Giovanni Battista Tiepolo, 1758 - Saint Thecla na-ekpe ekpere maka ihe otiti ahụ mebiri - mbipụta nka mara mma.

Original artwork description by The Metropolitan Museum of Art (© Copyright - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

The present preliminary sketch is for one of Tiepolo's greatest religious works, the altarpiece in the apse of the cathedral at Este, near Padua. Commissioned in 1758 and installed on Christmas Day, 1759, the picture commemorates the plague of 1630 with the citizens of Este praying for the intercession of Saint Thecla. The first-century saint is shown among the victims; the town is depicted in the background.

What you should know this artwork created by Giovanni Battista Tiepolo

Saint Thecla Praying for the Plague-Stricken onye na-ese ihe sere ya Giovanni Battista Tiepolo n’afọ 1758. E sere ihe nka na nha: 32 x 17 5/8 na (81,3 x 44,8 cm) na e mere na ọkara mmanụ na kwaaji. Furthermore, this artwork belongs to the The Metropolitan Museum of Art's digital collection in New York City, New York, Njikota Obodo Amerika. We are pleased to state that this public domain artwork is provided with courtesy of The Metropolitan Museum of Art, New York, Rogers Fund, 1937. Also, the artwork has the following creditline: Rogers Fund, 1937. E wezụga nke a, nhazi nke mmepụta dijitalụ dị n'ime Eserese format ma nwee oke nke 9: 16, nke pụtara na ogologo bụ 45% mkpụmkpụ karịa obosara. Giovanni Battista Tiepolo was a male painter, printmaker of Italian nationality, whose art style can be classified as Rococo. The Italian painter lived for a total of 74 afọ a mụrụ ya n'afọ 1696 na Venice, mpaghara Venezia, Veneto, Italy ma nwụọ n'afọ 1770.

Họrọ nhọrọ ihe ebipụta nka kacha amasị gị

For every art print we offer different sizes & materials. Pick your preferred size and material between the subsequent options:

• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, often referenced as a plexiglass print, transforms your favorite original into gorgeous home décor. What is more, it offers a viable alternative to dibond or canvas prints. Your own replica of the work of art is printed with the help of modern UV printing machines. With an acrylic glass fine art print contrasts and minor color details will be more identifiable due to the very subtle tonal gradation.
• Kwaaji: The UV printed canvas stretched on a wooden frame. It makes the unique effect of three-dimensionality. Your canvas of your favorite artpiece will let you turn your fine art print into a large size work of art. Canvas Prints have the advantage of being low in weight, which implies that it is easy to hang your Canvas print without extra wall-mounts. That is why, canvas prints are suitable for any kind of wall.
• Aluminom dibond (ọkpụkpụ ọla): An Aluminium Dibond print is a material with an impressive effect of depth - for a modern look and non-reflective surface. For the Aluminium Dibond option, we print your chosen artpiece right onto the aluminium surface. The white & bright components of the artwork shimmer with a silky gloss, however without glare. The colors are luminous and bright in the highest definition, the fine details of the print are crisp, and there’s a matte appearance you can literally feel. This print on Aluminum Dibond is the most popular entry-level product and is a truly contemporary way to display art prints, as it puts 100% of the viewer’s focus on the replica of the artwork.
• Mpempe akwụkwọ (ihe kwaaji): Our poster print is a printed canvas paper with a slightly rough surface finish, which reminds the original masterpiece. Please note, that depending on the absolute size of the canvas poster print we add a white margin between 2-6cm round about the print, which facilitates the framing with a custom frame.

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Ozi dị mkpa: We try all that we can to describe the products as exact as possible and to exhibit them visually in our shop. Although, the colors of the printed materials, as well as the print result might differ somehwat from the representation on your screen. Depending on the screen settings and the condition of the surface, not all color pigments are printed one hundret percent realistically. Because all the are printed and processed by hand, there might also be slight deviations in the size and exact position of the motif.

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