John White Alexander, 1895 - izu ike - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ngwaahịa nka
Ihe karịrị 120 eserese afọ Nkwụsị onye na-ese ihe sere ya John White Alexander in 1895. The version of the piece of art had the following size of 52 1/4 x 63 5/8 in (132,7 x 161,6 cm) and was painted with the medium mmanụ na kwaaji. Ọ bụ nke dijitalụ art collection nke Museumlọ ihe ngosi nka nke Obodo in New York City, New York, Njikota Obodo Amerika. Site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye amabeghị, 1980 (public domain license). The creditline of the artwork is: Anonymous Gift, 1980. What is more, the alignment is in odida obodo format na a akụkụ ruru nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara.
Nkọwa ihe osise sitere na ụlọ ihe ngosi nka (© nwebiisinka - site na The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)
Alexander, who lived in Paris during the 1890s, achieved international success with his studies of female figures gracefully posed in elegant interiors. In this example, the provocative facial expression and supple curves reflect the contemporary French taste for sensual images of women as well as the undulating linear rhythms of Art Nouveau. With its model decoratively attired in a sweep of white fabric, "Repose" was lampooned in a French magazine as a portrayal of Loïe Fuller (1862–1928), the American dancer famous for manipulating swirling folds of silk in her performances at the Folies Bergère in Paris.
Data nka ahaziri
Aha nke ọrụ nka: | "Rests" |
Nhazi nke ihe nka: | sere |
Otu izugbe: | nkà nke oge a |
Narị afọ nka: | 19th narị afọ |
Afọ okike: | 1895 |
Afọ nka: | ihe dị ka afọ 120 |
Ọkara nke ihe osise izizi: | mmanụ na kwaaji |
Akụkụ izizi (ọrụ nka): | 52 1/4 x 63 5/8 na (132,7 x 161,6 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Ebe nrụọrụ weebụ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye amabeghị, 1980 |
Ebe kredit nke ọrụ nka: | Onyinye amabeghị aha, 1980 |
Ose okwu
aha: | John White Alexander |
Aha ndi ozo: | J.W. Alexander, alexander j.w., John White Alexander, Alexander John White, alexander john w., john w. alexander, Alexander John-White |
okike nke onye nka: | nwoke |
Nationality: | American |
Ọrụ: | onye na-ese ihe, onye na-ese ihe |
Obodo onye nka: | United States |
Nkewa onye nka: | omenkà nke oge a |
Afọ ọnwụ: | 59 afọ |
Afọ ọmụmụ: | 1856 |
Afọ ọnwụ: | 1915 |
Nhọrọ ihe enwere ike
The product dropdown menu ofers you the possibility to choose a material and a sizeaccording to your individual preferences. You can pick your favorite material and size among the following preferences:
- Mbipụta kwaaji: A canvas print is a printed cotton canvas mounted on a wood frame. Your canvas print of your favorite masterpiece will provide you with the unique opportunity of transforming your into a large size artwork. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang up your Canvas print without additional wall-mounts. Hence, a canvas print is suitable for all types of walls.
- Mbipụta enyo acrylic: A glossy print on acrylic glass, which is sometimes named as a print on plexiglass, will change your selected artwork into amazing wall decoration.
- Mbipụta akwụkwọ mmado (ihe kwaaji): The Artprinta poster is a printed sheet of flat canvas with a slight texture on the surface, that resembles the original version of the work of art. The printed poster is particularly suited for putting the art replica using a customized frame. Please bear in mind, that depending on the size of the poster print we add a white margin between 2 - 6cm around the artwork, which facilitates the framing.
- Mbipụta nke aluminom: These are metal prints on aluminium dibond material with an impressive depth effect. A non-reflective surface make a contemporary impression. The Direct Print on Aluminum Dibond is your excellent introduction to art reproductions on aluminum. The bright parts of the original artwork shimmer with a silky gloss, however without any glare. The colors of the print are luminous in the highest definition, the fine details appear clear and crisp.
Ngwaahịa a
Ụdị ngwaahịa: | nka nka |
Usoro mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Usoro mmepụta: | mbipụta dijitalụ |
Production: | emepụtara na Germany |
Ụdị ngwaahịa: | a na-achọ |
Eji ngwaahịa emebere: | foto mgbidi, nchịkọta nka (mmepụta) |
Ntuziaka onyonyo: | nhazi odida obodo |
Oke akụkụ: | (ogologo: obosara) 1.2: 1 |
Mmetụta akụkụ onyonyo: | ogologo bụ 20% ogologo karịa obosara |
Ụdị ihe dị iche iche dị: | acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond) |
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 60x50cm - 24x20", 120x100cm - 47x39" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 60x50cm - 24x20", 120x100cm - 47x39" |
Nha ebipụta aluminom: | 60x50cm - 24x20", 120x100cm - 47x39" |
Nhazi mmeputa nka nka: | mbipụta nka na-enweghị isi |
Nkwupụta iwu: We try all that we can in order to describe the art products in as much detail as possible and to display them visually. Nonetheless, the colors of the print products, as well as the imprint may diverge slightly from the image on your device's monitor. Depending on your screen settings and the nature of the surface, colors may not be printed as realistically as the digital version. Since the art reproductions are printed and processed manually, there may as well be slight discrepancies in the motif's size and exact position.
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