William Wyld - Ọnọdụ dị n'ụsọ oké osimiri nwere mkpọmkpọ ebe - mbipụta nka mara mma

Onyinye ngwaahịa ebipụta

William Wyld created this realist artpiece. The version of the work of art has the size: Foto: 336mm (obosara), 230mm (ịdị elu) and was made with the techinque watercolour. What is more, the piece of art belongs to the Museum of New Zealand - Te Papa Tongarewa's collection, which is the national museum of New Zealand, with a great collection of artworks that contain deep ancestral links to the indigenous Māori population of New Zealand. This ngalaba ọha masterpiece na-gụnyere na n'ikike nke Coastal scene with ruins, , by William Wyld. Gift of Archdeacon F.H.D. Smythe, 1957. Te Papa (1957-0009-268). The creditline of the artwork is the following: Gift of Archdeacon F.H.D. Smythe, 1957. On top of that, alignment is landscape and has a ratio of 3 : 2, which means that the length is 50% longer than the width. The painter William Wyld was an artist, whose artistic style can be classified as Realism. The Realist artist was born in the year 1806 na London, Greater London, England, United Kingdom ma nwụọ mgbe ọ dị afọ 83 n'afọ 1889.

Nhọrọ ihe ngwaahịa dị

We offer a range of different sizes and materials for every product. Pick your favorite material and size between the following choices:

• Mbipụta kwaaji: A UV printed canvas mounted on a wooden frame. A canvas generates a familiar and appealing effect. Hanging a canvas print: Canvas prints are relatively low in weight, meaning that it is easy to hang the Canvas print without extra wall-mounts. That is why, a canvas print is suited for any kind of wall.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster is a printed flat canvas paper with a slight structure on the surface. The print poster is ideally suited for framing your art print with a special frame. Please keep in mind, that depending on the size of the poster print we add a white margin of around 2-6cm round about the print motif, which facilitates the framing with your custom frame.
• Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a material with a true effect of depth. A direct Direct Print on Aluminum Dibond is the perfect start to art replicas with aluminum. The colors of the print are luminous, fine details appear very clear. The print on Aluminum Dibond is the most popular entry-level product and is a stylish way to display fine art prints, since it puts 100% of the viewer’s attention on the whole artwork.
• Mbipụta enyo acrylic: An print on acrylic glass, which is often referred to as a an art print on plexiglass, will turn the artwork into wonderful décor. Beyond that, the acrylic glass fine art print makes a great alternative option to dibond or canvas fine art prints. The acrylic glass protects your selected fine art print against light and external influences for up to six decades.

Ozi dị mkpa: We try what we can in order to describe the products as precisely as possible and to showcase them visually. At the same time, the pigments of the printing material and the imprint may vary marginally from the presentation on your monitor. Depending on your screen settings and the condition of the surface, not all colors will be printed one hundret percent realistically. Given that the fine art prints are printed and processed manually, there might also be slight discrepancies in the exact position and the size of the motif.

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What does the website of the Museum of New Zealand - Te Papa Tongarewa say about the artwork from the painter William Wyld? (© - by Museum of New Zealand - Te Papa Tongarewa - Museum of New Zealand - Te Papa Tongarewa)

Coastal scene with ruins, 19th century, by William Wyld. Gift of Archdeacon F.H.D. Smythe, 1957. Te Papa (1957-0009-268)