Abraham De Vries, 1629 - Eserese nke nwoke - mbipụta nka mara mma

59,99 €

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The product dropdown menu provides you with the chance to choose the material and size of your choice. Pick your favorite material and size among the following options:

  • Mbipụta kwaaji: A UV printed canvas material stretched on a wooden frame. Additionally, a canvas print generates a nice and positive appearance. Canvas Prints have the great advantage of being low in weight, which implies that it is easy and straightforward to hang the Canvas print without the use of any wall-mounts. Hence, canvas prints are suitable for all types of walls.
  • Mbipụta enyo acrylic: An acrylic glass print, which is sometimes denoted as a print on plexiglass, will transform the original into beautiful décor. The artwork is being manufactured with the help of modern UV print machines. The plexiglass with real glass coating protects your selected art print against light and external influences for many years to come.
  • Mbipụta nke aluminom: An Aluminium Dibond print is a print with an outstanding depth. The Direct Print on Aluminum Dibond is your best start to fine art replicas on aluminum. For the Direct Print On Aluminum Dibond, we print the chosen artpiece on the surface of the white-primed aluminum. The colors of the print are vivid and luminous in the highest definition, fine details are clear and crisp, and there’s a matte appearance that you can literally feel.
  • Akwụkwọ mmado ebipụtara (akwa akwa akwa): The poster print is a printed cotton canvas paper with a slightly rough structure on the surface, that resembles the original masterpiece. A poster is optimally suited for placing the art print with a special frame. Please bear in mind, that depending on the size of the poster we add a white margin of something between 2 - 6cm around the print, which facilitates the framing.

Disclaimer: We try whatever we can to describe the art products as precisely as possible and to showcase them visually in our shop. Still, the pigments of the print products and the imprint may vary to a certain extent from the representation on your monitor. Depending on your screen settings and the quality of the surface, not all color pigments are printed as realisitcally as the digital version on this website. In view of the fact that the fine art prints are processed and printed by hand, there may also be minor differences in the size and exact position of the motif.

Nkọwapụta nka nka izizi dị ka ewepụtara site na webụsaịtị ihe ngosi nka (© - Petit Palais - Musée des Beaux-arts de la Ville de Paris - Petit Palais - Musée des Beaux-arts de la Ville de Paris)

The model of this portrait is not identified. Smiling, bright eyes, he holds a ring in his fingers. This is why Jacques Foucart, who published the picture in 1980, proposed to see a goldsmith. However, the crimping of the stone rather evokes the fifteenth century models a recent jewelery creation. So could it be an engagement ring or old illustrations mariage.Sur the unknown portrait wearing a light white muslin flap on his black coat whose wrists were free of cuffs instead of beautiful strawberry confusion that we see him today. This is the gallery, who acquired the painting from a private British collector who has commissioned a restoration of the panel before its acquisition by the Small Palais.L'enlèvement repainted allowed to return to its original state table . It is likely that the person wanted to put his portrait to date, strawberry being completely out of fashion from 1630 to 1631. It is tempting to imagine, without any certainty, Abraham de Vries could have made the editing himself during a second visit to the capital where his presence was recorded in Paris in 1634.

Dutch portraitist de Vries Abraham traveled to the Netherlands and France, where the United Provinces of the painters were then very popular in the early seventeenth century, before joining the Guild of painters of Antwerp in 1634 and then completed his career in his homeland, between Rotterdam and The Hague. It was during a stay in Paris in 1629 he painted this portrait, proudly signed and dated: "Fecit Lutetia A / Vris of Hollandus / Ao 1629".

Portrait, Male, Beard Mustache Ring

Ngwaahịa nka a na-ahụ anya nke ọ bụla

Eserese nke nwoke is a painting made by Abraham De Vries. The version of the artwork was made with the size: Ogologo: 65,3 cm, obosara: 50,4 cm ewe me ya ihe eji eme ihe Agba mmanụ. "Date and signature - maxims and date: "Fecit Lutetia / de VRIS Hollandus / Ao 1629"" is the artwork's original inscription. It is part of the art collection of Petit Palais - Musée des Beaux-arts de la Ville de Paris. The nka ochie a na-enye ọrụ nka, nke bụ nke ọha na eze site n'ikike nke Petit Palais Paris.Ebe E Si Nweta nke ihe osise:. Ọzọkwa, alignment dị na eserese format with a side ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. Abraham De Vries was a painter from the Netherlands, whose artistic style was mainly Baroque. The European painter was born in 1585 and passed away at the age of 65 in the year 1650.

Ozi ndabere ihe nka

Aha nke ọrụ nka: "Ihe osise nke nwoke"
Nhazi nke ọrụ nka: sere
Category: nka ochie
oge: 17th narị afọ
Emepụtara na: 1629
Afọ nka: karịa afọ 390
Ihe osise izizi: Agba mmanụ
Akụkụ izizi nka: Ogologo: 65,3 cm, obosara: 50,4 cm
Akara mbinye aka: Date and signature - maxims and date: "Fecit Lutetia / de VRIS Hollandus / Ao 1629"
Egosiputara na: Petit Palais - Musée des Beaux-arts de la Ville de Paris
Ebe ebe ngosi nka: Paris, France
Ibe weebụ: Petit Palais - Musée des Beaux-arts de la Ville de Paris
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: Petit Palais Paris

Banyere ngwaahịa

Nkewa bipụta: mmepụta nka
Usoro mmeputakwa: mmeputakwa n'ụdị dijitalụ
Produzọ mmepụta: Mbipụta UV ozugbo
Mmalite ngwaahịa: German mmepụta
Stockdị ngwaahịa: mmepụta ihe na-achọ
Ngwaahịa were: nchịkọta nka (mmeputakwa), ihe ndozi mgbidi
Ndozi onyonyo a: nhazi ihe osise
Njikwa oyiyi: 1: 1.2 - ( Ogologo: obosara)
Mmetụta akụkụ: ogologo bụ 20% mkpụmkpụ karịa obosara
Akụrụngwa ị nwere ike ịhọrọ site na: mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibbond)
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 50x60cm - 20x24", 100x120cm - 39x47"
Nhọrọ mbipụta aluminom: 50x60cm - 20x24", 100x120cm - 39x47"
Igwe onyonyo: na-enweghị etiti

Banyere onye na-ese ihe

Aha onye nka: Abraham De Vries
Aha ndi ozo: Vries Abraham de, Abraham de Vries, A. de Vries, Devries
Gender: nwoke
Obodo onye nka: Dutch
Ọrụ: onye na-ese ihe
Obodo onye nka: mba netherland
Nkewa onye nka: nna ukwu ochie
Ụdị nke onye na-ese ihe: Baroque
Afọ ọnwụ: 65 afọ
Afọ ọmụmụ: 1585
Afọ ọnwụ: 1650

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