Spanish - The Virgin - ọmarịcha nka

Họrọ ụdị ihe ebipụta nka ịchọrọ

Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ nha na ihe kachasị amasị gị n'ime nhọrọ ndị a:

• Mbipụta kanvas: The printed canvas material stretched on a wood stretcher frame. A canvas produces the sculptural look of three-dimensionality. Further, a canvas generates a attractive and enjoyable effect. How do I hang a canvas on the wall? Canvas prints are relatively low in weight, which means that it is easy to hang up your Canvas print without the support of additional wall-mounts. Hence, canvas prints are suitable for all kinds of walls.
• Bipụta na iko acrylic na-egbuke egbuke: An acrylic glass print, often referred to as a print on plexiglass, makes your favorite original work of art into wall décor and makes a distinct alternative to dibond or canvas prints. The work of art is being printed thanks to state-of-the-art UV print technology. The major advantage of an acrylic glass print is that sharp contrasts plus details become visible due to the subtle tonal gradation in the picture. Our real glass coating protects your selected art replica against light and heat for up to six decades.
• Ebipụta akwụkwọ mmado na ihe akwa akwa: A poster print is a UV printed sheet of canvas with a nice finish on the surface. Please keep in mind, that depending on the size of the poster we add a white margin of something between 2-6cm around the painting, which facilitates the framing with your custom frame.
• Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are prints on metal with an impressive effect of depth. A direct Direct Print on Aluminum Dibond is the ideal introduction to art prints on aluminum. For the Direct Print On Aluminum Dibond, we print your artwork onto the surface of the aluminum composite. The white & bright parts of the original work of art shine with a silky gloss but without any glare. Colors are vivid and luminous in the highest definition, the fine details are crisp and clear. The print on Aluminum Dibond is one of the most demanded entry-level products and is a truly sophisticated way to showcase fine art prints, since it puts 100% of the viewer’s attention on the whole artwork.

Ederede iwu dị mkpa: We try what we can to depict our art products as clearly as possible and to illustrate them visually on the different product detail pages. At the same time, the colors of the printed materials and the printing may differ somehwat from the image on your screen. Depending on the settings of your screen and the nature of the surface, not all colors can be printed as realisitcally as the digital version shown here. In view of the fact that our fine art prints are processed and printed manually, there may also be minor deviations in the size and exact position of the motif.

Nkọwapụta nka nka mbụ sitere na ụlọ ngosi nka (© Nwebiisinka - nke The Metropolitan Museum of Art - www.metmuseum.org)

The present painting is the second in a sequence of five panels from a dismembered banco (predella) that may have formed part of the same altarpiece. The four others are, in sequence: 1) Saint Barbara (formerly Nathan Ottinger collection, New York), 4) Saint John the Evangelist (formerly Ottinger collection), 3) the Man of Sorrows (Campion Hall, Oxford), and 5) Saint Catherine of Alexandria (Hans Brantschen collection, Monte Carlo, from 1980). The paint surface of the present painting is much abraded, but the picture preserves its original gold ground and part of its engaged frame.

Ama

Ihe osise a na-akpọ Nwa-agbogho was made by the Spanish painter Spanish. The original has the following size: Overall 18 3/4 x 15 7/8 in (47,6 x 40,3 cm) and was painted with the Usoro of tempera and oil on wood, gold ground. N'oge a, ihe osise dị na nchịkọta nka dijitalụ nke Museumlọ ihe ngosi nka nke Obodo, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. This work of art, which belongs to the public domain is provided with courtesy of The Metropolitan Museum of Art, New York, Gift of Walter C. Baker, 1952. Ihe kredit nke artpiece bụ nke a: Gift of Walter C. Baker, 1952. E wezụga nke ahụ, nhazi ahụ bụ Eserese ma nwee oke onyonyo nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.

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