Rembrandt van Rijn, 1636 - Nwoke Ochie nwere Chain ọla edo - mbipụta nka mara mma
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- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): An print on acrylic glass, which is sometimes described as a plexiglass print, makes the artwork into gorgeous décor. Our plexiglass protects your chosen art print against light and heat for several decades.
- Mbipụta kanvas: The canvas print, not to be mistaken with a canvas painting, is an image printed on an industrial printer. A canvas generates the extra effect of three dimensionality. Your canvas print of your favorite masterpiece will allow you to transform your art print into a large collection piece. Canvas prints are relatively low in weight, which implies that it is quite simple to hang up your Canvas print without the use of any wall-mounts. Because of thata canvas print is suited for all types of walls.
- Poster (akwa akwa akwa): A poster is a UV printed canvas paper with a slight finish on the surface. A poster print is ideally suited for framing the art print with the help of a customized frame. Please note, that depending on the size of the poster print we add a white margin between 2-6cm round about the print, which facilitates the framing with your custom frame.
- Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are metal prints with a true effect of depth, which creates a modern impression throuch a surface structure, which is not reflective. A direct Direct Print on Aluminum Dibond is your best introduction to fine art prints with aluminum. For the Direct Aluminium Dibond print, we print the chosen artwork right onto the surface of the aluminum.
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Additional artwork information from Art Institute Chicago website (© - Art Institute Chicago - www.artic.edu)
This evocative character study is an early example of a type of subject that preoccupied the great Dutch master Rembrandt van Rijn throughout his long career. Although his large output included landscapes, genre paintings, and the occasional still life, he focused on biblical and historical paintings and on portraits. As an extension of these interests, the artist studied the effect of a single figure, made dramatic through the use of costume and rich, subtle lighting. Rembrandt collected costumes to transform his models into characters. Here, the gold chain and steel gorget suggest an honored military career, while the plumed beret evokes an earlier time. The broad black mass of the old man’s torso against a neutral background is a powerful foil for these trappings. The face is that of a real person, weathered and watchful, glowing with pride and humanity. The unidentified sitter, once thought to be the artist’s father, was a favorite model, appearing in many of the artist’s early works. The confident execution suggests that the young Rembrandt completed this picture about 1631, when he had left his native Leiden to pursue a career in the metropolis of Amsterdam; perhaps he wished to use this work to demonstrate his skill in a genre that combined history painting and portraiture.
Nchịkọta ihe osise nka akpọrọ Old Man with a Gold Chain
a 17th narị afọ nka nka aha ya Old Man with a Gold Chain was created by the male painter Rembrandt van Rijn. The over 380 year-old original was made with the size: 83,1 × 75,7 cm (32 3/4 × 29 3/4 in). Mmanụ na panel was used by the European painter as the technique for the piece of art. Monogram RHL at lower left was the painting's inscription. Besides, the artpiece is in the the digital collection of Ụlọ ọrụ Art Chicago, nke dị na Chicago, Illinois, Njikota Obodo Amerika. Site n'ikike nke - Ụlọ ọrụ Art Chicago (ngalaba ọha). : Mazị na Oriakụ WW Kimball mkpokọta. Ọzọkwa, alignment bụ na square usoro ma nwee oke nke 1: 1, nke pụtara na ogologo ya na obosara. Rembrandt van Rijn was a male painter of Dutch nationality, whose art style can primarily be classified as Baroque. The European painter was born in the year 1606 na Leiden ma nwụọ mgbe ọ dị afọ 63 n'afọ 1669.
Nkọwa ihe nka
Aha nke ihe nka: | "Old Man with a Gold Chain" |
Nchịkọta nke ọrụ nka: | sere |
Otu sara mbara: | nka ochie |
Century: | 17th narị afọ |
Afọ nka: | 1636 |
Afọ nka: | 380 afọ |
Usoro nka izizi: | mmanụ na panel |
Nha izizi: | 83,1 × 75,7 cm (32 3/4 × 29 3/4 na) |
mbinye aka izizi nka: | monogram RHL at lower left |
Egosiputara na: | Ụlọ ọrụ Art Chicago |
Ebe ngosi nka: | Chicago, Illinois, Njikota Obodo Amerika |
website: | Ụlọ ọrụ Art Chicago |
Akwụkwọ ikike nka: | ngalaba ọha |
Site n'aka: | Ụlọ ọrụ Art Chicago |
kreditline ọrụ nka: | Mazị na Oriakụ WW Kimball mkpokọta |
Ozi ederede ahaziri
Ụdị edemede: | nka nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite nke ngwaahịa a: | German mmepụta |
Ụdị ngwaahịa: | a na-achọ |
Ihe eji eme atụmatụ: | Nhazi ụlọ, mkpokọta nka (mmeputakwa) |
Nhazi onyonyo: | usoro square |
Njikwa oyiyi: | 1: 1 |
Nsonaazụ nke oke akụkụ: | ogologo ya na obosara |
Akwa mmeputakwa dị: | Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 20x20cm - 8x8 ", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180-x180cm |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39" |
Ụdị mbipụta Dibond (ihe alumnium) dị iche iche: | 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39" |
Igwe onyonyo: | na-enweghị etiti |
Banyere omenka
Ihe nkiri: | Rembrandt van Rijn |
okike onye nka: | nwoke |
Obodo onye nka: | Dutch |
Ọrụ: | onye na-ese ihe |
Mba onye si: | mba netherland |
Nkewa onye nka: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Baroque |
Nwụrụ na afọ nke: | 63 afọ |
A mụrụ: | 1606 |
Ebe omuma: | Leiden |
Nwụrụ n'afọ: | 1669 |
Ebe ọnwụ: | Amsterdam |
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