Thomas Fearnley, 1831 - Munich mgbe oké ifufe ahụ gasịrị - ọmarịcha nka

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We offer a range of various materials and sizes for every product. You can select your favorite material and size between the subsequent choices:

• Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a material with an impressive depth - for a modern impression and a non-reflective surface structure. The white & bright sections of the original work of art shine with a silky gloss but without glow. Colors are luminous in the highest definition, details appear crisp and clear.
• Mbipụta kanvas: A printed canvas material stretched on a wooden stretcher frame. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang up the Canvas print without any wall-mounts. A canvas print is suited for all types of walls.
• Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, often described as a UV print on plexiglass, transforms the original into gorgeous wall decoration. Additionally, it offers a viable alternative option to dibond or canvas fine art prints.
• Poster (akwa akwa akwa): The poster print is a UV printed canvas with a slight surface structure, that reminds the actual artwork. Please bear in mind, that depending on the absolute size of the poster we add a white margin between 2-6cm round about the artwork, which facilitates the framing with a custom frame.

Ihe ị kwesịrị ịma ihe nka nka karịrị afọ 180

na 1831 Thomas Fearnley created this romanticist masterpiece with the title "Munich after the storm". The original was painted with the size 84 cm x 111,5 cm. kwaaji was used by the Norwegian painter as the medium of the piece of art. The original artwork's inscription is the following: bottom left: Fearnley 1,831th. Furthermore, the work of art is part of the digital collection of Städtische Galerie im Lenbachhaus und Kunstbau München, which is a museum with the world'd largest collection of works by the Blue Rider artists, art of the 19th century and modern art after 1945. With courtesy of: Thomas Fearnley, München nach dem Gewitter, 1831, Canvas, 84 cm x 111,5 cm, Städtische Galerie im Lenbachhaus und Kunstbau München, https://sammlungonline.lenbachhaus.de/objekt/muenchen-nach-dem-gewitter-30007223.html (nwere ikike: ngalaba ọha). Creditline of the artwork: Städtische Galerie im Lenbachhaus und Kunstbau München. Further, the alignment of the digital reproduction is in odida obodo usoro na nwere ihe oyiyi ruru nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. The painter Thomas Fearnley was a European artist from Norway, whose style can be classified as Romanticism. The Norwegian painter lived for 40 afọ a mụrụ na 1802 na Halden, Ostfold, Norway ma nwụọ na 1842.

Disclaimer: We try everythig possible in order to depict the art products in as much detail as possible and to illustrate them visually. Please bear in mind that the pigments of the printed materials and the print result might differ slightly from the representation on your monitor. Depending on the screen settings and the condition of the surface, not all colors are printed one hundret percent realistically. Since all art prints are processed and printed by hand, there may also be slight deviations in the size and exact position of the motif.

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