Jacob Jordaens, 1623 - ezumike Diane - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Additional information as provided by Petit Palais - Musée des Beaux-arts de la Ville de Paris website (© Copyright - Petit Palais - Musée des Beaux-arts de la Ville de Paris - Petit Palais - Musée des Beaux-arts de la Ville de Paris)
Cezanne once said: "It is ludicrous to imagine that grows like a mushroom, when we all generations behind. Why not take advantage of all this work, overlook this wonderful contribution? "Found in this painting, he knew through etching, a source of inspiration for some of his paintings of bathers whose Petit Palais has an unbridled exemplaire.Joie, young flesh poem this canvas is a superb example of rubénienne phase of the artist who revels in the art of painting for our greatest ravissement.Passée by the largest collections in the nineteenth century, it is hardly consistent with the traditional iconography of this scene, inspired by the "Metamorphoses" of Ovid. Jordaens transformed the subject into an illustration of the theme of the fertility of the earth, or an allegory of abondance.Il is another version of this painting in the Louvre.
Joy unbridled, poem young flesh, this painting is a superb example of rubénienne phase of the artist who revels in the art of painting to our great delight. Passed by the largest collections in the nineteenth century it is hardly consistent with the traditional iconography of this scene, inspired by Ovid's Metamorphoses. Jordaens transformed the subject into an illustration of the theme of the fertility of the earth, or an allegory of abundance. Cezanne found in this painting, he knew through etching, a source of inspiration for some of his paintings of bathers.
Diana (akụkọ ifo ndị Rom); Artemis (akụkọ ifo ndị Gris)
mythological scene, Greco-Roman Mythology, Satyr, Bacchae, Dog, Fruit basket, Recorder, Horn, Deer, Rabbit or Hare, Boar
Kedu ụdị ngwaahịa anyị na-ewetara gị?
The over 390 years old painting was made by the Baroque painter Jacob Jordaens in 1623. The beyond 390 afọ mbụ nwere ndị na-esonụ size nke Ogologo: 123 cm, obosara: 160 cm e were teknuzu mee ya Mmanụ, Canvas (ihe). N'oge a, ọrụ nka bụ nke mkpokọta nka Petit Palais - Musée des Beaux-arts de la Ville de Paris, nke bụ ihe ngosi nka nka na mpaghara 8th. Nke ngalaba ọha masterpiece na-ọnọ n'ikike nke Petit Palais Paris.: . Kedu ihe ọzọ, nhazi ahụ dị na odida obodo format na nwere akụkụ ruru nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. The painter Jacob Jordaens was an artist from the Netherlands, whose style can be classified as Baroque. The European artist was born in the year 1593 ma nwụọ mgbe ọ dị afọ 85 n'afọ 1678.
Ngwa ngwaahịa dị
Maka mbipụta nka ọ bụla anyị na-enye ihe dị iche iche & nha. N'ihi ya, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:
- Mbipụta ọla (aluminium dibbond): These are metal prints on aluminium dibond material with an impressive effect of depth - for a modern look and a non-reflective surface structure. The bright & white parts of the original work of art shimmer with a silk gloss, however without glare.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, often denoted as a UV print on plexiglass, changes the original into wall décor. The work of art is being manufactured with the help of state-of-the-art UV printing technology.
- Kwaaji: The canvas direct print is a printed canvas stretched on a wood stretcher. The canvas creates a soft and comfortable effect. Canvas Prints have the advantage of being low in weight. This means, it is easy to hang the Canvas print without the use of additional wall-mounts. Because of thata canvas print is suited for any type of wall.
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): A poster is a printed canvas with a fine surface structure. The print poster is perfectly suited for framing your art copy using a special frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6 cm round about the print motif, which facilitates the framing with your custom frame.
Nyocha ngwa ngwa nke onye na-ese ihe
Aha onye nka: | Jacob Jordan |
okike nke onye nka: | nwoke |
Obodo onye nka: | Dutch |
Ọrụ: | onye na-ese ihe |
Obodo obibi: | mba netherland |
nhazi ọkwa: | nna ukwu ochie |
Ụdị nka: | Baroque |
Akwụsị: | 85 afọ |
Afọ ọmụmụ: | 1593 |
Afọ ọnwụ: | 1678 |
Obodo ọnwụ: | Antwerp |
Nkọwa gbasara akụkụ nka pụrụ iche
Aha ọrụ nka: | "Diane's Rest" |
Nhazi nka: | sere |
Okwu nche anwụ: | nka ochie |
Century: | 17th narị afọ |
Afọ nka: | 1623 |
Afọ nka: | gbara afọ 390 |
Ọkara nke ihe osise izizi: | Mmanụ, Canvas (ihe) |
Nha izizi: | Ogologo: 123 cm, obosara: 160 cm |
Egosiputara na: | Petit Palais - Musée des Beaux-arts de la Ville de Paris |
Ebe ngosi nka: | Paris, France |
Ụlọ ihe ngosi nka webụsaịtị: | Petit Palais - Musée des Beaux-arts de la Ville de Paris |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Petit Palais Paris |
Nkọwa ngwaahịa
Nkewa bipụta: | nka nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Produzọ mmepụta: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Production: | German mere |
Stockdị ngwaahịa: | na mmepụta ihe |
Ngwaahịa were: | nka mgbidi, art mmeputakwa gallery |
Ndozi onyonyo a: | nhazi odida obodo |
Ụdị anya: | 4:3- (ogologo: obosara) |
Nkọwa nke oke onyonyo a: | ogologo bụ 33% ogologo karịa obosara |
Nhọrọ dị: | Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Ụdị mbipụta aluminom: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Nhazi mmeputa nka nka: | mmeputakwa na-enweghị isi |
Nkwupụta iwu: We try our utmost in order to depict the art products with as many details as we can and to display them visually in our shop. Nonetheless, the pigments of the printed materials and the imprint can diverge marginally from the image on the device's screen. Depending on the screen settings and the nature of the surface, color pigments can unfortunately not be printed one hundret percent realistically. In view of the fact that our are processed and printed by hand, there might also be slight discrepancies in the exact position and the size of the motif.
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