Johann König, 1622 - Mbilite n'ọnwụ nke Kraịst - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Things you should know about the art print "The Resurrection of Christ"
Ọ bụ ndị mepụtara ihe osise a German artist Johann König. The 390 year old artpiece has the size: Ekebereghị: 61 x 46 cm (24 x 18 1/8 na). Oil on copper was used by the German painter as the technique for the artwork. The masterpiece has the following inscription: "signed and dated lower left: Johan. : König / 1622". Today, this piece of art can be viewed in in the Ụlọ ihe ngosi nka nke Cleveland nchịkọta. Site n'ikike nke Velọ ihe ngosi nka nke Cleveland (ikikere: ngalaba ọha). Ebe kredit nke ọrụ nka: Leonard C. Hanna, Jr. Fund. N'elu nke ahụ, nhazi nke mmepụta dijitalụ bụ Eserese ma nwee oke onyonyo nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. The painter Johann König was an artist from Germany, whose style can mainly be classified as Baroque. The Baroque painter lived for a total of 56 years, born in the year 1586 and passed away in the year 1642.
Họrọ ngwa ngwaahịa ọkacha mmasị gị
In the dropdown lists right next to the product offering you can pick the size and materialaccording to your preferences. Choose among the following product options now to match your preferences in size and material:
- Mbipụta enyo acrylic: An print on acrylic glass, often described as a plexiglass print, will turn your original into stunning décor. What is more, the acrylic glass art print forms a great alternative to canvas and dibond art prints. With an acrylic glass art print contrasts as well as granular artwork details become exposed because of the precise tonal gradation in the picture. Our real glass coating protects your chosen art print against light and external influences for many years.
- Mbipụta kanvas: A canvas print, not to be mistaken with a canvas painting, is a digital copy applied on a canvas. A canvas print of your favorite work of art will give you the opportunity of transforming your into a large size artpiece. The advantage of canvas prints is that they are relatively low in weight. This means, it is quite simple to hang up the Canvas print without additional wall-mounts. Therefore, a canvas print is suited for any kind of wall.
- Ebipụta akwụkwọ mmado na ihe akwa akwa: The Artprinta poster is a printed canvas paper with a slight surface texture, that reminds the original version of the work of art. It is perfectly suited for placing your art copy with the help of a personal frame. Please keep in mind, that depending on the absolute size of the poster print we add a white margin between 2-6cm round about the artwork to facilitate the framing with a custom frame.
- Metal (aluminium debond mbipụta): An Aluminium Dibond print is a print material with a true effect of depth. For the Print On Aluminum Dibond, we print your work of art on the aluminium composite surface. The colors of the print are luminous and vivid in the highest definition, details are crisp, and there’s a matte look you can literally feel. This print on Aluminum Dibond is the most popular entry-level product and is a truly modern way to showcase artworks, since it puts the viewer’s attention on the whole artwork.
Ederede iwu: We try all that we can in order to depict our products as clearly as possible and to display them visually in our shop. Nonetheless, the pigments of the printed materials, as well as the printing may vary slightly from the presentation on your monitor. Depending on your settings of your screen and the quality of the surface, colors can unfortunately not be printed as realistically as the digital version depicted here. Because all the are processed and printed manually, there may also be slight deviations in the motif's size and exact position.
Nkọwapụta edemede
Nkewa edemede: | ezi nka mmeputakwa |
Usoro mmeghari: | dijitalụ mmeputakwa |
Produzọ mmepụta: | UV kpọmkwem obibi |
Production: | German mmepụta |
Stockdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa a chọrọ: | ịchọ mma mgbidi, ihe ndozi mgbidi |
Nhazi nka nka: | usoro eserese |
Njikwa oyiyi: | 3: 4 ogologo: obosara |
Nsonaazụ: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Ụdị akwa: | acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ. |
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nha aluminom dibond (ihe aluminom) nha: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Igwe onyonyo: | biko buru n'uche na nnomi nka enweghi fremu |
Ozi ndabere na nka
Aha ọrụ nka: | "Mbilite n'ọnwụ nke Kraịst" |
Nhazi nke ihe nka: | sere |
Okwu mkpokọta: | nka ochie |
oge: | 17th narị afọ |
Afọ okike: | 1622 |
Afọ nka: | karịa afọ 390 |
Usoro izizi: | mmanụ na ọla kọpa |
Nha izizi nka: | Ekebereghị: 61 x 46 cm (24 x 18 1/8 na) |
Akara mbinye aka: | signed and dated lower left: Johan. : König / 1622 |
Ụlọ ihe ngosi nka / mkpokọta: | Velọ ihe ngosi nka nke Cleveland |
Ebe ngosi nka: | Cleveland, Ohio, United States nke America |
Weebụsaịtị nke ihe ngosi nka: | Velọ ihe ngosi nka nke Cleveland |
License: | ngalaba ọha |
Site n'aka: | Velọ ihe ngosi nka nke Cleveland |
kreditline ọrụ nka: | Leonard C. Hanna, Jr. Fund |
Tebụl nkọwa omenkà
Aha onye nka: | Johann König |
Obodo onye nka: | German |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Obodo onye nka: | Germany |
Nkewa onye nka: | nna ukwu ochie |
styles: | Baroque |
Oge ndu: | 56 afọ |
Afọ ọmụmụ: | 1586 |
Afọ nwụrụ: | 1642 |
© echebe nwebiisinka | Artprinta.com
Additional specifications as provided by The Cleveland Museum of Art (© - by The Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)
According to Christian belief, three days after his death by crucifixion, Christ rose from the dead and ascended into heaven. König’s interpretation of this traditional theme employs vivid colors and explosive poses to express the drama of the event. Meticulous brushwork delineates exquisite details, and draws attention to the luminous landscape and the three holy women hastening towards Christ’s vacant tomb.