x 14 7/8 na (56,2 x 37,8 cm) wee mepụta ya na Usoro mmanụ na spruce. What is more, this artwork is included in the art collection of The Metropolitan Museum of Art. With courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, John Stewart Kennedy Fund, 1912 (ọha na eze). Creditline of the artwork: John Stewart Kennedy Fund, 1912. What is more, the alignment of the digital reproduction is Eserese ya na oke nke 2: 3, nke pụtara na ogologo bụ 33% mkpụmkpụ karịa obosara. The court painter, painter Barthel Beham was a European artist from Germany, whose artistic style was primarily Northern Renaissance. The European artist was born in the year 1502 in Nuremberg, Bavaria, Germany and deceased at the age of 38 in 1540.
Nhọrọ akụrụngwa ngwaahịa enwere ike
Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Mbipụta kwaaji: A canvas print is a printed cotton canvas mounted on a wooden stretcher. Canvas Prints have the advantage of being relatively low in weight. That means, it is easy to hang your Canvas print without additional wall-mounts. A canvas print is suitable for all kinds of walls.
- Mbipụta akwụkwọ mmado (akwa akwa akwa): A poster print is a printed flat cotton canvas paper with a slightly rough structure on the surface. A poster is optimally qualified for placing your art print using a custom-made frame. Please keep in mind, that depending on the size of the poster print we add a white margin of approximately 2-6cm around the print motif, which facilitates the framing with your custom frame.
- Aluminom dibond mbipụta (ọla): These are metal prints on aluminium dibond material with an outstanding effect of depth. A direct Direct Print on Aluminum Dibond is the ideal introduction to fine prints with aluminum. The colors of the print are luminous and vivid in the highest definition, the details are crisp.
- Mbipụta enyo acrylic: A glossy acrylic glass print, which is often denoted as a plexiglass print, will turn your favorite original into beautiful décor and is a distinct alternative to dibond or canvas fine art prints. Your favorite work of art will be printed with the help of state-of-the-art UV print technology. This makes sharp, intense color shades. With an acrylic glass art print contrasts and minor color details will be recognizeable because of the fine gradation. Our acrylic glass protects your custom fine art print against sunlight and heat for up to 60 years.
Ihe dị mkpa: We try what we can in order to describe our art products as precisely as possible and to illustrate them visually on the product detail pages. Please bear in mind that the tone of the print materials and the print result might differ somehwat from the presentation on the device's monitor. Depending on your screen settings and the nature of the surface, not all color pigments are printed as exactly as the digital version on this website. Given that our are printed and processed by hand, there may also be minor differences in the size and exact position of the motif.
Ozi ihe ahaziri ahazi
Nkewa bipụta: | ọrụ mgbidi |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Nlụpụta: | German mere |
Ụdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa a chọrọ: | Ụlọ ihe ngosi nka, ụlọ mgbidi |
Nhazi nka nka: | nhazi ihe osise |
Njikwa oyiyi: | 2: 3 |
Ntụgharị asụsụ oke onyonyo: | ogologo bụ 33% mkpụmkpụ karịa obosara |
Ngwa ngwaahịa dị: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Mpempe aluminom (aluminium dibond ihe) nha: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Nhazi mbipụta nka: | ngwaahịa anaghị emebi emebi |
Ọrụ tebụl nka
Aha ọrụ nka: | "Chancellor Leonhard Eck (1480-1550)" |
nhazi ọkwa: | sere |
Nhazi nka: | nka ochie |
Century: | 16th narị afọ |
Afọ nka: | 1527 |
Ogologo afọ nka nka: | ihe dị ka afọ 490 |
Agba na: | mmanụ na spruce |
Ogo nke ọrụ nka izizi: | 22 1/8 x 14 7/8 na (56,2 x 37,8 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, John Stewart Kennedy Fund, 1912 |
Ebe E Si Nweta: | John Stewart Kennedy Fund, 1912 |
Tebụl nkọwa omenkà
Aha onye nka: | Barthel Beham |
Aliases: | Beham Barthel, בהאם בארת'ל, Beheim Barthel, Baehmor Barthel, Baehm Barthel, Peham Barthel, Barthel Beham, Beham, Behem Barthel, Bohm Barthel, Beham Bartel |
okike onye nka: | nwoke |
Obodo onye nka: | German |
Ọrụ: | onye ese, ogbako |
Mba onye si: | Germany |
Nhazi nke onye nka: | nna ukwu ochie |
styles: | Northern Renaissance |
Ndụ: | 38 afọ |
Amụrụ n'afọ: | 1502 |
Ebe omuma: | Nuremberg, Bavaria, Germany |
Afọ nwụrụ: | 1540 |
Enwere ikike nwebiisinka © | www.artprinta.com (Artprinta)
Ozi ihe osise sitere na Ụlọ ihe ngosi nka nke Obodo ukwu (© - site n'aka The Metropolitan Museum of Art - www.metmuseum.org)
Barthel Beham and his older brother Sebald were renowned as printmakers as well as painters. They were active in Lutheran Nuremberg until 1525, when they were banished for opposing the Reformation. Barthel subsequently moved to Catholic Munich to serve as court painter to the Bavarian dukes William IV and Ludwig X. The sitter of this arresting portrait, Leonhard von Eck, was Chancellor to William IV and a powerful opponent of the Reformation. An engraving after this portrait is inscribed with Leonhard von Eck's name, his age (forty-seven), and the artist’s initials, with the date 1527.