Peter Paul Rubens, 1632 - Coronation nke Virgin - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
(© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
Rubens made this oil sketch in preparation for a large canvas formerly in Berlin (destroyed in 1945). The final composition was proportionately taller, with God the Father moved closer to the Virgin, who seems to more strongly ascend. In earlier works by Rubens and in Coronations going back to the late Middle Ages, Christ’s role is even more dominant than here.
Nkọwa ngwaahịa dị omimi
In 1632 the artist Peter Paul Rubens painted the piece of art. The artwork was painted with the size: 19 5/8 x 16 inch (49,8 x 40,6 cm). Mmanụ na osisi was applied by the Dutch painter as the technique for the artwork. What is more, the piece of art is in the the art collection of Museumlọ ihe ngosi nka nke Obodo, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, Bequest of Scofield Thayer, 1982 (public domain license). Creditline of the artwork: Bequest of Scofield Thayer, 1982. Ọzọkwa, itinye n'usoro Eserese format na akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Peter Paul Rubens was a male diplomat, painter of Dutch nationality, whose art style was primarily Baroque. The Baroque painter lived for 63 afọ and was born in the year 1577 in Siegen, North Rhine-Westphalia, Germany and deceased in the year 1640.
Họrọ ihe gị
In the dropdown lists next to the article you can choose your favorite size and material. The following options are available for individualization:
- Mbipụta kwaaji: A canvas direct print is a printed cotton canvas stretched on a wooden stretcher. It generates the particular look of three dimensionality. Your canvas print of this artpiece will provide you with the opportunity to transform your fine art print into a large work of art like you would see in a gallery. Hanging your canvas print: The great advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang up the Canvas print without the support of extra wall-mounts. Therefore, canvas prints are suited for any kind of wall.
- Aluminom ihe eji eme ihe: This is a metal print made on aluminium dibond material with a true depth effect. The non-reflective surface make a modern look. For your Aluminium Dibond print, we print your selected artwork onto the surface of the aluminum. The colors are luminous and bright in the highest definition, details of the print are crisp and clear, and the print has a a matte look you can literally feel.
- Mpempe akwụkwọ (ihe kwaaji): The Artprinta poster is a UV printed canvas with a granular texture on the surface. Please note, that depending on the size of the canvas poster print we add a white margin of around 2-6cm around the work of art, which facilitates the framing with your custom frame.
- Ugogbe acrylic ebipụtara: A glossy print on acrylic glass, often denoted as a UV print on plexiglass, will convert your original artwork into wonderful décor. Further, it offers a viable alternative to canvas and dibond fine art replicas. The work of art will be manufactured with the help of state-of-the-art UV direct printing machines. The major benefit of a plexiglass art print is that sharp contrasts and also small painting details become more exposed thanks to the very fine gradation of the picture. Our plexiglass protects your chosen fine art print against sunlight and heat for decades.
Nchịkọta nkenke nke onye na-ese ihe
aha: | Peter Paul Rubens |
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okike nke onye nka: | nwoke |
Nationality: | Dutch |
Ọrụ onye na-ese ihe: | diplomat, onye na-ese ihe |
Country: | mba netherland |
Otu nka: | nna ukwu ochie |
Ụdị nka: | Baroque |
Nwụrụ na afọ nke: | 63 afọ |
Afọ ọmụmụ: | 1577 |
Ebe omuma: | Siegen, North Rhine-Westphalia, Germany |
Afọ ọnwụ: | 1640 |
Ebe ọnwụ: | Antwerp, Antwerpen n'ógbè, Flanders, Belgium |
Nkọwa gbasara ọrụ nka mbụ
Iberibe aha nka: | "Coronation nke Virgin" |
Nhazi nka: | sere |
Nhazi nka: | nka ochie |
Time: | 17th narị afọ |
Year: | 1632 |
Afọ nka: | gbara afọ 380 |
Ọkara nke ihe osise izizi: | mmanụ n'elu osisi |
Akụkụ nke ọrụ nka mbụ: | 19 5/8 x 16 inch (49,8 x 40,6 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
E Nwere na: | Museumlọ ihe ngosi nka nke Obodo |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Bequest of Scofield Thayer, 1982 |
kreditline ọrụ nka: | Bequest of Scofield Thayer, 1982 |
Ozi ihe ahaziri ahazi
Nkewa edemede: | ọrụ mgbidi |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro nhazi: | UV kpọmkwem obibi |
Mmalite ngwaahịa: | arụpụtara na Germany |
Ụdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa a chọrọ: | nchịkọta nka (mmeputakwa), ihe ndozi ụlọ |
Ndozi onyonyo a: | usoro eserese |
Njikwa oyiyi: | ogologo ruo obosara 1: 1.2 |
Ntụgharị asụsụ oke onyonyo: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ akwa: | Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta kanvas, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Mpempe aluminom (aluminium dibond ihe) nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi mmeputa nka nka: | ngwaahịa anaghị emebi emebi |
Ederede iwu: We try everything to depict the art products as clearly as possible and to showcase them visually on the product detail pages. Although, the colors of the print materials, as well as the imprint might vary to a certain extent from the presentation on your device's monitor. Depending on your settings of your screen and the quality of the surface, not all colors will be printed one hundret percent realistically. Bearing in mind that the are printed and processed manually, there might also be slight discrepancies in the motif's size and exact position.
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