Lucas Cranach the Elder, 1510 - Martyrdom nke Saint Barbara - ọmarịcha nka

59,99 €

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Ozi nka nka izizi sitere na The Metropolitan Museum of Art (© - Ụlọ ihe ngosi nka nke obodo ukwu - www.metmuseum.org)

According to legend, Saint Barbara was executed by her heathen father, Dioscorus, when she refused to recant her Christian faith. Luxuriously dressed, she seems here to calmly accept her fate as she kneels before Dioscorus, who raises his sword to behead her. The four sinister-looking witnesses may be the Roman authorities who had tortured her in an attempt to persuade her to sacrifice to pagan gods, and who later sentenced her to death. The coat of arms indicates that Cranach painted this panel for a member of the Rem family, who were wealthy merchants in Augsburg.

Nkọwa ọrụ nka

Aha nke ọrụ nka: "The Martyrdom of Saint Barbara"
Nhazi nka: sere
Otu sara mbara: nka ochie
oge: 16th narị afọ
Year: 1510
Afọ nka: 510 afọ
Agba na: mmanụ na linden
Nha izizi nka: N'ozuzu 60 3/8 x 54 1/4 na (153,4 x 137,8 cm); elu agba 59 3/8 x 53 1/8 inch (150,8 x 134,9 cm)
Egosiputara na: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
ibe weebụ: www.metmuseum.org
Ụdị nka nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1957
Ebe E Si Nweta: Rogers Fund, 1957

Nchịkọta ihe nkiri

Ihe nkiri: Lucas Cranach Onye Okenye
Aha nka ndị ọzọ: Sonder Lucas, Lucas Cranach, Lukas Cranach d.Ä., Maler Lucas, Cranach Lucas, Cranach Lukas d. Ae., L. Kranachen, cranach lukas d. ae., Cranach Lucas I, Kranakh Luka, Lucas van Cranach, Cranach Lucas d. Ält., von Lucas Müller genannt Cranach dem Alten, Lucas Cranik, L. Kranach, Lucas Krane, Cranach Lukas Der Ältere, L. Kronach, Lucas Granach, Cranach d. Ä. Lucas, Cranach, Luc. Cranach, Lucius Branach, Cranach Lukas, Lucas Kranach, Muller Lucas, Lucas Kraen, cranach lucas d. a., Lucas Cranach the Elder, lucas cranach d. alt., Luc. Kranach, Luca Kranach, L. von Cranach, Lucas Cranch, Cranach Lucas van Germ., Lukas Cranach, Lucas Cranache, Cranach Sunder, L. Cranach, lucas cranach d. ae., Luc. Kranachen, Lucas Müller genannt Sunders, L. Cranache, l. cranach der altere, Cranach Lucas (The Elder), L. Cranack, Cranach Lukas d.Äe., Kranach, Cranach Lukas d. Ä., L. Cranac, l. cranach d. alt., Cranaccio, lucas cranach d. aelt., Lucas Cranach der Ältere, Cranach Lucas the elder, Moller Lucas, Lukas Cranach d. Ae., Lucas Cranaccio, Lucas Cranach d.Ä., Luckas Cranach d. Ä., Luca Cranach, cranach the elder lucas, cranach lucas d. alt., älteren Lucas Cranach, von Lucas Kranach dem ältern, Luc. Cronach, lucas cranach d. a., Lucas (The Elder) Cranach, Kranach Lukas, Cranack, Cranach Lucas Der Ältere, Cranach Lukas d. A., Cranak, Sunder Lucas, Luca Kranack, Lucas Müller genannt Cranach, Cranach Luc., Lucas de Cranach, Kronach Lucas, Lucas Cranach d.Äe., קראנאך לוקאס האב, cranach lucas d. ae., Lucas de Cranach le père, cranach lucas the elder, Cranach Muller, Lucas Müller genannt Cranach, Lucas Cranach D. Ältere, Cranach the Elder Lucas, Lucas Kranack, Lucas Kranich, Lucas I Cranach, cranach lucas d.a., Luc Cranach, Cranach des Älteren, l. cranach d. aelt., cranach lucas der altere, L. Cranaccio, Luc Kranach, Lucas Cranack, Lucas Kranachen, Cranach Lucas van, lucas cranach d.Ä.lt, Luca Cranch, Lukas Cranach dem Aeltern, lukas cranach der altere, Lukas Cranach D. Ä., Lucas de Cronach, Cronach
okike onye nka: nwoke
Obodo onye nka: German
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Country: Germany
Otu nka: nna ukwu ochie
Ụdị nke onye na-ese ihe: Northern Renaissance
Oge ndu: 81 afọ
Amụrụ n'afọ: 1472
Obodo: Kronach, Bavaria, Germany
Nwuru: 1553
Obodo ọnwụ: Weimar, Thuringia, Germany

