Maximilien Luce, 1894 - Camaret, Moonlight na ụgbọ mmiri ịkụ azụ - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi edemede
Ihe nka ọgbara ọhụrụ Camaret, Moonlight and Fishing Boats mere site na nwoke artist Maximilien Luce in 1894. The version of the artpiece measures the following dimensions: 28 1/2 x 36 1/4 in (72,4 x 92,1 cm) framed: 37 x 44 3/4 x 3 in (94 x 113,7 x 7,6 cm) ma were ihe osise ese Usoro of oil on canvas. Besides, the piece of art can be viewed in in the Saint Louis Art Museum's art collection located in St. Louis, Missouri, United States of America. We are pleased to mention that this ngalaba ọha artpiece is supplied with courtesy of Saint Louis Art Museum, Missouri, Museum Purchase, Museum Shop Fund, and funds given by Gary Wolff, the Stephen F. Brauer and Camilla T. Brauer Charitable Trust, the Pershing Charitable Trust, the Kate Stamper Wilhite Charitable Foundation, the William Schmidt Charitable Foundation, the John R. Goodall Charitable Trust, Nooter Corporation, Eleanor C. Johnson, Mrs. Winifred Garber, Hunter Engineering, the Joseph H. & Elizabeth E. Bascom Charitable Foundation, the Stephen M. Boyd Fund, Robert Brookings Smith, Irma Haeseler Bequest, BSI Constructors Inc., Mr. and Mrs. Thomas Latzer, Samuel C. Davis Jr., Dr. and Mrs. William H. Danforth, Mr. and Mrs. George Conant, Mr. and Mrs. Michael Cramer, Dr. and Mrs. David M. Kipnis, Mr. and Mrs. John O'Connell, Edith B. Schiele, and donors to the Art Enrichment Fund. Besides, the work of art has the following creditline: Museum Purchase, Museum Shop Fund, and funds given by Gary Wolff, the Stephen F. Brauer and Camilla T. Brauer Charitable Trust, the Pershing Charitable Trust, the Kate Stamper Wilhite Charitable Foundation, the William Schmidt Charitable Foundation, the John R. Goodall Charitable Trust, Nooter Corporation, Eleanor C. Johnson, Mrs. Winifred Garber, Hunter Engineering, the Joseph H. & Elizabeth E. Bascom Charitable Foundation, the Stephen M. Boyd Fund, Robert Brookings Smith, Irma Haeseler Bequest, BSI Constructors Inc., Mr. and Mrs. Thomas Latzer, Samuel C. Davis Jr., Dr. and Mrs. William H. Danforth, Mr. and Mrs. George Conant, Mr. and Mrs. Michael Cramer, Dr. and Mrs. David M. Kipnis, Mr. and Mrs. John O'Connell, Edith B. Schiele, and donors to the Art Enrichment Fund. Nhazi nke mmepụta dijitalụ dị na odida obodo format na nwere akụkụ ruru nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. The painter, lithographer Maximilien Luce was an artist, whose artistic style can be attributed primarily to Impressionism. The Impressionist painter was born in the year 1858 na nwụrụ anwụ na afọ nke 83 na 1941.
Ozi ndabere na nka
Aha nke ọrụ nka: | "Camaret, Moonlight and Fishing Boats" |
nhazi ọkwa: | sere |
Nhazi nka: | nkà nke oge a |
Time: | 19th narị afọ |
Emepụtara n'afọ: | 1894 |
Ogologo afọ nka nka: | karịa afọ 120 |
Usoro izizi: | mmanụ na kwaaji |
Nha nke ihe osise izizi: | 28 1/2 x 36 1/4 in (72,4 x 92,1 cm) framed: 37 x 44 3/4 x 3 in (94 x 113,7 x 7,6 cm) |
Ụlọ ihe ngosi nka: | Ụlọ ihe ngosi nka nke Saint Louis |
Ebe ngosi nka: | Louis, Missouri, Njikota Obodo Amerika |
Ụlọ ihe ngosi nka ibe weebụ: | Ụlọ ihe ngosi nka nke Saint Louis |
Akwụkwọ ikike nka: | ngalaba ọha |
Site n'aka: | Saint Louis Art Museum, Missouri, Museum Purchase, Museum Shop Fund, and funds given by Gary Wolff, the Stephen F. Brauer and Camilla T. Brauer Charitable Trust, the Pershing Charitable Trust, the Kate Stamper Wilhite Charitable Foundation, the William Schmidt Charitable Foundation, the John R. Goodall Charitable Trust, Nooter Corporation, Eleanor C. Johnson, Mrs. Winifred Garber, Hunter Engineering, the Joseph H. & Elizabeth E. Bascom Charitable Foundation, the Stephen M. Boyd Fund, Robert Brookings Smith, Irma Haeseler Bequest, BSI Constructors Inc., Mr. and Mrs. Thomas Latzer, Samuel C. Davis Jr., Dr. and Mrs. William H. Danforth, Mr. and Mrs. George Conant, Mr. and Mrs. Michael Cramer, Dr. and Mrs. David M. Kipnis, Mr. and Mrs. John O'Connell, Edith B. Schiele, and donors to the Art Enrichment Fund |
