Gilbert Stuart, 1805 - Elizabeth Beltzhover Mason - mbipụta nka mara mma

59,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Original description by The Cleveland Museum of Art website (© - Ụlọ ihe ngosi nka nke Cleveland - Velọ ihe ngosi nka nke Cleveland)

Stuart introduced into American art a painting technique based on spontaneous, yet strategically placed brushstrokes and layers of subtle, translucent paint that presents sitters as if bathed in mist. Commissioned five years after her marriage, this painting of Elizabeth Beltzhoover Mason (1781–1836) declares her stylishness by associating her with Stuart's fashionable manner. The portrait adapts to a small format the accessories of column and drapery traditionally associated with larger paintings, creating an effect of both intimacy and grandeur.

Nkọwa ngwaahịa nka

N'elu 210 year old artpiece "Elizabeth Beltzhoover Mason" was made by the rococo painter Gilbert Stuart n’afọ 1805. Ihe osise a tụrụ nha: Nhazi: 90 x 78 x 8 cm (35 7/16 x 30 11/16 x 3 1/8 na); Emebereghị: 73,8 x 61 cm (29 1/16 x 24 na) e were kwa ihe-ọcha tee ya mmanụ na kwaaji. N'oge a, a na-etinye ihe osise na ihe osise Ụlọ ihe ngosi nka nke Cleveland nchịkọta. Ihe osise a, nke bụ akụkụ nke ngalaba ọha a gụnyere ya na nkwanye ùgwù nke Velọ ihe ngosi nka nke Cleveland. : Gift from J. H. Wade. What is more, the alignment is Eserese ya na oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Gilbert Stuart was a male painter, whose art style was mainly Rococo. The Rococo painter lived for 73 years - born in the year 1755 in North Kingstown, Washington county, Rhode Island, United States and deceased in the year 1828 in Boston, Suffolk county, Massachusetts, United States.

Ihe di

Nchịkọta nhọrọ ndetu ngwaahịa na-enye gị ohere ịhọrọ nha na ihe gị n'otu n'otu. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta enyo acrylic: A glossy print on acrylic glass, which is often labelled as a an art print on plexiglass, will change an original artwork into lovely wall decoration and offers a great alternative to canvas and dibond fine art replicas. The artwork will be custom-made with the help of modern UV printing machines. The great upside of a plexiglass art print is that contrasts as well as minor color details will be more exposed thanks to the subtle gradation in the picture. The real glass coating protects your custom fine art print against light and heat for many years.
  • Kwaaji: The canvas print, not to be mistaken with a real painting on a canvas, is an image printed on a UV direct printer. In addition to that, a canvas print creates a familiar and warm impression. A canvas of your favorite masterpiece will let you turn your fine art print into a large work of art like you would see in a gallery. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang up the Canvas print without the help of extra wall-mounts. A canvas print is suited for all types of walls.
  • Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a print with a true depth. Its non-reflective surface structure make a contemporary look. The bright & white components of the work of art shine with a silk gloss, however without glow. The colors of the print are vivid and luminous in the highest definition, the fine details appear clear and crisp, and there’s a matte look that you can literally feel.
  • Poster (akwa akwa akwa): The poster is a UV printed cotton canvas with a slight finish on the surface. It is excellently used for framing your art copy using a personal frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of around 2-6cm around the print, which facilitates the framing with your custom frame.

Ozi ndabere izugbe gbasara onye na-ese ihe

Aha onye nka: Gilbert Stuart
Aha ndị ọzọ: Stuart, stuart g., Stuart Gilbert, American Stuart, American Stewart, Stuart Gilbert Charles, Gilbert Stuart, G. Stuart, Stewart Gilbert, Stewart
okike nke onye nka: nwoke
Obodo onye nka: American
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Mba onye si: United States
nhazi ọkwa: omenkà nke oge a
styles: Rococo
Akwụsị: 73 afọ
Afọ ọmụmụ: 1755
Amụrụ na (ebe): North Kingstown, Washington County, Rhode Island, Njikota Obodo Amerika
Nwuru: 1828
Obodo ọnwụ: Boston, Suffolk County, Massachusetts, Njikota Obodo Amerika

Tebụl a haziri ahazi nke ihe osise

Aha nka nka: "Elizabeth Beltzhoover Mason"
Nhazi nka: sere
Category: nkà nke oge a
Century: 19th narị afọ
Afọ okike: 1805
Afọ nka: 210 afọ
Ihe osise izizi: mmanụ na kwaaji
Nha izizi nka: Nhazi: 90 x 78 x 8 cm (35 7/16 x 30 11/16 x 3 1/8 na); Emebereghị: 73,8 x 61 cm (29 1/16 x 24 na)
Egosiputara na: Velọ ihe ngosi nka nke Cleveland
Ebe ebe ngosi nka: Cleveland, Ohio, United States nke America
Ebe nrụọrụ weebụ ihe ngosi nka: www.clevelandart.org
Ikikere nke ihe osise: ngalaba ọha
Site n'aka: Velọ ihe ngosi nka nke Cleveland
kreditline ọrụ nka: Gift from J. H. Wade

Nkọwapụta ngwaahịa

Nkewa bipụta: nka nka
Mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: mbipụta dijitalụ (Mbipụta UV ozugbo)
Nlụpụta: German mere
Ụdị ngwaahịa: na mmepụta ihe
Ojiji ngwaahịa: ihe ndozi ụlọ, ime ụlọ
Ndepụta: nhazi ihe osise
Njikwa oyiyi: 1: 1.2 ogologo: obosara
Nsonaazụ nke oke onyonyo: ogologo bụ 20% mkpụmkpụ karịa obosara
Ngwa ngwaahịa dị: Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 50x60cm - 20x24", 100x120cm - 39x47"
Nha ebipụta aluminium dibond: 50x60cm - 20x24", 100x120cm - 39x47"
Nhazi mbipụta nka: enweghị etiti

Disclaimer: We try to describe the art products as exact as possible and to demonstrate them visually in our shop. Still, the colors of the printed materials and the imprint might diverge slightly from the representation on your device's monitor. Depending on your screen settings and the nature of the surface, color pigments can unfortunately not be printed as realisitcally as the digital version on this website. In view of the fact that all art prints are processed and printed by hand, there might as well be slight discrepancies in the exact position and the size of the motif.

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