Hans Süss von Kulmbach, 1508 - Eserese nke Nwa okorobịa; (reverse) Nwa agbọghọ Ime Garland - ọmarịcha nka

59,99 €

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Hans Süss von Kulmbach had been apprenticed to the Italian painter and printmaker Jacopo de’ Barbari, who worked at a number of German courts in the first decade of the sixteenth century. The latter’s influence must have continued even after Kulmbach joined Dürer’s Nuremberg studio in 1507, since this portrait of an unidentified young man, which dates from about 1508, is stylistically very close to Barbari's earlier Portrait of a Man (Kunsthistorisches Museum, Vienna). The panel is unique in Kulmbach’s oeuvre, as it joins a portrait with an allegorical subject on the verso. Reverse label: This charming genre depiction represents a girl making a garland of forget-me-nots, one of which lies on the windowsill. A decoratively trailing banderole above reads, in translation, "I bind with forget-me-nots." Symbolizing a lover or prospective bride, the young maiden seems to address the young man who appears on the other side of the panel, promising to bind her heart faithfully to him. The prominently placed cat—a symbol of respectable, constant love in the art of the period— also refers to her commitment and affection.

Nkọwapụta nka

Aha ọrụ nka: "Portrait of a Young Man; (reverse) Girl Making a Garland"
Nhazi nka: sere
Okwu mkpokọta: nka ochie
Time: 16th narị afọ
Emepụtara n'afọ: 1508
Afọ nka: karịa afọ 510
Usoro izizi: mmanụ na poplar
Akụkụ nke nka nka izizi: 7 x 5 1/2 na (17,8 x 14 cm)
Ụlọ ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
ibe weebụ: Museumlọ ihe ngosi nka nke Obodo
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye J. Pierpont Morgan, 1917
Ebe E Si Nweta: Onyinye nke J. Pierpont Morgan, 1917

Banyere onye na-ese ihe

Ihe nkiri: Hans Süss von Kulmbach
okike nke onye nka: nwoke
Obodo onye nka: German
Ọrụ: onye na-ese ihe
Obodo obibi: Germany
Nkewa onye nka: nna ukwu ochie
styles: Northern Renaissance
Akwụsị: 42 afọ
Afọ ọmụmụ: 1480
Nwụrụ n'afọ: 1522

Nkọwa ngwaahịa

Bipụta ụdị ngwaahịa: nka nka
Usoro mmeghari: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Production: emere na Germany
Ụdị ngwaahịa: mmepụta ihe na-achọ
Ojiji ngwaahịa: nchịkọta nka (mmeputakwa), ihe ndozi ụlọ
Nhazi nka nka: usoro eserese
Ụdị anya: 1: 1.2 ogologo: obosara
Oke onyonyo pụtara: ogologo bụ 20% mkpụmkpụ karịa obosara
Akwa mmeputakwa dị: Mpempe iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kwaaji.
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 50x60cm - 20x24", 100x120cm - 39x47"
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 50x60cm - 20x24", 100x120cm - 39x47"
Nhọrọ Dibond (ihe alumnium) nhọrọ: 50x60cm - 20x24", 100x120cm - 39x47"
ụba: adịghị

Họrọ nhọrọ ihe ebipụta nka

Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Kwaaji: A canvas print, not to be mistaken with a painting on a canvas, is a digital replica printed directly on canvas fabric. Furthermore, a printed canvas makes a lovely and positive impression. A canvas print has the advantage of being relatively low in weight, which implies that it is easy to hang your Canvas print without the use of extra wall-mounts. Canvas prints are suited for all kinds of walls in your home.
  • Mbipụta akwụkwọ mmado (ihe kwaaji): Our poster is a printed flat canvas with a slight finish on the surface, which reminds the original artwork. Please keep in mind, that depending on the absolute size of the poster we add a white margin of something between 2 - 6cm round about the painting to facilitate the framing with a custom frame.
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  • Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often described as a plexiglass print, will turn your original into stunning home décor. Your artwork is being printed with state-of-the-art UV direct printing machines. The effect of this are vivid, deep colors. The acrylic glass protects your selected art print against sunlight and external influences for several decades.

The 16th narị afọ ihe osise e kere nwoke German painter Hans Süss von Kulmbach in 1508. The masterpiece had the size: 7 x 5 1/2 in (17,8 x 14 cm) and was painted with the medium mmanụ na poplar. Ọzọkwa, a pụrụ ịhụ mpempe nka na mkpokọta nka dijitalụ nke Museumlọ ihe ngosi nka nke Obodo, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917 (ọha na eze). Ihe kredit nke ọrụ nka bụ nke a: Onyinye nke J. Pierpont Morgan, 1917. Ọzọkwa, nhazi ahụ dị n'ụdị eserese yana oke akụkụ nke 1: 1.2, meaning that the length is 20% shorter than the width. Hans Süss von Kulmbach was a male painter, whose artistic style can be attributed mainly to Northern Renaissance. The artist lived for a total of 42 afọ, amuru na 1480 ma nwụọ na 1522.

Ederede iwu: We do whatever we can in order to depict the art products in as much detail as possible and to exhibit them visually on the respective product detail pages. Still, the pigments of the print materials, as well as the print result might diverge somehwat from the presentation on the device's monitor. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed 100% realistically. Since all our fine art prints are printed and processed by hand, there might also be slight discrepancies in the motif's exact position and the size.

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