onye na-eso Joshua Reynolds, narị afọ nke 18 - Eserese Oriakụ George Collier - ọmarịcha nka.

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Ọ bụ onye na-ese ihe kere ihe osise a onye na-eso Joshua Reynolds. The masterpiece tụrụ nha - Nhazi: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 na); Edebereghị: 80 x 67,3 cm (31 1/2 x 26 1/2 na). Mmanụ na kwaaji was applied by the artist as the medium of the painting. The artwork is included in the digital art collection of The Cleveland Museum of Art. This contemporary art public domain work of art is provided with courtesy of The Cleveland Museum of Art. Creditline of the artwork: Onyinye nke JH Wade. Ọzọkwa, nhazi nke mmepụta dijitalụ bụ Eserese na a akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.

Ozi nkowa mgbakwunye sitere na webụsaịtị ihe ngosi nka (© Nwebiisinka - Ụlọ ihe ngosi nka nke Cleveland - www.clevelandart.org)

Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time. This portrait depicts the wife of the captain (and later admiral) George Collier. The artist draws an analogy between this woman and Lesbia, a married woman who provided much artistic inspiration for the Roman poet Catullus (c. 84–c. 54 BC). The poet's writings document a love affair with Lesbia, and one poem in particular documents the death of the woman's beloved pet sparrow. The viewer can barely see the sparrow in this painting, since it lies on a table partially obscured by her right elbow. The muted colors evoke a sense of melancholy as the woman mourns with her head turned away from the viewer.

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Onye na-ese ihe

Akụrụngwa ị nwere ike isi na ya nweta

For every art print we offer a range of different materials and sizes. Pick your favorite material and size between the subsequent choices:

• Mbipụta kanvas: A UV printed canvas mounted on a wooden frame. A canvas produces the extra effect of three-dimensionality. Besides, canvas creates a soft and comfortable feeling. Canvas prints are relatively low in weight, meaning that it is easy to hang your Canvas print without the use of extra wall-mounts. That is why, canvas prints are suitable for all kinds of walls.
• Mbipụta iko acrylic na-egbuke egbuke (ya na mkpuchi iko n'ezie): The acrylic glass print, often referenced as a plexiglass print, makes the original artwork into stunning wall décor. In addition, it is a great alternative option to dibond or canvas fine art replicas. Your artwork will be manufactured thanks to the help of modern UV direct printing machines. With a glossy acrylic glass fine art print contrasts as well as smaller image details will be recognizeable due to the precise tonal gradation.
• Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are metal prints with a true depth. For the Direct Aluminium Dibond option, we print your favorite artpiece right on the surface of the aluminum composite.
• Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster print is a UV printed canvas paper with a slightly roughened structure on the surface, which resembles the original version of the artwork. Please bear in mind, that depending on the absolute size of the poster we add a white margin of something between 2-6cm round about the painting in order to facilitate the framing with your custom frame.

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Disclaimer: We try our best in order to describe the products with as many details as it is possible and to exhibit them visually on the different product detail pages. Still, the colors of the printing material and the imprint can vary to a certain extent from the presentation on your device's monitor. Depending on your screen settings and the nature of the surface, not all color pigments can be printed as exactly as the digital version. Considering that our fine art prints are printed and processed manually, there may also be slight deviations in the motif's size and exact position.

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