Johann Liss, 1625 - Nymph na Shepherd - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Họrọ ihe ị ga-ekwu
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- Mbipụta nke aluminom: An Aluminium Dibond print is a material with an outstanding effect of depth - for a modern look and non-reflective surface. For the Print On Aluminum Dibond, we print the favorite work of art right on the aluminium composite surface. The white and bright sections of the original work of art shimmer with a silk gloss, however without glare.
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Original artwork information as provided by The Metropolitan Museum of Art (© Copyright - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)
Liss, from northwestern Germany, reportedly studied in Haarlem and about 1620 travelled through Antwerp and Paris to Italy. After a period in Venice he worked in Rome (ca. 1622-25), where he painted works eclectically reminiscent of Caravaggio’s followers, Annibale Carracci, Rubens, and other Italian and Netherlandish artists. This poetic picture was painted under the influence of Titian’s pastoral imagery (which inspired Poussin at about the same time). Not unlike the viewer, a passing shepherd has discovered a sleeping nymph who is at once intensely physical and a vision of innocent youth.
Ozi gbasara ngwaahịa nka
Ihe osise a karịrị 390 afọ ka ndị ahụ sere ya German onye na-ese ihe Johann Liss in 1625. Ihe osise a tụrụ nha: 41 1/8 x 37 3/8 na (104,5 x 94,9 cm) and was painted with oil on canvas. Besides, this work of art is included in the digital art collection of Museumlọ ihe ngosi nka nke Obodo, nke dị na New York City, New York, Njikota Obodo Amerika. a ngalaba ọha masterpiece is supplied with courtesy of The Metropolitan Museum of Art, New York, Purchase, Lila Acheson Wallace Gift, Victor Wilbour Memorial Fund, The Alfred N. Punnett Endowment Fund, and Marquand and Curtis Funds, and Bequests of Theodore M. Davis and Helen R. Bleibtreu, by exchange, 1999. Creditline of the artwork: Purchase, Lila Acheson Wallace Gift, Victor Wilbour Memorial Fund, The Alfred N. Punnett Endowment Fund, and Marquand and Curtis Funds, and Bequests of Theodore M. Davis and Helen R. Bleibtreu, by exchange, 1999. Ọzọkwa, nhazi ahụ bụ Eserese ya na oke nke 1: 1.2, meaning that the length is 20% shorter than the width. The painter, printmaker, draftsman, born ca. Johann Liss was a European artist, whose artistic style was mainly Baroque. The European artist lived for a total of 36 years, born in the year 1595 in Oldenburg, Lower Saxony, Germany and passed away in the year 1631 in Verona, Verona province, Veneto, Italy.
Nkọwa nka ahaziri
Aha nke eserese ahụ: | "Nymph and Shepherd" |
Nhazi nka: | sere |
Okwu mkpokọta: | nka ochie |
Nhazi oge: | 17th narị afọ |
Emepụtara na: | 1625 |
Afọ nka: | ihe karịrị afọ 390 |
Ihe osise izizi: | mmanụ na kwaaji |
Akụkụ izizi: | 41 1/8 x 37 3/8 na (104,5 x 94,9 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Purchase, Lila Acheson Wallace Gift, Victor Wilbour Memorial Fund, The Alfred N. Punnett Endowment Fund, and Marquand and Curtis Funds, and Bequests of Theodore M. Davis and Helen R. Bleibtreu, by exchange, 1999 |
Ebe kredit nke ọrụ nka: | Purchase, Lila Acheson Wallace Gift, Victor Wilbour Memorial Fund, The Alfred N. Punnett Endowment Fund, and Marquand and Curtis Funds, and Bequests of Theodore M. Davis and Helen R. Bleibtreu, by exchange, 1999 |
Banyere ihe a
Nkewa ngwaahịa: | ezi nka mmeputakwa |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | mbipụta dijitalụ |
Ihe ngosi: | German mere |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Eji ngwaahịa a chọrọ: | ihe ndozi ụlọ, ime ụlọ |
Nhazi nka nka: | usoro eserese |
Oke akụkụ onyonyo: | 1: 1.2 ogologo ruo obosara |
Nsonaazụ: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Ụdị ihe dị iche iche dị: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ. |
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ nha nha nke aluminom dibond (ihe aluminom): | 50x60cm - 20x24", 100x120cm - 39x47" |
Igwe onyonyo: | na-enweghị etiti |
Nchịkọta ihe nkiri
Aha onye nka: | Johann Liss |
Aha nka ndị ọzọ: | Jean van Lis, Jan Lis, Jean van der Lis, van der Lisse, V. d. Lies, Lys, Jean van der Lys, Ioh.v. Lyss, J. Lys, Jean de Liss, Vander Lys Johann, van der Liss, Jan van der Lis, Johann Lys, Ioh. Lys, Liz, Vanderlys Johann, Van der Lis, Vander Lis, J. Liss, Jan Lijs, Jan Lys gen. Pan, Lys Johann, Giovanni Lys, Liss Johan, Johann Liss, Johan Lijs, Jan Liss, Lys Jan, Johann van der Lys, Johan Lis, Liss Jan, Jean Lys, Liss Pan, jan lys, J. van der Lis, Jan vander Lis, Pan, Vis, De Lys, Lys Johan, Jan de Lis, Jan. Liss, Vander Lys, Jean de Lys, John Van Lis, Jean Lis, Jean de Lis, J. Vander Lis, J. van der Lys, Vanderlys, Jan Luz, von Lys Jan, jan van lys, Lis Johann, Jean Vander Lys, Jann de Lys, Vanderlis, Gio. Lis, Liss Johann, Von Lys Pan, V. d. Lis, J. Vander Lys, Liss, J. Lis, Giovanni Lis fiammingo, Lis Pan, J. Vanlis, Johan Liss, Joh. Lis, De Lis, Jan van Lies, Gio: Lix, Giovanni Lio, Lis Jan, Gio: Lis fiamengo, Liss Joan., von Lys Johann, Giovanni Lis, Lys Pan, J. Van Lis, Lis |
okike nke onye nka: | nwoke |
Obodo onye nka: | German |
Ọrụ: | born ca., draftsman, printmaker, painter |
Country: | Germany |
Nhazi nke onye nka: | nna ukwu ochie |
styles: | Baroque |
Oge ndu: | 36 afọ |
Afọ ọmụmụ: | 1595 |
Ebe omuma: | Oldenburg, Lower Saxony, Germany |
Afọ nwụrụ: | 1631 |
Obodo ọnwụ: | Verona, Verona Province, Veneto, Italy |
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