Jacob van Ruisdael, 1670 - Okirikiri ala nwere ụlọ ụka site na Torrent - mbipụta nka mara mma.

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Nchịkọta nhọrọ ngwaahịa na-enye gị ohere ịhọrọ nha na ihe kacha amasị gị. Nhọrọ ndị a dị maka n'otu n'otu:

• Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): An print on acrylic glass, which is sometimes described as a plexiglass print, will turn your favorite original into wall décor. Moreover, the acrylic print forms a good alternative option to canvas and aluminidum dibond fine art prints. The artwork is being custom-made with state-of-the-art UV direct print machines.
• Kwaaji: A printed canvas, not to be confused with a painting on a canvas, is a digital image printed from an industrial printing machine. Canvas prints are relatively low in weight, which implies that it is easy to hang up your Canvas print without extra wall-mounts. A canvas print is suitable for all types of walls.
• Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are prints on metal with an outstanding depth effect, which makes a contemporary look thanks to a surface structure, which is non-reflective. A direct Direct Print on Aluminum Dibond is the best start to fine art reproductions made on aluminum.
• Mpempe akwụkwọ ederede (akwa akwa akwa): A poster is a printed sheet of flat cotton canvas with a nice surface structure. Please note, that depending on the size of the poster print we add a white margin between 2-6cm around the print motif, which facilitates the framing with your custom frame.

Ozi dị mkpa: We try our best in order to describe the products as closely as possible and to display them visually on the various product detail pages. However, some tone of the printing material and the imprint can diverge to a certain extent from the representation on your monitor. Depending on the settings of your screen and the nature of the surface, colors can unfortunately not be printed one hundret percent realistically. Bearing in mind that all our fine art prints are printed and processed manually, there might also be slight differences in the size and exact position of the motif.

Nkọwapụta nka nke Cleveland Museum of Art (© Nwebiisinka - Ụlọ ihe ngosi nka nke Cleveland - www.clevelandart.org)

It is not known if Ruisdael considered his paintings to be social or moral commentary, for no documents from his lifetime indicate how the artist or his patrons interpreted the works. But in this painting dangerous rapids block access to the chapel, and severed logs litter the middleground, hinting at life’s transience and the challenge to reach salvation.

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In 1670 Jacob van Ruisdael created the classic art artwork. The original measures the size: Nhazi: 100,3 x 83,8 x 10,8 cm (39 1/2 x 33 x 4 1/4 na); Emebereghị: 71 x 55,2 cm (27 15/16 x 21 3/4 na) ma were ihe osise ese Usoro mmanụ na kwaaji. Ọkachamara izizi nwere ihe odide a: signed lower right: JvRuisdael [JvR in monogram]". Enwere ike ịhụ ihe osise a na Ụlọ ihe ngosi nka nke Cleveland art collection. With courtesy of The Cleveland Museum of Art (ikike ngalaba ọha). Ebe kredit nke ọrụ nka: Arịrịọ nke Jane Taft Ingalls. N'elu nke ahụ, nhazi a na-abanye Eserese format na nwere akụkụ ruru nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

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