Ozi gbasara akụkọ
The nka ochie ihe nka mere site na Dutch onye na-ese ihe Jan Steen in 1651. The original measures the size: height: 47,4 cm width: 66,1 cm | height: 18,7 in width: 26 in. Oil on panel was used by the artist as the technique for the artpiece. "Signed: JSteen" is the artpiece's inscription. This artpiece belongs to the Ndị Maurithuis collection. This public domain piece of art is supplied with courtesy of Maurithuis, Hague. The creditline of the artwork is: Hennin sale, Paris, 16 January 1764 (Lugt 1342), no. 64 (100 francs and 50 centimes); A. Visscher-Boelger, Basel; Jos Schall Gallery, Baden-Baden; J.E. Goedhart Gallery, Amsterdam, 1901; Abraham Bredius, The Hague, 1901-1946 (on long-term loan to the Mauritshuis, since 1901); bequest of Abraham Bredius, 1946. Further, the alignment of the digital reproduction is landscape and has an aspect ratio of 1.4 : 1, meaning that ogologo bụ 40% ogologo karịa obosara. Jan Steen was a male painter of Dutch nationality, whose art style can primarily be classified as Baroque. The Baroque painter was born in 1626 in Alkmaar, North Holland, Netherlands and died at the age of 53 in the year 1679.
(© - Maurithuis - www.mauritshuis.nl)
Hennin sale, Paris, 16 January 1764 (Lugt 1342), no. 64 (100 francs and 50 centimes); A. Visscher-Boelger, Basel; Jos Schall Gallery, Baden-Baden; J.E. Goedhart Gallery, Amsterdam, 1901; Abraham Bredius, The Hague, 1901-1946 (on long-term loan to the Mauritshuis, since 1901); bequest of Abraham Bredius, 1946
Nkọwa gbasara nka nka mbụ
Aha nke eserese ahụ: | "Village Fair" |
Nhazi nka nka: | sere |
Nhazi nka: | nka ochie |
Time: | 17th narị afọ |
Ekepụtara: | 1651 |
Afọ nka: | ihe karịrị 360 afọ |
Usoro nka izizi: | mmanụ na panel |
Akụkụ izizi (ọrụ nka): | elu: 47,4 cm obosara: 66,1 cm |
Akara mbinye aka: | aka: JSteen |
Egosiputara na: | Maurithuis |
Ebe ngosi nka: | Hague, South Holland, Netherlands |
Weebụsaịtị nke ihe ngosi nka: | Maurithuis |
Akwụkwọ ikike nka: | ngalaba ọha |
Site n'aka: | Maurithuis, Hague |
Ebe kredit nke ọrụ nka: | Hennin sale, Paris, 16 January 1764 (Lugt 1342), no. 64 (100 francs and 50 centimes); A. Visscher-Boelger, Basel; Jos Schall Gallery, Baden-Baden; J.E. Goedhart Gallery, Amsterdam, 1901; Abraham Bredius, The Hague, 1901-1946 (on long-term loan to the Mauritshuis, since 1901); bequest of Abraham Bredius, 1946 |
Ozi omenkà Contextal
Ihe nkiri: | Jan Steen |
A makwaara dịka: | Jan Steen de Alkmaarsche, Jan Steen de Alkmaarsche, Jan Steen, Steen Jan 'de Alkmaarsche, Steen Jan |
okike nke onye nka: | nwoke |
Nationality: | Dutch |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Obodo onye nka: | mba netherland |
Otu nka: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Baroque |
Ndụ: | 53 afọ |
Afọ ọmụmụ: | 1626 |
Amụrụ na (ebe): | Alkmaar, North Holland, Netherlands |
Afọ nwụrụ: | 1679 |
Obodo ọnwụ: | Alkmaar, North Holland, Netherlands |
Nhọrọ ihe ngwaahịa dị
Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:
- Bipụta na enyo acrylic: The print on acrylic glass, often referenced as a UV print on plexiglass, makes your favorite original into wonderful wall decoration. In addition, the acrylic glass print makes a great alternative option to dibond and canvas art prints. The work of art is being manufactured with state-of-the-art UV direct printing technology. This creates sharp, vivid print colors. The major upside of an acrylic glass art print is that contrasts as well as image details will be more exposed due to the precise tonal gradation in the picture.
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster is a printed sheet of flat cotton canvas with a slightly roughened surface structure, which reminds the actual artwork. It is excellently appropriate for putting your art replica with a custom-made frame. Please bear in mind, that depending on the size of the poster print we add a white margin of around 2-6cm around the painting in order to facilitate the framing with a custom frame.
- Mbipụta kanvas: The printed canvas, which shall not be confused with a painting on a canvas, is an image printed from a UV direct printing machine. It produces the special look of three-dimensionality. Further, a canvas creates a cosy, positive impression. Canvas Prints have the advantage of being low in weight, which implies that it is easy and straightforward to hang your Canvas print without the use of extra wall-mounts. Canvas prints are suitable for any type of wall.
- Aluminom dibond (ọkpụkpụ ọla): Aluminium Dibond prints are metal prints with a true effect of depth - for a modern impression and non-reflective surface. For your Direct Print On Aluminum Dibond, we print your artpiece onto the surface of the white-primed aluminum material. The direct UV print on aluminium is the most popular entry-level product and is an extremely stylish way to display art, as it draws focus on the image.
Banyere ngwaahịa
Nkewa edemede: | ezi nka mmeputakwa |
Usoro mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Produzọ mmepụta: | UV kpọmkwem obibi |
Mmalite nke ngwaahịa a: | arụpụtara na Germany |
Ụdị ngwaahịa: | a na-achọ |
Ojiji ngwaahịa: | imewe ụlọ, ụlọ ihe osise nka |
Ndozi onyonyo a: | nhazi odida obodo |
Oke akụkụ onyonyo: | 1.4: 1 ogologo ruo obosara |
Nsonaazụ: | ogologo bụ 40% ogologo karịa obosara |
Nhọrọ akụrụngwa: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta kanvas, mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 70x50cm - 28x20", 140x100cm - 55x39" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 70x50cm - 28x20", 140x100cm - 55x39" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 70x50cm - 28x20" |
Ụdị nha ebipụta aluminom: | 70x50cm - 28x20", 140x100cm - 55x39" |
ụba: | na-enweghị etiti |
Ozi dị mkpa: We try everythig possible to describe the products in as much detail as possible and to demonstrate them visually in our shop. Please bear in mind that the pigments of the print materials, as well as the imprint might differ marginally from the presentation on the screen. Depending on the screen settings and the quality of the surface, color pigments can unfortunately not be printed as exactly as the digital version shown here. Bearing in mind that all art reproductions are printed and processed manually, there might also be slight differences in the motif's exact position and the size.
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