Christen Købke, 1836 - Nlele ụtụtụ nke Østerbro - mbipụta nka mara mma

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Ozi ngwaahịa nka zuru ezu

The over 180 year old masterpiece "Morning View of Østerbro" was painted by Christen Købke in 1836. Ọ bụ na nchịkọta nka nke Statens Museum maka Kunst (National Gallery nke Denmark). a ngalaba ọha a na-enye ọrụ nka site n'ikike nke National Gallery nke Denmark.: . Ọzọkwa, nhazi ahụ bụ odida obodo ma nwee oke nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. Christen Købke was a male painter, whose art style can primarily be classified as Romanticism. The European painter lived for a total of 38 years and was born in the year 1810 na Copenhagen ma nwụọ na 1848 na Copenhagen.

What does the original description of the Statens Museum for Kunst (National Gallery of Denmark) state about the work of art painted by Christen Købke? (© nwebiisinka - nke Statens Museum for Kunst (National Gallery of Denmark) - Statens Museum maka Kunst (National Gallery nke Denmark))

In 1833 Købke moved with his parents to Blegdammen by the Sortedam Lake, then located outside of Copenhagen proper. In the years that followed he found many of his motifs by the lake. Købke also found the scene shown in this picture close to his home, at the end of the lake. It shows Østerbrogade, still rural back in those days, edged by distinguished farm buildings.

Everyday scenes Almost every morning during the summer of 1836, Købke took up position by the road to watch the sunset and a number of everyday scenes: Fishwives are resting on their way from the fishing hamlet of Skovshoved into the city in order to sell fish; a party of peasants wearing their Sunday best are on an excursion to Copenhagen in a carriage, perhaps to sell vegetables; in the middle of the road cows are following their habitual path from their stables to the common; and respectable citizens are promenading the streets in the shade along the houses.

A monumental feel All this takes place while the first rays of the sun fall on the road, the poplars between the houses, and the water pump in the middle of the picture. The sky with its variety of clouds constitutes an important part of the picture and help imbue the scene with a monumental feel.

An everyday scene on a large scale Everything is depicted with immense clarity and precision, and great care has been lavished on all details. Compared to other artists of the day, it was unusual for a painter to depict an everyday scene like this on such a large scale.

Ozi ndabere na mpempe nka

Akụkụ nka: "Morning View of Østerbro"
Nhazi nka: sere
Okwu mkpokọta: nkà nke oge a
oge: 19th narị afọ
Ekepụtara: 1836
Afọ nka: ihe dị ka afọ 180
Ụlọ ihe ngosi nka: Statens Museum maka Kunst (National Gallery nke Denmark)
Ebe ngosi nka: Copenhagen, Denmark
URL webụ: Statens Museum maka Kunst (National Gallery nke Denmark)
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: National Gallery nke Denmark

Nyocha ngwa ngwa nke onye na-ese ihe

Ihe nkiri: Christen Købke
okike onye nka: nwoke
Nationality: Danish
Ọrụ: onye na-ese ihe
Mba onye si: Denmark
Otu nka: omenkà nke oge a
styles: Ihunanya
Nwụrụ na afọ nke: 38 afọ
A mụrụ: 1810
Ebe omuma: Copenhagen
Nwuru: 1848
Obodo ọnwụ: Copenhagen

Ihe di

In the dropdown menu right next to the article you can choose your prefered size and material. In order match your personal requirements perfectly, you can choose among the following product customization options:

  • Metal (aluminium debond mbipụta): These are metal prints on aluminium dibond material with an impressive depth effect, creating a fashionable impression throuch a surface , which is not reflective. For our Direct Aluminium Dibond print, we print your favorite work of art on the aluminium composite surface. The bright parts of the original artpiece shimmer with a silky gloss, however without the glow. This UV print on Aluminum Dibond is one of the most demanded entry-level products and is an extremely stylish way to display fine art prints, as it draws attention on the whole artwork.
  • Mbipụta enyo acrylic: A glossy print on acrylic glass, often denoted as a UV print on plexiglass, will change an artwork into stunning décor and forms a great alternative to canvas and aluminidum dibond fine art replicas. The acrylic glass protects your custom fine art print against light and heat for between 4 and six decades.
  • Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster is a printed canvas with a fine structure on the surface. Please bear in mind, that depending on the size of the poster print we add a white margin between 2-6cm round about the painting, which facilitates the framing with your custom frame.
  • Mbipụta kwaaji: The UV printed canvas material mounted on a wooden stretcher frame. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang up your Canvas print without extra wall-mounts. That is why, a canvas print is suitable for any type of wall.

Banyere ngwaahịa

Ụdị edemede: nka nka
Usoro mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: mbipụta dijitalụ (Mbipụta UV ozugbo)
Mmalite ngwaahịa: emere na Germany
Stockdị ngwaahịa: mmepụta ihe na-achọ
Ngwaahịa were: ihe ndozi ụlọ, mgbidi gallery
Nhazi nka nka: nhazi odida obodo
Oke akụkụ onyonyo: 3: 2 ogologo ruo obosara
Nsonaazụ: ogologo bụ 50% ogologo karịa obosara
Nhọrọ dị: ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Nhọrọ mbipụta aluminom: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Igwe onyonyo: biko chere na ngwaahịa a enweghị etiti

Ederede iwu dị mkpa: We try our utmost in order to depict the art products in as much detail as we can and to display them visually. Nevertheless, the tone of the printing material, as well as the print result can differ marginally from the image on the monitor. Depending on the settings of your screen and the condition of the surface, color pigments might not be printed one hundret percent realistically. Bearing in mind that our are printed and processed by hand, there might as well be slight differences in the motif's exact position and the size.

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