Camille Corot, 1843 - Marietta - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Marietta was made by Camille Corot. The 170 years old version of the artpiece has the size: Ogologo: 29 cm, obosara: 44 cm. Agba mmanụ was applied by the European painter as the medium of the artpiece. The original artwork is inscribed with the following information: Registration - Registration top left: "Marietta _ in Rome". Ọ bụ n'afọ Petit Palais - Musée des Beaux-arts de la Ville de Paris mkpokọta nka, nke dị na Paris, France. Site n'ikike nke - Petit Palais Paris (ọha na eze).Ebe E Si Nweta nke ihe osise:. Ọzọkwa, nhazi ahụ bụ odida obodo na akụkụ ruru nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. The painter Camille Corot was an artist from France, whose artistic style was mainly Realism. The French artist lived for a total of 79 afọ, amuru na afo 1796 ma nwụọ na 1875.
(© - nke Petit Palais dere - Musée des Beaux-arts de la Ville de Paris - www.petitpalais.paris.fr)
In an Italian interior treated with a great economy of means, the model an inscription on the top left of the table designated by the name of Marietta is represented naked, lying, looking towards the painter. The twist of his body reminds odalisques of Ingres.
Corot is expanding its original vocation landscape painter from the 1860s where the woman becomes one of the central themes of his works. For this table, Marietta poses in Benouville Achilles workshop where Corot settled on his third and last trip to Rome in 1843. In the catalog of the posthumous sale of the COROT workshop in 1875, the picture is titled "Odalisque".
Portrait, Scenery,
Nkọwa na nka nka mbụ
Aha nka: | "Marietta" |
Nhazi nka: | sere |
Okwu nche anwụ: | nkà nke oge a |
oge: | 19th narị afọ |
Emepụtara n'afọ: | 1843 |
Ogologo afọ nka nka: | 170 afọ |
Ọkara nke ihe osise izizi: | Agba mmanụ |
Akụkụ ihe osise izizi: | Ogologo: 29 cm, obosara: 44 cm |
Akara mbinye aka: | Registration - Registration top left: "Marietta _ in Rome" |
Ụlọ ihe ngosi nka / ebe: | Petit Palais - Musée des Beaux-arts de la Ville de Paris |
Ebe ngosi nka: | Paris, France |
Dị n'okpuru: | www.petitpalais.paris.fr |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Petit Palais Paris |
metadata omenka ahaziri ahazi
aha: | Camille Corot |
okike nke onye nka: | nwoke |
Nationality: | French |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Obodo onye nka: | France |
Nhazi nke onye nka: | omenkà nke oge a |
styles: | Ihe ngosi |
Ndụ: | 79 afọ |
A mụrụ: | 1796 |
Nwụrụ n'afọ: | 1875 |
Nweta nhọrọ ihe ebipụta nka masịrị gị
The product dropdown menu provides you with the possibility to pick a material and a size of your choice. That is why, we allow you to choose among the following options:
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, often described as a print on plexiglass, will convert your favorite original artwork into home decoration. Your own replica of the artwork is being manufactured with modern UV direct printing machines.
- Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are metal prints with an outstanding effect of depth. A direct Direct Print on Aluminum Dibond is your perfect introduction to fine reproductions with aluminum. For our Direct Aluminium Dibond option, we print the chosen work of art right on the aluminium surface.
- Akwụkwọ mmado na ihe kwaaji: A poster is a UV printed flat canvas paper with a granular surface structure. Please keep in mind, that depending on the size of the poster print we add a white margin of approximately 2-6 cm round about the work of art, which facilitates the framing with a custom frame.
- Mbipụta kwaaji: A UV printed canvas stretched on a wood frame. Additionally, a canvas print generates a attractive and comfy impression. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without any wall-mounts. Canvas prints are suited for any kind of wall.
Ozi ihe ahaziri ahazi
Nkewa ngwaahịa: | mmepụta nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo |
Mmalite ngwaahịa: | emere na Germany |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Ngwaahịa were: | ịchọ mma mgbidi, mkpokọta nka (mmeputakwa) |
Ndepụta: | usoro odida obodo |
Ụdị anya: | (ogologo: obosara) 3: 2 |
Nkọwa nke oke akụkụ akụkụ: | ogologo bụ 50% ogologo karịa obosara |
Akụrụngwa dị: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nke nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta kwaaji |
Nha n'arọwa n'elu ihe ndọtị (mbipụta akwa akwa): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Aluminom dibond ọdịdị nha ebipụta: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Nhazi mbipụta nka: | adịghị |
Nkwupụta iwu: We do our utmost to depict the products as accurately as possible and to showcase them visually on the various product detail pages. At the same time, the pigments of the printing material, as well as the print result can diverge slightly from the presentation on the device's monitor. Depending on the screen settings and the condition of the surface, not all color pigments are printed one hundret percent realistically. Given that all the art prints are printed and processed by hand, there might as well be slight variations in the motif's exact position and the size.
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