Giambattista Tiepolo, 1757 - Alexander na Bucephalus - ọmarịcha nka

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What does the Petit Palais - Musée des Beaux-arts de la Ville de Paris write about the 18th century artwork created by Giambattista Tiepolo? (© Nwebiisinka - nke Petit Palais - Musée des Beaux-arts de la Ville de Paris - www.petitpalais.paris.fr)

In the courtyard of a palace, Alexander equipped with armor and helmet looks white steed he grabbed the bridle, helped one of his servants. In the background, the people and the nobles are waiting curiously.

It is unclear whether this is a sketch for a large unexecuted decor or the many small tables in a very free invoice albeit usually very accomplished, executed by Tiepolo, at the height of his career, both for pleasure and to satisfy an abundant array clientèle.Ce episode could represent the youth of Alexander, told by Plutarch. Alexander the Great, at the age of thirteen or so, is challenged by his father, Philip II, king of Macedonia to mount a spirited horse named Bucephalus. Realizing he is afraid of his shadow, Alexander turns to face the sun, and overcome him. Philip said to him, "My son, is also a kingdom to your measure; Macedonia is too small for you. "

Alexander III of Macedon (the Great says); Bucephalus (Greek mythology)

mythological scene, Horse, Soldier, Palace

Tebụl ihe osise

Aha nka nka: "Alexander and Bucephalus"
Nhazi nka: sere
Otu izugbe: nka ochie
Time: 18th narị afọ
Emepụtara n'afọ: 1757
Afọ nka: ihe karịrị 260 afọ
Usoro izizi: Mmanụ, Canvas (ihe)
Akụkụ nke ọrụ nka mbụ: Ogologo: 58 cm, obosara: 35 cm
mbinye aka na ihe osise: Number - On the back of the canvas: "No. 12-37"
Ụlọ ihe ngosi nka: Petit Palais - Musée des Beaux-arts de la Ville de Paris
Ebe ngosi nka: Paris, France
Weebụsaịtị ihe ngosi nka: www.petitpalais.paris.fr
Ụdị ikike nka: ngalaba ọha
Site n'aka: Petit Palais Paris

Tebụl onye na-ese ihe

Aha onye nka: Giambattista Tiepolo
okike nke onye nka: nwoke
Nationality: Italian
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Country: Italy
Nhazi nke onye nka: nna ukwu ochie
Nwụrụ na afọ nke: 74 afọ
Amụrụ n'afọ: 1696
Afọ nwụrụ: 1770

Ozi ederede ahaziri

Ụdị edemede: nka nka
Usoro mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: mbipụta dijitalụ
Mmalite nke ngwaahịa a: German mere
Ụdị ngwaahịa: a na-achọ
Eji ngwaahịa emebere: ịchọ mma mgbidi, mkpokọta nka (mmeputakwa)
Nhazi nka nka: nhazi ihe osise
Njikwa oyiyi: 9: 16
Mmetụta akụkụ onyonyo: ogologo bụ 45% mkpụmkpụ karịa obosara
Akụrụngwa dị: Mpempe iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kwaaji.
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: 50x90cm - 20x35", 100x180cm - 39x71"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 50x90cm - 20x35"
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 50x90cm - 20x35"
Mbipụta aluminom: 50x90cm - 20x35"
ụba: enweghị etiti

Họrọ ihe kacha amasị gị

Nchịkọta nhọrọ ngwaahịa na-enye gị ohere ịhọrọ ngwa na nha nke nhọrọ gị. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:

  • Mbipụta akwụkwọ mmado (ihe kwaaji): A poster print is a UV printed canvas with a slightly roughened structure on the surface. It is designed for putting your art copy with a customized frame. Please note, that depending on the absolute size of the poster print we add a white margin of around 2-6cm around the work of art, which facilitates the framing with a custom frame.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is often described as a an art print on plexiglass, will turn the original work of art into marvellous wall décor and makes a good alternative to canvas and aluminidum dibond fine art replicas. With an acrylic glass art print sharp contrasts and minor color details become more identifiable because of the subtle gradation.
  • Kwaaji: The canvas print is a printed cotton canvas stretched on a wooden frame. Additionally, a printed canvas produces a attractive and comfy appearance. How do I hang a canvas on the wall? Canvas Prints have the advantage of being relatively low in weight. This means, it is easy to hang up your Canvas print without extra wall-mounts. A canvas print is suitable for any type of wall.
  • Mbipụta nke aluminom: An Aluminium Dibond print is a print with a true effect of depth. The Aluminium Dibond Print is your best introduction to art replicas produced with aluminum. Colors are bright and luminous, fine details of the print are crisp, and you can really feel the matte appearance of the surface. This print on Aluminum Dibond is one of the most popular entry-level products and is a truly modern way to showcase artworks, since it draws focus on the replica of the artwork.

Onyinye ngwaahịa nka

Alexander na Bucephalus is a piece of art created by Giambattista Tiepolo in 1757. A na-ese ụdị eserese ahụ na nha: Ogologo: 58 cm, obosara: 35 cm. Mmanụ, Canvas (ihe) was applied by the Italian painter as the technique for the masterpiece. The original artwork is inscribed with the text: Number - On the back of the canvas: "No. 12-37". Besides, the artwork is included in the digital collection of Petit Palais - Musée des Beaux-arts de la Ville de Paris in Paris, France. Obi dị anyị ụtọ ikwu na nke a ngalaba ọha artpiece is being supplied with courtesy of Petit Palais Paris.In addition to that, the artwork has the following creditline: . In addition to that, the alignment of the digital reproduction is Eserese ya na oke nke 9: 16, nke pụtara na ogologo bụ 45% mkpụmkpụ karịa obosara.

Ozi dị mkpa: We try whatever we can in order to depict our art products as accurate as possible and to exhibit them visually on the different product detail pages. Nonetheless, the tone of the printing material, as well as the printing may vary somehwat from the presentation on the device's monitor. Depending on your screen settings and the quality of the surface, not all colors can be printed as exactly as the digital version depicted here. Bearing in mind that all our art reproductions are printed and processed manually, there might also be slight deviations in the motif's exact position and the size.

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