Gilbert Stuart, 1794 - Josef Jaudenes na Nebot - ọmarịcha nka

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• Ugogbe acrylic ebipụtara: A glossy acrylic glass print, which is sometimes referred to as a print on plexiglass, will change your favorite original into brilliant wall decoration. The artwork will be manufactured thanks to the help of modern UV direct print technology. The great benefit of a plexiglass art print is that contrasts and smaller details will be visible with the help of the very fine gradation in the picture. The plexiglass protects your chosen art print against light and external influences for many years.
• Aluminom ihe eji eme ihe: Aluminium Dibond prints are prints on metal with an impressive depth effect, which makes a contemporary look throuch a non-reflective surface. For your Direct Aluminium Dibond option, we print the favorite work of art right on the surface of the white-primed aluminum.
• Kwaaji: The canvas print, not to be confused with a real painting on a canvas, is a digital image printed from an industrial printer. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang the Canvas print without any wall-mounts. Canvas prints are suited for any type of wall.
• Akwụkwọ mmado na ihe kwaaji: The poster is a UV printed sheet of canvas paper with a nice finish on the surface. It is best qualified for framing your art replica with the help of a customized frame. Please bear in mind, that depending on the size of the poster print we add a white margin of approximately 2-6cm round about the artwork in order to facilitate the framing with a custom frame.

Ederede iwu dị mkpa: We try our best in order to depict our art products as precisely as we can and to illustrate them visually in our shop. Although, the colors of the printing material and the print result might differ marginally from the presentation on your monitor. Depending on the screen settings and the nature of the surface, not all color pigments can be printed as realistically as the digital version. Given that our art prints are processed and printed manually, there may as well be minor variations in the motif's exact position and the size.

Ozi izizi gbasara ọrụ nka nke The Metropolitan Museum of Art (© Nwebiisinka - The Metropolitan Museum of Art - www.metmuseum.org)

Born in Valencia, Spain, Josef de Jáudenes (1764–1818) arrived in New York City in 1785, serving first as an assistant to the Spanish minister and later as the Spanish chargé d’affaires. Following his marriage to New York-born Matilda Stoughton (07.76) in 1794, Jáudenes commissioned Stuart to paint a pair of portraits commemorating their union. Stuart, who had returned from Ireland the previous year, drew on his knowledge of European Grand Manner portraiture in his elaborate depictions of the two sitters. Jáudenes, formally posed and richly attired, exemplifies the power and prosperity of the Spanish Empire, then at the height of its territorial expanse in the Americas.

Ntụgharị nka nke gị

Nke a kpochapụwo nka nka Josef Jaudenes and Nebot bụ nke nwoke America na-ese ihe mere Gilbert Stuart na 1794. The 220 Ụdị ihe osise ahụ dị otu afọ tụrụ nha: 50 3/4 x 39 3/4 na (128,9 x 101 cm). Mmanụ na kwaaji was applied by the artist as the technique for the piece of art. The piece of art forms part of the digital art collection of The Metropolitan Museum of Art. The classic art artwork, which is in the ngalaba ọha is provided with courtesy of The Metropolitan Museum of Art, New York, Rogers Fund, 1907. : Rogers Fund, 1907. Na mgbakwunye na nke a, nhazi nke mmepụta dijitalụ bụ Eserese ya na oke onyonyo nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. Gilbert Stuart was a male painter, whose art style can primarily be classified as Rococo. The painter was born in 1755 in North Kingstown, Washington county, Rhode Island, United States and died at the age of 73 in 1828 in Boston, Suffolk county, Massachusetts, United States.

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