George Augustus Baker, 1853 - Eserese ụmụaka - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Additional specifications as provided from the museum's website (© - by Los Angeles County Museum of Art - Ebe ngosi nka nke Los Angeles County)
Although he painted many portraits of men, Baker was most highly regarded for portraits of women and children. This portrait, painted while he was strongly influenced by romanticism, displays the idealization, soft brushwork, and rich color for which Baker was known. Like other artists of the period, he has used the soap bubble to represent the innocent pleasures of childhood but also the transience of youth. Even though the subject required an outdoor setting, Baker introduced a column and curtain on the left as an element of formality. The identification of the sitters can only be conjectured. The large size of the painting, the number of figures, and the attire all suggest that the portrait was commissioned by someone from the upper middle class, perhaps a prosperous businessman or financier. In 1854, the year after the portrait was painted, Baker exhibited in the National Academy of Design annual a group portrait of children owned by E. B. Sutton. Effingham B. Sutton (1817-1891) was the founder of the Sutton Line, the first clipper shipping service from New York to San Francisco. As Sutton fathered fourteen children, the museum’s portrait may be of his three oldest sons and daughter.
Data data
N’afọ 1853 George Augustus Baker painted this modern art piece of art. The work of art measures the size: 59 15/16 x 53 7/8 na (152,24 x 136,84 cm) wee mepụta ya na Usoro oil on canvas. Furthermore, this artwork belongs to the collection of Ebe ngosi nka nke Los Angeles County, nke bụ ụlọ ngosi nka nka kachasị na ọdịda anyanwụ United States, yana nchịkọta ihe karịrị 142.000 ihe na-enye ìhè afọ 6.000 nke ngosipụta nka n'ofe ụwa. Nke a ngalaba ọha artwork is provided with courtesy of Los Angeles County Museum of Art (www.lacma.org).: . The alignment is in Eserese format ma nwee oke onyonyo nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.
Ngwa ngwaahịa ị nwere ike ịhọrọ
Na nhọrọ ndọpụta ngwaahịa ị nwere ike ịhọrọ ihe na nha nke nhọrọ gị. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster print is a printed sheet of flat canvas with a nice finish on the surface, that resembles the actual version of the artwork. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6cm round about the painting to facilitate the framing with a custom frame.
- Metal (aluminium debond mbipụta): An Aluminium Dibond print is a material with a true depth, creating a contemporary look throuch a surface , that is non-reflective. The white & bright parts of the original artwork shimmer with a silk gloss, however without any glare.
- Kwaaji: A printed canvas, which shall not be confused with a real artwork painted on a canvas, is a digital copy applied directly on canvas fabric. It makes a particular effect of three dimensionality. Your printed canvas of this artwork will allow you to transform your art print into a large size artpiece. Canvas Prints have the advantage of being relatively low in weight, which implies that it is quite simple to hang your Canvas print without the use of any wall-mounts. Therefore, canvas prints are suited for all types of walls.
- Ihe odide acrylic glass: A glossy print on acrylic glass, often referenced as a plexiglass print, makes the original artwork into brilliant décor. The work of art will be printed with modern UV direct printing machines. This has the image effect of stunning, rich colors.
Tebụl nchịkọta ihe nkiri
aha: | George Augustus Baker |
Aha utu aha: | Baker George Augustus, Baker George Augustus Junior, Baker George A., Baker George-Augustus, geo. a. baker, geo. baker, George Augustus Baker |
okike onye nka: | nwoke |
Obodo onye nka: | American |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Country: | United States |
Nkewa onye nka: | omenkà nke oge a |
Oge ndu: | 59 afọ |
A mụrụ: | 1821 |
Ebe omuma: | New York City, New York State, Njikota Obodo Amerika |
Afọ ọnwụ: | 1880 |
Nwụrụ na (ebe): | New York City, New York State, Njikota Obodo Amerika |
Iberibe nkọwa nka
Akụkụ nka: | "Portrait of Children" |
Nhazi nka: | sere |
Category: | nkà nke oge a |
Time: | 19th narị afọ |
Ekepụtara: | 1853 |
Afọ nka: | 160 afọ |
Usoro izizi: | mmanụ na kwaaji |
Akụkụ nke ọrụ nka mbụ: | 59 15/16 x 53 7/8 na (152,24 x 136,84 cm) |
Ụlọ ihe ngosi nka / ebe: | Ebe ngosi nka nke Los Angeles County |
Ebe ebe ngosi nka: | Los Angeles, California, Njikota Obodo Amerika |
Ebe nrụọrụ weebụ ihe ngosi nka: | www.lacma.org |
License: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Los Angeles County (www.lacma.org) |
Nkọwa ngwaahịa
Nkewa edemede: | ọmarịcha nka |
Mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Usoro nhazi: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Ihe ngosi: | emepụtara na Germany |
Stockdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa emebere: | nka mgbidi, ihe ndozi ụlọ |
Ndozi onyonyo: | usoro eserese |
Ụdị anya: | 1: 1.2 (ogologo: obosara) |
Nkọwa nke oke ihe onyonyo a: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ ihe onwunwe: | ígwè obibi akwụkwọ (aluminium dibond), akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ. |
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): | 50x60cm - 20x24", 100x120cm - 39x47" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Mpempe aluminom (aluminium dibond ihe) nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
ụba: | adịghị |
Important legal note: We try everythig possible in order to depict the products in as much detail as possible and to demonstrate them visually. Please keep in mind that the tone of the print products and the imprint may vary slightly from the presentation on the screen. Depending on your screen settings and the condition of the surface, not all color pigments are printed 100% realistically. In view of the fact that all art reproductions are printed and processed by hand, there may also be minor differences in the motif's size and exact position.
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