Nicolás Enríquez, 1773 - Nwa agbọghọ na-amaghị nwoke nke Guadalupe nwere ọdịdị anọ - ọmarịcha nka.

Ozi izugbe sitere na The Metropolitan Museum of Art (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

When Nicolás Enríquez painted this copy of the Virigin of Guadalupe in 1773, it was the most widely venerated sacred image in New Spain. Here, the miraculous image is encircled by four scenes that attest to its divine origin. They record the Virgin’s three appearances to the Indian Juan Diego at Tepeyac, near Mexico City, and culminate in the revelation of her image imprinted on his cloak. An inscription reveals that this copy was sanctified by contact with the original in 1789, sixteen years after it was painted and four years after its owner returned to Spain.

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• Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster print is a UV printed sheet of flat canvas with a slightly rough surface finish. Please note, that depending on the size of the canvas poster print we add a white margin of around 2-6cm around the print, which facilitates the framing with your custom frame.
• Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a print material with an outstanding depth. The non-reflective surface creates a modern look. A direct Direct Print on Aluminum Dibond is your perfect start to art reproductions produced on aluminum. For the Aluminium Dibond option, we print your selected artpiece on the aluminium surface. The print on Aluminum Dibond is the most popular entry-level product and is a truly stylish way to showcase fine art reproductions, because it draws focus on the artwork.
• Mbipụta enyo acrylic: An acrylic glass print, often referred to as a print on plexiglass, makes your favorite artwork into beautiful décor. The major benefit of a plexiglass art print is that contrasts and smaller color details become more recognizeable thanks to the fine tonal gradation. The real glass coating protects your custom art replica against sunlight and external influences for many decades.
• Kwaaji: A UV printed canvas mounted on a wooden frame. Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without the help of extra wall-mounts. Therefore, a canvas print is suited for any type of wall.

Background information on the artpiece with the title "The Virgin of Guadalupe with the Four Apparitions"

Nke a gafee 240 year-old painting was made by the Mexican artist Nicolás Enríquez in 1773. Ihe gafere 240 mbụ dị afọ tụrụ nha: 22 1/4 × 16 1/2 na (56,5 × 41,9 cm) Ekepụtara: 25 1/4 × 19 7/8 × 1 3/8 na (64,1 × 50,5 × 3,5 cm) ) and was painted with the medium oil on copper. The artwork belongs to the Ụlọ ihe ngosi nka nke Metropolitan nchịkọta nka dijitalụ na New York City, New York, Njikota Obodo Amerika. The ngalaba ọha artwork gụnyere na n'ikike nke The Metropolitan Museum of Art, New York, Ịzụta, Louis V. Bell, Harris Brisbane Dick, Fletcher, na Rogers Funds na Joseph Pulitzer Bequest na ọtụtụ ndị otu Onye isi oche Onyinye Council, 2014. Creditline of the artwork: Purchase, Louis V. Bell, Harris Brisbane Dick, Fletcher, and Rogers Funds and Joseph Pulitzer Bequest and several members of The Chairman's Council Gifts, 2014. The alignment is in portrait format and has a side ratio of 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

Ozi dị mkpa: We try everything in order to depict our art products as exact as possible and to illustrate them visually in our shop. Please bear in mind that the tone of the printed materials, as well as the imprint can differ marginally from the image on the device's screen. Depending on your screen settings and the nature of the surface, not all colors can be printed as exactly as the digital version. Given that our fine art prints are processed and printed by hand, there may as well be slight variations in the motif's size and exact position.

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