Paul Cézanne, 1885 - ọdọ mmiri dị na Jas de Bouffan - mbipụta nka mara mma

Edemede nka mara mma nkeonwe gị

Emere ọrụ nka nke oge a site na Paul Cézanne. The 130 year old artwork measures the following dimensions - 25 1/2 x 31 7/8 in (64,8 x 81 cm). Mmanụ na kwaaji was used by the painter as the medium of the work of art. This piece of art belongs to the digital art collection of The Metropolitan Museum of Art, which is located in New York City, New York, Njikota Obodo Amerika. We are happy to mention that the public domain artwork is being provided with courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, Arịrịọ nke Stephen C. Clark, 1960. In addition to that, the artwork has the following creditline: Bequest of Stephen C. Clark, 1960. Moreover, alignment of the digital reproduction is landscape and has a side ratio of 1.2: 1, meaning that the length is 20% longer than the width. Paul Cézanne was a painter of French nationality, whose artistic style can primarily be classified as Impressionism. The painter was born in 1839 and died at the age of 67 in 1906 in Aix-en-Provence.

Nkọwa agbakwunyere dị ka ihe ngosi nka nyere (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Cézanne’s affection for his family’s estate, Jas de Bouffan, near Aix, is reflected in the many views he painted of the property over a quarter century. He depicted the road at the lower right in this composition several times in the mid-1880s. Bordered with chestnut trees, it led from the back of an eighteenth-century house to landscaped gardens. Near the rail dividing the areas was a pool for collecting water and a washing trough, visible in the middle ground. The pool was flanked by waterspouts in the shape of lions, one of which may be seen here from behind.

Data nka ahaziri

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Maka mbipụta nka ọ bụla, anyị na-enye nha & ihe dị iche iche. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

• Mbipụta ọla (aluminium dibbond): This is a metal print made on aluminium dibond with a true effect of depth, creating a contemporary look with a surface , which is not reflective. A direct Direct Print on Aluminum Dibond is your perfect start to fine replicas on aluminum. The white & bright components of the artpiece shine with a silky gloss but without any glow. Colors are luminous and vivid in the highest definition, details of the print appear clear and crisp. The print on aluminium is one of the most popular entry-level products and is a truly modern way to display art prints, as it puts all of the viewer’s focus on the replica of the artwork.
• Mbipụta enyo acrylic: An print on acrylic glass, often named a plexiglass print, will change an artwork into beautiful décor. What is more, it offers a distinct alternative to canvas and dibond fine art replicas.
• Mbipụta kanvas: A canvas print is a printed cotton canvas mounted on a wooden frame. A canvas generates the sculptural effect of three dimensionality. What is more, printed canvas makes a homelike and warm look. The advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang up your Canvas print without the help of extra wall-mounts. A canvas print is suitable for all kinds of walls.
• Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster is a UV printed flat canvas paper with a slightly rough surface structure, which reminds the original masterpiece. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6cm around the work of art in order to facilitate the framing with your custom frame.

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Nkwupụta iwu: We try what we can to describe the products as exact as possible and to showcase them visually on the product detail pages. Although, the tone of the print materials, as well as the printing might vary somehwat from the image on your device's monitor. Depending on your screen settings and the quality of the surface, not all colors are printed one hundret percent realistically. Because all our are processed and printed by hand, there might also be slight deviations in the motif's exact position and the size.

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