Jan Lievens, 1631 - Onye isi ala Charles Louis nke Palatinate ya na onye nkuzi ya - mbipụta nka mara mma.

Supplemental information from The J. Paul Getty Museum (© - by The J. Paul Getty Museum - Ụlọ ihe ngosi nka nke J. Paul Getty)

Wearing a gold medallion around his neck, an elderly man leans forward and extends a hand towards a youth who sits in front of a book. The man looks neither at the boy nor at the large open volume but instead gazes sympathetically at the viewer. Wearing a laurel wreath upon his head and dressed in a golden yellow robe with a richly embroidered cape, the daydreaming boy stares off into the distance.

Jan Lievens, who shared Rembrandt's interest in historical portraits featuring characters in fanciful costumes, here depicted Prince Charles Louis of the Palatinate being taught by his tutor Wolrad von Plessen. Previously thought to be a biblical depiction of Eli instructing Samuel, current research reveals that these figures were meant to allude to the classical figures of Aristotle instructing the young Alexander. Both Prince Charles Louis and Alexander the Great were about fourteen years old when they received instruction from their respective mentors.

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What you should know this artpiece created by the Dutch painter Jan Lievens

Nke a gafee 380 A na-ese ọrụ nka afọ site na nwoke Dutch onye na-ese ihe Jan Lievens in 1631. This artpiece is in the the The J. Paul Getty Museum's digital collection. The classic art work of art, which belongs to the ngalaba ọha a gụnyere ya na nkwanye ùgwù nke Ụlọ ihe ngosi nka nke J. Paul Getty.: . Kedu ihe ọzọ, nhazi nke mmepụta dijitalụ dị n'ime square format na akụkụ ruru nke 1: 1, nke pụtara na ogologo ya na obosara. The painter Jan Lievens was an artist, whose style was mainly Baroque. The Baroque painter was born in 1607 na Leiden ma nwụọ mgbe ọ dị afọ 67 na 1674 na Amsterdam.

Ederede iwu dị mkpa: We try our utmost to describe our products as precisely as we can and to illustrate them visually in our shop. Please keep in mind that the tone of the printing material, as well as the imprint can vary marginally from the image on the monitor. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed as exactly as the digital version shown here. Given that all the art reproductions are processed and printed manually, there might also be minor variations in the exact position and the size of the motif.

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