Albert Bouts, 1480 - Annunciation - ọmarịcha nka

Supplemental information by The Cleveland Museum of Art website (© Copyright - The Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

Bouts was the son of the painter Dieric, from a family of painters in Leuven. He specialized in small devotional paintings for a ready market in Antwerp and other Flemish cities. This painting depicts an important event in the life of Mary—the Annunciation by the angel Gabriel that she will conceive and bear a son. The Incarnation of Christ is believed to have taken place at precisely this moment. The prevalence of this scene in medieval Christian art reflects its doctrinal importance and its role as a meditative event. The Virgin is represented here in a luxurious private chapel. The vase with lilies on the floor symbolizes her purity. The orange on the window sill is a symbol of chastity and generosity, and the closed book suggests the Old Testament prophecies have now been fulfilled. Mary is praying from her book of hours, much like an affluent merchant’s wife in medieval Bruges or Antwerp. Books of hours, private devotional books for lay people, were at their peak of popularity, especially among women. Startled by the angel, she seems to turn slightly to greet him. Both the angel and Mary are wrapped in sumptuous draperies, perhaps a reflection of the importance of the Flemish cloth industry. Surprised by the angel Gabriel's sudden appearance and his message that she will bear the son of God, the Mary rises from prayer. The artist sets the scene in a room with decor and furnishings familiar to viewers of his time. Though religious, paintings like this offer a glimpse of life among the urban elite. The small size of the panel suggests that it was used for private devotions (much like the altarpiece behind the Virgin), and also prized as a highly finished collector's item.

Nke a kariri 540 Onye-nwe na-ese ọrụ nka afọ afọ Albert Bouts na 1480. The 540 e ji nha ya mee eserese dị afọ: Nhazi: 75,2 x 69 x 8,5 cm (29 5/8 x 27 3/16 x 3 3/8 na); Edebereghị: 50,2 x 41,5 cm (19 3/4 x 16 5/16 na). Mmanụ na osisi was used by the European artist as the technique for the painting. This artwork forms part of the Ụlọ ihe ngosi nka nke Cleveland digital collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. With courtesy of - Velọ ihe ngosi nka nke Cleveland (ikike ngalaba ọha). Creditline of the artwork: Bequest of John L. Severance. On top of that, alignment is in Eserese format na a akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.

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