Jacob Jordaens, 1623 - ezumike Diane - mbipụta nka mara mma

39,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Additional information as provided by Petit Palais - Musée des Beaux-arts de la Ville de Paris website (© Copyright - Petit Palais - Musée des Beaux-arts de la Ville de Paris - Petit Palais - Musée des Beaux-arts de la Ville de Paris)

Cezanne once said: "It is ludicrous to imagine that grows like a mushroom, when we all generations behind. Why not take advantage of all this work, overlook this wonderful contribution? "Found in this painting, he knew through etching, a source of inspiration for some of his paintings of bathers whose Petit Palais has an unbridled exemplaire.Joie, young flesh poem this canvas is a superb example of rubénienne phase of the artist who revels in the art of painting for our greatest ravissement.Passée by the largest collections in the nineteenth century, it is hardly consistent with the traditional iconography of this scene, inspired by the "Metamorphoses" of Ovid. Jordaens transformed the subject into an illustration of the theme of the fertility of the earth, or an allegory of abondance.Il is another version of this painting in the Louvre.

Joy unbridled, poem young flesh, this painting is a superb example of rubénienne phase of the artist who revels in the art of painting to our great delight. Passed by the largest collections in the nineteenth century it is hardly consistent with the traditional iconography of this scene, inspired by Ovid's Metamorphoses. Jordaens transformed the subject into an illustration of the theme of the fertility of the earth, or an allegory of abundance. Cezanne found in this painting, he knew through etching, a source of inspiration for some of his paintings of bathers.

Diana (akụkọ ifo ndị Rom); Artemis (akụkọ ifo ndị Gris)

mythological scene, Greco-Roman Mythology, Satyr, Bacchae, Dog, Fruit basket, Recorder, Horn, Deer, Rabbit or Hare, Boar

Kedu ụdị ngwaahịa anyị na-ewetara gị?

The over 390 years old painting was made by the Baroque painter Jacob Jordaens in 1623. The beyond 390 afọ mbụ nwere ndị na-esonụ size nke Ogologo: 123 cm, obosara: 160 cm e were teknuzu mee ya Mmanụ, Canvas (ihe). N'oge a, ọrụ nka bụ nke mkpokọta nka Petit Palais - Musée des Beaux-arts de la Ville de Paris, nke bụ ihe ngosi nka nka na mpaghara 8th. Nke ngalaba ọha masterpiece na-ọnọ n'ikike nke Petit Palais Paris.: . Kedu ihe ọzọ, nhazi ahụ dị na odida obodo format na nwere akụkụ ruru nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. The painter Jacob Jordaens was an artist from the Netherlands, whose style can be classified as Baroque. The European artist was born in the year 1593 ma nwụọ mgbe ọ dị afọ 85 n'afọ 1678.

Ngwa ngwaahịa dị

Maka mbipụta nka ọ bụla anyị na-enye ihe dị iche iche & nha. N'ihi ya, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:

  • Mbipụta ọla (aluminium dibbond): These are metal prints on aluminium dibond material with an impressive effect of depth - for a modern look and a non-reflective surface structure. The bright & white parts of the original work of art shimmer with a silk gloss, however without glare.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, often denoted as a UV print on plexiglass, changes the original into wall décor. The work of art is being manufactured with the help of state-of-the-art UV printing technology.
  • Kwaaji: The canvas direct print is a printed canvas stretched on a wood stretcher. The canvas creates a soft and comfortable effect. Canvas Prints have the advantage of being low in weight. This means, it is easy to hang the Canvas print without the use of additional wall-mounts. Because of thata canvas print is suited for any type of wall.
  • Akwụkwọ mmado ebipụtara (akwa akwa akwa): A poster is a printed canvas with a fine surface structure. The print poster is perfectly suited for framing your art copy using a special frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6 cm round about the print motif, which facilitates the framing with your custom frame.

Nyocha ngwa ngwa nke onye na-ese ihe

Aha onye nka: Jacob Jordan
okike nke onye nka: nwoke
Obodo onye nka: Dutch
Ọrụ: onye na-ese ihe
Obodo obibi: mba netherland
nhazi ọkwa: nna ukwu ochie
Ụdị nka: Baroque
Akwụsị: 85 afọ
Afọ ọmụmụ: 1593
Afọ ọnwụ: 1678
Obodo ọnwụ: Antwerp

Nkọwa gbasara akụkụ nka pụrụ iche

Aha ọrụ nka: "Diane's Rest"
Nhazi nka: sere
Okwu nche anwụ: nka ochie
Century: 17th narị afọ
Afọ nka: 1623
Afọ nka: gbara afọ 390
Ọkara nke ihe osise izizi: Mmanụ, Canvas (ihe)
Nha izizi: Ogologo: 123 cm, obosara: 160 cm
Egosiputara na: Petit Palais - Musée des Beaux-arts de la Ville de Paris
Ebe ngosi nka: Paris, France
Ụlọ ihe ngosi nka webụsaịtị: Petit Palais - Musée des Beaux-arts de la Ville de Paris
Ikikere nke ihe osise: ngalaba ọha
Site n'aka: Petit Palais Paris

Nkọwa ngwaahịa

Nkewa bipụta: nka nka
Usoro mmeghari: dijitalụ mmeputakwa
Produzọ mmepụta: mbipụta dijitalụ (Mbipụta UV ozugbo)
Production: German mere
Stockdị ngwaahịa: na mmepụta ihe
Ngwaahịa were: nka mgbidi, art mmeputakwa gallery
Ndozi onyonyo a: nhazi odida obodo
Ụdị anya: 4:3- (ogologo: obosara)
Nkọwa nke oke onyonyo a: ogologo bụ 33% ogologo karịa obosara
Nhọrọ dị: Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond)
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Ụdị mbipụta aluminom: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhazi mmeputa nka nka: mmeputakwa na-enweghị isi

Nkwupụta iwu: We try our utmost in order to depict the art products with as many details as we can and to display them visually in our shop. Nonetheless, the pigments of the printed materials and the imprint can diverge marginally from the image on the device's screen. Depending on the screen settings and the nature of the surface, color pigments can unfortunately not be printed one hundret percent realistically. In view of the fact that our are processed and printed by hand, there might also be slight discrepancies in the exact position and the size of the motif.

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