Thomas Hovenden, 1892 - Jerusalem the Golden - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
The masterpiece na aha Jerusalem the Golden was created by the post-impressionist painter Thomas Hovenden. The 120 year-old version of the painting was made with the absolute size: 30 x 40 in (76,2 x 101,6 cm) and was crafted with the Usoro mmanụ na kwaaji. The piece of art is included in the The Metropolitan Museum of Art's collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The artwork, which is in the public domain is supplied with courtesy of The Metropolitan Museum of Art, New York, Gift of Helen C. Hovenden, in memory of her husband, Thomas Hovenden, 1895. Creditline of the artwork: Gift of Helen C. Hovenden, in memory of her husband, Thomas Hovenden, 1895. In addition to that, the alignment of the digital reproduction is in odida obodo format and has a ratio of 4 : 3, which means that the length is 33% longer than the width. Thomas Hovenden was a painter from United States, whose artistic style can be attributed mainly to Post-Impressionism. The Post-Impressionist painter was born in the year 1840 in Dunmanway, County Cork, Ireland and died at the age of 55 in the year 1895 in New Jersey, United States.
Nkọwa ihe osise
Aha nke ihe nka: | "Jerusalem the Golden" |
nhazi ọkwa: | sere |
Otu izugbe: | nkà nke oge a |
Century: | 19th narị afọ |
Afọ okike: | 1892 |
Ogologo afọ nka nka: | ihe karịrị 120 afọ |
Usoro nka izizi: | mmanụ na kwaaji |
Akụkụ izizi: | 30 x 40 n'ime (76,2 x 101,6 cm) |
Ụlọ ihe ngosi nka / ebe: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
website: | Museumlọ ihe ngosi nka nke Obodo |
Akwụkwọ ikike nka: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Gift of Helen C. Hovenden, in memory of her husband, Thomas Hovenden, 1895 |
Ebe E Si Nweta: | Gift of Helen C. Hovenden, in memory of her husband, Thomas Hovenden, 1895 |
Tebụl nchịkọta ihe nkiri
Ihe nkiri: | Thomas Hovenden |
Aliases: | Thomas Hovenden, Hovendon Thomas, Hovenden Thomas, Hovenden |
Gender: | nwoke |
Obodo onye nka: | American |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Country: | United States |
Nhazi nke onye nka: | omenkà nke oge a |
styles: | Mmetụta post-impression |
Afọ ọnwụ: | 55 afọ |
Amụrụ n'afọ: | 1840 |
Ebe omuma: | Dunmanway, County Cork, Ireland |
Nwụrụ n'afọ: | 1895 |
Nwụrụ na (ebe): | New Jersey, United States |
Họrọ ngwa ngwaahịa ị ga-atụkwasị n'ụlọ gị
Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:
- Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often denoted as a fine art print on plexiglass, will turn the original into great décor. The work of art will be made with the help of modern UV direct print technology. Our acrylic glass protects your chosen art print against light and heat for many more years to come.
- Mbipụta akwụkwọ mmado (akwa akwa akwa): Our poster is a UV printed canvas paper with a nice structure on the surface. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm round about the print, which facilitates the framing.
- Aluminom dibond (ọkpụkpụ ọla): Mbipụta aluminom Dibond bụ mbipụta ọla nwere nnukwu mmetụta dị omimi.
- Mbipụta kwaaji: A printed canvas material applied on a wood frame. A canvas generates the exclusive impression of three-dimensionality. The canvas produces a charming and pleasant effect. Your printed canvas of your favorite artwork will allow you to transform your custom into a large size artwork. The great advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang up your Canvas print without the use of additional wall-mounts. Canvas prints are suitable for all kinds of walls.
Nkọwa ngwaahịa
Ụdị edemede: | nka nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Produzọ mmepụta: | Mbipụta UV ozugbo |
Production: | Germany |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Eji ngwaahịa a chọrọ: | ụlọ mmepụta ihe nka, ihe ndozi ụlọ |
Nhazi nka nka: | nhazi odida obodo |
Ụdị anya: | (ogologo: obosara) 4: 3 |
Oke akụkụ pụtara: | ogologo bụ 33% ogologo karịa obosara |
Ihe mmeputakwa dị: | ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: | 40x30cm - 16x12" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 40x30cm - 16x12" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 40x30cm - 16x12" |
Nhọrọ nha mbipụta aluminom: | 40x30cm - 16x12" |
Nhazi mbipụta nka: | agunyeghi |
Ihe dị mkpa: We do our best to depict our art products as accurate as possible and to showcase them visually. Nevertheless, the pigments of the print materials, as well as the imprint may diverge to a certain extent from the representation on the device's monitor. Depending on your settings of your screen and the nature of the surface, not all color pigments are printed one hundret percent realistically. Because all our art prints are printed and processed manually, there may as well be minor deviations in the exact position and the size of the motif.
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