kreditline ọrụ nka: | Museum Purchase, Museum Shop Fund, and funds given by Gary Wolff, the Stephen F. Brauer and Camilla T. Brauer Charitable Trust, the Pershing Charitable Trust, the Kate Stamper Wilhite Charitable Foundation, the William Schmidt Charitable Foundation, the John R. Goodall Charitable Trust, Nooter Corporation, Eleanor C. Johnson, Mrs. Winifred Garber, Hunter Engineering, the Joseph H. & Elizabeth E. Bascom Charitable Foundation, the Stephen M. Boyd Fund, Robert Brookings Smith, Irma Haeseler Bequest, BSI Constructors Inc., Mr. and Mrs. Thomas Latzer, Samuel C. Davis Jr., Dr. and Mrs. William H. Danforth, Mr. and Mrs. George Conant, Mr. and Mrs. Michael Cramer, Dr. and Mrs. David M. Kipnis, Mr. and Mrs. John O'Connell, Edith B. Schiele, and donors to the Art Enrichment Fund |
Nchịkọta nkenke nke onye na-ese ihe
Aha onye nka: | Maximilien Luce |
Aha nka ndị ọzọ: | Maximilian Luce, Maximilien Luce, Luce Maximillian, Luce Maximilien, לוק מקסמיליאן, Luce Maximilian, Luce |
Gender: | nwoke |
Obodo onye nka: | French |
Ọrụ: | onye na-ese ihe, onye na-ese ihe |
Mba onye si: | France |
Nkewa onye nka: | omenkà nke oge a |
Ụdị nka: | Mmetụta |
Nwụrụ anwụ: | 83 afọ |
Afọ ọmụmụ: | 1858 |
Afọ nwụrụ: | 1941 |
Ihe di
For every fine art print we offer a range of different sizes & materials. You can select your preferred material and size among the alternatives:
- Poster (akwa akwa akwa): The Artprinta poster print is a UV printed sheet of canvas with a slightly roughened texture on the surface, which resembles the original version of the work of art. It is suited for placing your art copy with a personal frame. Please note, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm round about the work of art, which facilitates the framing.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, which is often named as a an art print on plexiglass, will change your favorite original work of art into gorgeous wall decoration.
- Mbipụta nke aluminom: These are metal prints on aluminium dibond material with an outstanding depth effect, which makes a modern impression by having a non-reflective surface. The colors are luminous, the fine details of the print appear crisp and clear, and the print has a a matte appearance you can literally feel.
- Mbipụta kanvas: The canvas direct print is a printed cotton canvas stretched on a wooden frame. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang up your Canvas print without the use of any wall-mounts. Because of thatcanvas prints are suited for any kind of wall.
Ozi ndabere edemede
Bipụta ụdị ngwaahịa: | nka nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Ihe ngosi: | German mmepụta |
Stockdị ngwaahịa: | a na-achọ |
Ojiji ngwaahịa: | nka mgbidi, art mmeputakwa gallery |
Nhazi onyonyo: | nhazi odida obodo |
Oke akụkụ: | ( Ogologo: obosara) 4: 3 |
Akụkụ akụkụ pụtara: | ogologo bụ 33% ogologo karịa obosara |
Nhọrọ akwa: | Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta kanvas, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Nhọrọ aluminom dibond (ihe aluminom) nhọrọ: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Nhazi mbipụta nka: | enweghị etiti |
Important information: We try everything to depict the products in as much detail as possible and to showcase them visually. Although, the tone of the print materials and the imprint may diverge somehwat from the representation on the device's monitor. Depending on the settings of your screen and the condition of the surface, not all color pigments are printed as exactly as the digital version depicted here. Bearing in mind that our fine art prints are processed and printed by hand, there may as well be minor differences in the exact position and the size of the motif.
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