Benjamin West, 1793 - Damsel na Orlando - mbipụta nka mara mma

Specifications of the classic art artwork with the title The Damsel and Orlando

Ọ bụ onye na-ese ihe mere ihe osise a Benjamin West in 1793. Emere ihe osise ahụ n'ogo zuru oke: 36 x 28 n'ime (91,4 x 71,1 cm) na e mepụtara na teknụzụ nke mmanụ na kwaaji. Ọzọkwa, a pụrụ ịhụ ihe osise a n'ime Ụlọ ihe ngosi nka nke Metropolitan digital collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, Maria DeWitt Jesup Fund, 1923 (nwere ikike: ngalaba ọha). Creditline of the artwork: Maria DeWitt Jesup Fund, 1923. Besides this, the alignment of the digital reproduction is in Eserese format ya na oke akụkụ nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. The painter Benjamin West was an artist from United States, whose art style can primarily be assigned to Rococo. The North American painter lived for a total of 82 afọ and was born in the year 1738 in Swarthmore, Delaware county, Pennsylvania, United States and deceased in the year 1820 in London, Greater London, England, United Kingdom.

Additional specifications from The Metropolitan Museum of Art (© - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

The Italian poet Ludovico Ariosto’s epic "Orlando furioso" (1516) enjoyed revived popularity in the eighteenth century. In this melodramatic scene, the costumes, the physical types, and, especially, the poses are reminiscent of the style of the Italian High Renaissance, which West greatly admired. The hero, Orlando, is shown as he learns that he has lost his place in the affections of Angelica, who now loves someone else and has dispensed with a jeweled bracelet Orlando had given her. The painter concentrated all the work’s tension in the theatrical pose of Orlando, who, in the wildness of his grief, loses his mind.

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• Metal (aluminium debond mbipụta): Aluminium Dibond prints are metal prints with an impressive effect of depth, which creates a fashionable look with a surface , which is non-reflective. A direct Aluminium Dibond Print is your excellent start to fine art prints made on aluminum. For our Direct Aluminium Dibond print, we print your favorite work of art on the surface of the aluminum composite. The bright parts of the artpiece shine with a silk gloss, however without the glow. This UV print on Aluminum Dibond is the most popular entry-level product and is a stylish way to display artworks, since it puts the viewer’s attention on the replica of the artwork.
• Mbipụta kanvas: The canvas direct print is a printed cotton canvas stretched on a wood stretcher. The advantage of canvas prints is that they are relatively low in weight. This means, it is quite simple to hang up the Canvas print without extra wall-mounts. Canvas prints are suited for all types of walls.
• Ugogbe acrylic ebipụtara: An acrylic glass print, which is sometimes denoted as a plexiglass print, will transform your chosen original into stunning décor. The work of art is being custom-made with the help of modern UV direct print machines. This has the image effect of stunning, rich colors. The great upside of a plexiglass fine art print is that contrasts and also details become more exposed because of the very subtle tonal gradation. The real glass coating protects your custom art replica against light and heat for several decades.
• Mpempe akwụkwọ mmado ebipụtara na akwa akwa: Our poster print is a UV printed canvas with a slight texture on the surface. Please bear in mind, that depending on the absolute size of the poster print we add a white margin between 2 - 6cm around the artwork, which facilitates the framing with your custom frame.

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