Nkọwa akụkọ ahaziri ahazi

Nkewa edemede: ọmarịcha nka
Usoro mmeghari: dijitalụ mmeputakwa
Usoro nhazi: UV kpọmkwem obibi
Mmalite ngwaahịa: arụpụtara na Germany
Ụdị ngwaahịa: a na-achọ
Ojiji ngwaahịa: mgbidi mgbidi, nka mgbidi
Nhazi nka nka: usoro eserese
Njikwa oyiyi: 1: 1.2 - ( Ogologo: obosara)
Ntụgharị nkọwa akụkụ akụkụ: ogologo bụ 20% mkpụmkpụ karịa obosara
Ihe mmeputakwa dị: Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond)
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 50x60cm - 20x24", 100x120cm - 39x47"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Aluminium dibond ebipụta (ihe aluminium) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Nhazi nke nka nka: adịghị

Họrọ ihe ị ga-achọ ka idowe na mgbidi gị

Maka mbipụta nka ọ bụla anyị na-enye nha & ihe dị iche iche. Họrọ nha na ihe kacha amasị gị n'ime nhọrọ ndị a:

  • Bipụta na enyo acrylic: The print on acrylic glass, often denoted as a UV print on plexiglass, will turn the original work of art into beautiful décor. With a glossy acrylic glass art print sharp contrasts and smaller painting details become visible with the help of the precise gradation of the picture. The acrylic glass protects your chosen art replica against sunlight and external influences for between four and 6 decades.
  • Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster is a UV printed canvas with a slightly roughened finish on the surface. Please bear in mind, that depending on the size of the poster print we add a white margin of something between 2-6cm around the print motif, which facilitates the framing.
  • Kwaaji: The canvas direct print is a printed cotton canvas stretched on a wooden stretcher. A canvas of this masterpiece will give you the opportunity of transforming your into a large size collection piece. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without any wall-mounts. Therefore, canvas prints are suitable for any type of wall.
  • Aluminom dibond (ọkpụkpụ ọla): This is a metal print manufactured on aluminium dibond with an outstanding depth effect. The non-reflective surface creates a modern look. The Direct Print on Aluminum Dibond is your ideal introduction to art reproductions on aluminum. The colors are luminous, details of the print are crisp and clear. This direct UV print on Aluminum Dibond is one of the most demanded entry-level products and is a truly modern way to display art prints, because it draws focus on the image.

Nkọwa nke ngwaahịa ebipụta

a nka ochie ihe nka mere site na Lucas Cranach Onye Okenye na 1510. The 510 Ụdị eserese dị otu afọ tụrụ nha: N'ozuzu 60 3/8 x 54 1/4 na (153,4 x 137,8 cm); elu agba 59 3/8 x 53 1/8 inch (150,8 x 134,9 cm). Oil on linden was used by the European painter as the medium of the piece of art. What is more, this artpiece belongs to the The Metropolitan Museum of Art's digital collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - The Metropolitan Museum of Art, New York, Rogers Fund, 1957 (ikikere: ngalaba ọha). Creditline of the artwork: Rogers Fund, 1957. Furthermore, alignment of the digital reproduction is Eserese with a ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. The painter Lucas Cranach the Elder was an artist, whose style was mainly Northern Renaissance. The German painter was born in 1472 in Kronach, Bavaria, Germany and deceased at the age of 81 in the year 1553.

Disclaimer: We try all that we can in order to describe our art products in as much detail as possible and to showcase them visually on the different product detail pages. At the same time, the colors of the printing material, as well as the imprint may diverge slightly from the representation on your device's screen. Depending on the settings of your screen and the quality of the surface, not all colors are printed as exactly as the digital version shown here. Since all fine art prints are processed and printed manually, there might as well be minor differences in the size and exact position of the motif.

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