Juan de Flades, 1505 - Ndị nsọ Michael na Francis - mbipụta nka mara mma

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This panel was originally part of a large Spanish altarpiece. The artist has placed both figures within niches, but in contrast to the frontal, ascetic image of Saint Francis, who is neatly contained within the shallow space, Michael extends beyond his niche. Stabbing the dragon at his feet, the archangel gazes earthward at the apocalyptic vision—a walled, smoking city—that is reflected in his decorative shield. This latter detail still hints at Juan de Flandes’s Netherlandish origin. The introduction of a gold background and the broad painting technique, however, reveal his efforts to adapt his style to Spanish taste.

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Ihe nka nke narị afọ nke 16 Saints Michael and Francis e sere ya elu Renaissance nwe- Juan de Flades n’afọ 1505. The artwork was made with the size: Overall, with added strips at right and bottom, 36 7/8 x 34 1/4 in (93,7 x 87 cm); painted surface 35 3/8 x 32 3/4 in (89,9 x 83,2 cm). Oil on wood, gold ground was applied by the European artist as the medium of the masterpiece. Nowadays, the artpiece belongs to the digital collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. We are delighted to state that this ngalaba ọha masterpiece na-gụnyere na n'ikike nke The Metropolitan Museum of Art, New York, Ịzụta, Mary Wetmore Shively Bequest, na ebe nchekwa nke di ya, Henry L. Shively, MD, 1958. : Ịzụta, Mary Wetmore Shively Bequest, na ebe nchekwa di ya, Henry L. Shively, MD, 1958. Ọzọkwa, nhazi nke mmepụta dijitalụ bụ ihe osise nwere oke akụkụ nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Juan de Flandes was a male painter, whose artistic style can be attributed primarily to High Renaissance. The High Renaissance artist was born in 1496 ma nwụọ na afọ nke 23 na 1519.

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For every art print we offer different materials and sizes. Pick your preferred material and size among the following alternatives:

• Aluminom dibond (ọkpụkpụ ọla): Aluminium Dibond prints are prints on metal with an impressive depth, which makes a fashionable impression by having a surface , that is non-reflective. The Aluminium Dibond Print is the ideal introduction to fine art reproductions made with aluminum. This direct UV print on aluminium is the most popular entry-level product and is a truly sophisticated way to display fine art prints, since it draws focus on the image.
• Mbipụta kwaaji: The canvas direct print is a printed canvas mounted on a wood stretcher. A canvas makes a extra effect of three dimensionality. Your canvas print of this artpiece will give you the chance to transform your customized into a large size collection piece as you know from art galleries. Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without the use of extra wall-mounts. Hence, canvas prints are suited for any kind of wall.
• Mbipụta iko acrylic na-egbuke egbuke: A glossy acrylic glass print, which is sometimes labelled as a plexiglass print, will transform your favorite original artwork into brilliant décor. The work of art is custom-made with the help of modern UV direct print machines. The result of this are deep, vivid color tones. With an acrylic glass art print contrasts and minor color details will be more identifiable because of the granular tonal gradation. The real glass coating protects your selected fine art print against light and external influences for between 40-60 years.
• Mbipụta akwụkwọ mmado (ihe kwaaji): A poster is a printed canvas with a slightly rough texture on the surface. A poster is best suited for placing the art print using a personal frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin 2-6 cm around the painting, which facilitates the framing.

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Nkwupụta iwu: We try all that we can in order to describe our art products as clearly as possible and to demonstrate them visually in our shop. However, the pigments of the print materials, as well as the printing might differ to a certain extent from the image on your device's screen. Depending on the screen settings and the nature of the surface, not all colors are printed as exactly as the digital version shown here. Because all are printed and processed by hand, there may as well be slight discrepancies in the size and exact position of the motif.

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