Antoine Vestier, 1789 - Jean-Henri Masers, Latude Knight (1725-1805), na-egosi Bastille - ọmarịcha akwụkwọ nka.

(© Nwebiisinka - nke Musée Carnavalet Paris - Ụlọ ihe nkiri Carnavalet Paris)

Latude watch hand Bastille whose demolition has begun; it relies on the scale that was used in his escape from the fortress. Other instruments and a lettre de cachet are shown next to the scale.

The 1789 Exhibition catalog includes the following statement: "Jean-Henri Masers, Knight of the Tude, Engineer, retained for 35 years in the prisons of State, which he escaped several times, and among others Bastille, with two scales, one for wood, and the other rope, both made by him and his companion, without the aid of someone in their industry, where they used their firewood & their they spun linen. " Latude had spent 35 years in prison because, in the hope of attracting the protection of the Marquise de Pompadour, he had had the naivete to warn him of a conspiracy he himself had hatched; his deception was quickly discovered, and the favorite did incarcerated in the Bastille on March 1, 1749. After several years of preparation, and Latude Alege, his companion managed to escape 25 February 1766. Arrested in Amsterdam, was Latude brought and imprisoned at Vincennes. He still managed to escape twice but each time was found. Its final release was not held until 1784. Vestier had only a few weeks between the Bastille and the opening of the Show (25 August) to achieve this portrait; so he was presented only during the last days of exposure; he was again exposed to the Salon of 1791 (No. 109).

a nka ochie sere Jean-Henri Masers, Latude Knight (1725-1805), showing the Bastille e kere ya Antoine Vestier in 1789. The original artwork is inscribed with the following information: "Registration - On the front, the bottom sheet to right: "Signed by the Chev 3. [...] / major of the Bastille to the [...] / our proces verbal Ford [[?] ...] / the Roj this day of twenty / February 8, 1756 [signed] Horse [...] / Derochebrunne. "". Moveover, this work of art is in the the digital art collection of Ụlọ ihe nkiri Carnavalet Paris na Paris, France. Site n'ikike nke - Musée Carnavalet Paris (ikikere: ngalaba ọha).In addition to that, the artwork has the following creditline: . Besides, the alignment is in Eserese format with a side ratio of 3 : 4, which means that the length is 25% shorter than the width. Antoine Vestier was a male painter from France, whose art style can mainly be attributed to Rococo. The European painter lived for 84 years - born in 1740 and died in the year 1824.

Họrọ ngwa ngwaahịa ị ga-atụkwasị n'ụlọ gị

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

• Kwaaji: The canvas print, not to be confused with a painting on a canvas, is an image printed on a UV direct printing machine. How do I hang a canvas print on my wall? A canvas print has the advantage of being low in weight, which implies that it is easy to hang the Canvas print without the help of additional wall-mounts. Therefore, a canvas print is suitable for all types of walls.
• Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a print material with an impressive depth effect. A direct Direct Print on Aluminum Dibond is the ideal introduction to fine replicas manufactured on aluminum. For the Direct Print On Aluminum Dibond, we print your chosen artpiece onto the aluminium white-primed surface. The bright parts of the artpiece shine with a silk gloss but without any glow.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster print is a printed flat cotton canvas paper with a slightly roughened surface texture. The poster print is optimally suited for framing your art print with the help of a custom frame. Please keep in mind, that depending on the size of the poster we add a white margin of something between 2-6cm round about the painting to facilitate the framing.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, often named a UV print on plexiglass, will convert your favorite original work of art into stunning décor and offers a great alternative option to canvas and aluminidum dibond prints. Your work of art is being custom-made with modern UV direct printing machines.

Tebụl nyocha nke onye na-ese ihe

Iberibe ozi ndabere nka

Banyere ihe

Nkwupụta iwu: We try our best in order to depict our art products with as many details as possible and to display them visually in our shop. Still, the pigments of the print materials, as well as the print result can differ marginally from the presentation on the monitor. Depending on the settings of your screen and the condition of the surface, color pigments can unfortunately not be printed 100% realistically. Considering that the are processed and printed manually, there might also be slight deviations in the motif's size and exact position.

Edobere ederede a site na nwebisiinka © , Artprinta (www.artprinta.com)