Joseph Mallord William Turner, 1811 - Ụlọ elu Martello dị nso na Bexhill, Sus (Liber Studiorum, akụkụ VII, efere 34) - ọmarịcha nka.

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• Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): An print on acrylic glass, which is often described as a plexiglass print, changes your favorite original work of art into lovely décor. The artwork is being made with state-of-the-art UV print technology. Our acrylic glass protects your custom fine art print against light and external influences for up to six decades.
• Mbipụta kwaaji: A printed canvas, which shall not be confused with a painting on a canvas, is a digital image applied onto cotton canvas. Canvas prints are relatively low in weight, meaning that it is easy to hang up the Canvas print without the support of any wall-mounts. A canvas print is suitable for any type of wall.
• Bipụta akwụkwọ mmado n'ihe kwaaji: The poster is a UV printed canvas with a slightly roughened surface structure, that reminds the actual version of the artwork. It is excellently designed for putting your art print in a customized frame. Please note, that depending on the size of the poster print we add a white margin of something between 2-6cm around the print, which facilitates the framing with your custom frame.
• Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a print material with a true depth effect. Its non-reflective surface structure creates a fashionable look. For our Aluminium Dibond print, we print the favorite work of art onto the aluminium composite white-primed surface. The white and bright components of the artwork shine with a silky gloss, however without any glow. The direct print on Aluminum Dibond is the most popular entry-level product and is an extremely modern way to showcase fine art reproductions, as it draws focus on the artwork.

Ozi dị mkpa: We try our utmost in order to describe our art products with as many details as possible and to exhibit them visually. Nonetheless, the colors of the printed materials, as well as the printing might vary somehwat from the image on your monitor. Depending on your settings of your screen and the nature of the surface, color pigments can unfortunately not be printed 100% realistically. Given that all fine art prints are processed and printed by hand, there may as well be slight variations in the exact position and the size of the motif.

Ozi nka ndị ọzọ site na museum (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Say here added mezzotint to describe a stretch of England's south coast, with a road below cliffs receding toward forts built to defend against a feared Napoleonic invasion. A distant storm hints at that threat as, in the foreground, a man and woman lead a loaded donkey, and two hussars follow on horseback. The letter "M" in the upper margin indicates Turner's category of Marine landscape.

What you should know the more than 200 year-old artpiece

In 1811 onye na-ese ihe Joseph Mallord William Turner made this artwork. The piece of art measures the size: efere: 7 x 10 1/8 na (17,8 x 25,7 cm) mpempe akwụkwọ: 8 1/4 x 11 7/16 na (21 x 29,1 cm) ma arụpụtara ya na ọkara etching and mezzotint; first state of four (finberg). Enwere ike ilele ihe nka na mkpokọta dijitalụ nke Museumlọ ihe ngosi nka nke Obodo. The nkà nke oge a ngalaba ọha artpiece na-ọnọ n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Harris Brisbane Dick Fund, 1928. Creditline of the artwork: Harris Brisbane Dick Fund, 1928. On top of that, alignment of the digital reproduction is in landscape format na a akụkụ ruru nke 4: 3, meaning that the length is 33% longer than the width. Joseph Mallord William Turner was a painter of British nationality, whose art style can be classified as Romanticism. The Romanticist artist lived for 76 afọ - amuru n'ime 1775 na London, Greater London, England, United Kingdom na nwụrụ anwụ n'afọ 1851.

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