Sebastiano Ricci, 1713 - Baptizim nke Kraịst - mbipụta nka mara mma

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In 1713 onye na-ese ihe Sebastiano Ricci kere kpochapụwo nka eserese Baptizim nke Kraịst. Ụdị ihe osise ahụ nwere nha: 26 x 40 n'ime (66 x 101,6 cm) ewe me ya ihe eji eme ihe mmanụ na kwaaji. N'ịga n'ihu, ihe osise a gụnyere n'ime Ụlọ ihe ngosi nka nke Metropolitan nchịkọta nka dijitalụ. A na-etinye ọrụ nka nka, nke bụ nke ọha na eze site n'ikike nke The Metropolitan Museum of Art, New York, Purchase, Rogers and Gwynne Andrews Funds, and Gift of Jane L. Melville, by exchange, 1981. : Purchase, Rogers and Gwynne Andrews Funds, and Gift of Jane L. Melville, by exchange, 1981. In addition to that, the alignment is in odida obodo format ya na oke nke 3: 2, which implies that the length is 50% longer than the width. Sebastiano Ricci was a painter from Italy, whose art style can be classified as Baroque. The European painter lived for 75 afọ a mụrụ ya n'afọ 1659 na Belluno, mpaghara Belluno, Veneto, Italy ma nwụọ na 1734.

Nkọwa zuru oke site na The Metropolitan Museum of Art (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)

An artist of international reputation, Ricci left for England in 1711 or 1712. This fine oil sketch is for the decoration (destroyed) of a wall in the Duke of Portland's chapel at Bulstrode House, Gerrards Cross, Buckinghamshire. The facing wall showed the Last Supper and the ceiling, the Ascension. In 1733 George Vertue praised Ricci's work in the chapel: "the whole a noble, free invention [with] great force of lights and shade, with variety and freedom in the composition of the parts."

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