Cornelis van der Meulen, 1686 - Gustav (1683-85), Onyeisi Sweden, Ọkpara nke Eze Karl XI - ọmarịcha nka nka.

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Product nkọwa

Nke a kariri 330 nka nka afọ afọ Gustav (1683-85), Prince of Sweden, Son of King Karl XI e sere ya Cornelis van der Meulen. Emere ihe osise a na nha: Ogologo: 60,5 cm (23,8 ″); Obosara: 48,5 cm (19 ″) Ekebere: Elu: 68 cm (26,7 ″); Obosara: 56 cm (22 ″); Omimi: 5,5 cm (2,1 ″). Oil on canvas was applied by the painter as the technique for the masterpiece. Besides, the artwork is included in the art collection of National Museum nke Stockholm, nke dị na Stockholm, Obodo Stockholm, Sweden. Site n'ikike nke Nationalmuseum Stockholm & Wikimedia Commons (ikike ngalaba ọha).Ebe E Si Nweta nke ihe osise:. Ọzọkwa, itinye n'usoro mmepụta dijitalụ dị Eserese usoro na nwere ihe oyiyi ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.

Nweta ihe ebipụta nka kacha amasị gị

In the dropdown lists next to the product you can pick a material and a size of your choice. Thus, we allow you to choose among the following options:

  • Kwaaji: The UV printed canvas mounted on a wood stretcher frame. How can I hang a canvas print on the wall? Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without extra wall-mounts. A canvas print is suited for all types of walls.
  • Mbipụta akwụkwọ mmado (ihe kwaaji): The Artprinta poster is a UV printed cotton canvas paper with a fine surface texture, which resembles the original version of the artwork. A poster print is suited for putting your fine art print with a customized frame. Please note, that depending on the absolute size of the poster print we add a white margin of around 2-6 cm around the print, which facilitates the framing with a custom frame.
  • Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with an outstanding depth. The bright and white parts of the artpiece shimmer with a silky gloss, however without glare. The colors are bright and luminous in the highest definition, fine details appear very clear, and there’s a matte look that you can literally feel.
  • Ugogbe acrylic ebipụtara: An acrylic glass print, which is often described as a UV print on plexiglass, will convert your favorite artwork into beautiful décor. The artwork is being made thanks to the help of state-of-the-art UV printing technology. The image effect of this are and vivid colors. The acrylic glass protects your custom art print against sunlight and external influences for many more years to come.

Ozi dị mkpa: We try everything to describe the art products in as much detail as possible and to display them visually on the product detail pages. Although, the pigments of the print products, as well as the printing may diverge marginally from the representation on your device's screen. Depending on your screen settings and the condition of the surface, not all colors can be printed as realistically as the digital version on this website. Considering that all the fine art prints are processed and printed by hand, there may also be slight variations in the exact position and the size of the motif.

Nkọwa akụkọ ahaziri ahazi

Nkewa edemede: ọrụ mgbidi
Mmeputakwa: dijitalụ mmeputakwa
Usoro nhazi: Mbipụta UV ozugbo
Nlụpụta: German mmepụta
Stockdị ngwaahịa: mmepụta ihe na-achọ
Ngwaahịa were: ihe ndozi ụlọ, mma mgbidi
Ndozi onyonyo a: usoro eserese
Oke akụkụ onyonyo: 1: 1.2 ogologo ruo obosara
Akụkụ akụkụ pụtara: ogologo bụ 20% mkpụmkpụ karịa obosara
Ihe mmeputakwa dị: mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibbond)
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 50x60cm - 20x24", 100x120cm - 39x47"
Aluminium dibond ebipụta (ihe aluminium) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Nhazi nke nka nka: na-enweghị etiti

Nkọwa ahaziri nke ihe osise

Iberibe aha nka: "Gustav (1683-85), Prince of Sweden, Son of King Karl XI"
Nhazi: sere
Otu sara mbara: nka ochie
Century: 17th narị afọ
Afọ nka: 1686
Afọ nka: karịa afọ 330
Usoro nka izizi: mmanụ na kwaaji
Nha izizi: Ogologo: 60,5 cm (23,8 ″); Obosara: 48,5 cm (19 ″) Ekebere: Elu: 68 cm (26,7 ″); Obosara: 56 cm (22 ″); Omimi: 5,5 cm (2,1 ″)
Ụlọ ihe ngosi nka: National Museum nke Stockholm
Ebe ebe ngosi nka: Stockholm, Obodo Stockholm, Sweden
Dị n'okpuru: National Museum nke Stockholm
License: ngalaba ọha
Site n'aka: Nationalmuseum Stockholm na Wikimedia Commons

metadata nka nka

aha: Cornelis van der Meulen
Obodo onye nka: Dutch
Ọrụ: onye na-ese ihe
Obodo onye nka: mba netherland
Nhazi nke onye nka: nna ukwu ochie
Nwụrụ anwụ: 50 afọ
A mụrụ: 1642
Ebe omuma: Dordrecht
Afọ nwụrụ: 1692
Nwụrụ na (ebe): Stockholm

© Nwebiisinka nke - Artprinta (www.artprinta.com)

What does the website of the Nationalmuseum Stockholm write about this artwork made by Cornelis van der Meulen? (© - National museum Stockholm - National Museum nke Stockholm)

1685 fick Cornelis van der Meulen i uppdrag av änkedrottning Hedvig Eleonora att utföra porträtt hennes båda avlidna söner prinsarna Gustav och Ulrik. Porträttet av prins Gustav, som dog när han endast var två år gammal, kan uppfattas på flera olika plan. Det kan betraktas som en trompe l'oeil målning med Nicolaes Millichs byst av prinsen i bildens centrum. Det kan också ses som ett vanitasstilleben, där föremålen som omger portätt har en symbolisk mening. Snäckan och såpbubblorna kan kopplas till Homo bulla-ikonografin där livets livets bräcklighet jämförs med såpbubblornas kortvarighet. Vanitassymboliken har sina rötter i antiken vilket understryks av bystens karaktär, som påminner om en romersk barnkejsare. Det finns även en antydan till hopp bland alla metaforerna i form av den lagerkrönta dödsskallen som är en försäkran om prinsens seger i ett kommande liv. Kopia

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