Edgar Degas, 1882 - Ndị na-agba egwu n'ime ime ụlọ mgbatị ahụ nwere Bass ugboro abụọ - mbipụta nka mara mma.

Original artwork description by the museum (© - The Metropolitan Museum of Art - www.metmuseum.org)

Degas used an elongated frieze format for more than forty rehearsal scenes made over the course of two decades. This is one of the first such works; it was preceded by The Dance Lesson (ca. 1879, National Gallery of Art, Washington). Here, the angled wall in the foreground sets off the striking juxtaposition of a double bass and a seated dancer, bent over to tie the laces of her slipper. Technical analysis reveals that Degas painted the complex composition in virtually a single campaign with only minor revisions.

Dancers in the Rehearsal Room with a Double Bass si Edgar Degas dika nka nka nke gi

In 1882 na nwoke Onye na-ese ihe French Edgar Degas created the artwork named Dancers in the Rehearsal Room with a Double Bass. A na-ese ihe osise ahụ na nha: 15 3/8 x 35 1/4 na (39,1 x 89,5 cm) wee mepụta ya na mmanụ na kwaaji. Today, this artwork is included in the digital art collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - Ụlọ ihe ngosi nka nke Metropolitan, New York, HO Havemeyer mkpokọta, Arịrịọ nke Oriakụ HO Havemeyer, 1929 (nwere ikike: ngalaba ọha). Ihe kredit nke artpiece bụ nke a: Mkpokọta HO Havemeyer, Arịrịọ nke Oriakụ HO Havemeyer, 1929. Ọzọkwa, nhazi ahụ dị na odida obodo format and has a side ratio of 5 : 2, meaning that the length is two and a half times longer than the width. Edgar Degas was a photographer, poet, engraver, painter, sculptor, whose style can mainly be classified as Impressionism. The European artist was born in 1834 and deceased at the age of 83 n'afọ 1917.

Ngwaahịa ị nwere ike iburu

Maka akwụkwọ nka ọ bụla dị mma anyị na-enye ihe dị iche iche na nha. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta kwaaji: The UV printed canvas stretched on a wooden frame. The great advantage of canvas prints is that they are relatively low in weight. That means, it is easy to hang your Canvas print without any wall-mounts. Hence, a canvas print is suited for all types of walls.
• Poster (akwa akwa akwa): Our poster is a printed flat canvas with a granular structure on the surface. It is best designed for putting the art copy with the help of a custom-made frame. Please note, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm round about the print motif to facilitate the framing with your custom frame.
• Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often described as a an art print on plexiglass, will convert your favorite original artwork into stunning décor. Your favorite work of art is printed with modern UV direct printing technology. It creates sharp and vivid colors. The major benefit of an acrylic glass print is that contrasts and also granular color details will be recognizeable because of the very fine tonal gradation of the print.
• Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are prints on metal with a true effect of depth - for a modern look and a non-reflective surface structure. The colors are bright and vivid in the highest definition, the fine details of the print appear clear and crisp.

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Disclaimer: We try what we can in order to depict our products as accurately as possible and to demonstrate them visually on the respective product detail pages. Nevertheless, the tone of the print materials, as well as the imprint may vary somehwat from the image on the screen. Depending on your settings of your screen and the nature of the surface, not all colors are printed as realistically as the digital version shown here. Because our art prints are printed and processed by hand, there might also be minor discrepancies in the size and exact position of the motif.

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