Sir Henry Raeburn, 1808 - George Harley Drummond (1783–1855) - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Banyere ngwaahịa a
Ọ bụ onye na-ese ihe mere ihe osise a Sir Henry Raeburn in 1808. The 210 years old version of the piece of art had the size: 94 1/4 x 58 inch (239,4 x 147,3 cm) ma arụpụtara ya na ọkara mmanụ na kwaaji. It is included in the The Metropolitan Museum of Art's art collection, which is located in New York City, New York, Njikota Obodo Amerika. Site n'ikike nke - The Metropolitan Museum of Art, New York, Gift of Mrs. Guy Fairfax Cary, in memory of her mother, Mrs. Burke Roche, 1949 (ọha na eze). : Gift of Mrs. Guy Fairfax Cary, in memory of her mother, Mrs. Burke Roche, 1949. Furthermore, alignment of the digital reproduction is in Eserese format ma nwee oke onyonyo nke 2: 3, nke pụtara na ogologo bụ 33% mkpụmkpụ karịa obosara. Sir Henry Raeburn was a male painter of Scottish nationality, whose style can primarily be classified as Rococo. The European artist was born in 1756 ma nwụọ mgbe ọ dị afọ 67 na 1823.
Ihe ndị a na-ahọrọ
Maka mbipụta nka ọ bụla anyị na-enye ụdị nha & ihe dị iche iche. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:
- Kwaaji: The canvas print is a printed canvas stretched on a wooden frame. It has a particular look of three dimensionality. A printed canvas of this work of art will provide you with the unique chance to transform your fine art print into a large artwork as you would see in a gallery. Canvas prints are relatively low in weight, meaning that it is quite simple to hang up the Canvas print without the help of extra wall-mounts. That is why, canvas prints are suited for any kind of wall.
- Mbipụta aluminom (aluminium dibbond): These are metal prints on aluminium dibond material with an impressive depth effect. Its non-reflective surface creates a fashionable look. The Aluminium Dibond Print is your ideal introduction to fine art replicas on aluminum. The bright & white parts of the work of art shine with a silk gloss, however without any glare. Colors are luminous and bright, the details appear very clear, and you can feel the matte appearance of the surface.
- Mbipụta enyo acrylic: An print on acrylic glass, which is often referred to as a an art print on plexiglass, will transform your favorite original into beautiful wall décor. The major upside of an acrylic glass fine art print is that sharp contrasts and minor color details will be recognizeable because of the precise tonal gradation. Our acrylic glass protects your custom art replica against sunlight and heat for many years.
- Bipụta akwụkwọ mmado n'ihe kwaaji: The Artprinta poster print is a printed canvas paper with a nice surface structure, that reminds the actual version of the artwork. Please keep in mind, that depending on the absolute size of the poster print we add a white margin 2-6 cm around the print to facilitate the framing with your custom frame.
Ihe dị mkpa: We try what we can in order to depict our products as precisely as possible and to exhibit them visually. However, the colors of the print materials and the printing might diverge somehwat from the representation on your screen. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed one hundret percent realistically. Bearing in mind that all the art prints are printed and processed manually, there may as well be minor differences in the motif's exact position and the size.
Nkọwa akụkọ ahaziri ahazi
Nkewa edemede: | nka nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro nhazi: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Nlụpụta: | German mere |
Ụdị ngwaahịa: | a na-achọ |
Eji ngwaahịa emebere: | nka mgbidi, mgbidi gallery |
Nhazi nka nka: | usoro eserese |
Oke akụkụ: | 2:3- (ogologo: obosara) |
Mmetụta ihe onyonyo: | ogologo bụ 33% mkpụmkpụ karịa obosara |
Nhọrọ dị: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko) |
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Mbipụta aluminom: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Igwe onyonyo: | oyiri nka na-enweghị isi |
Data nka ahaziri
Aha nka nka: | George Harley Drummond (1783-1855) |
Nhazi nka: | sere |
Okwu mkpokọta: | nkà nke oge a |
oge: | 19th narị afọ |
Year: | 1808 |
Ogologo afọ nka nka: | karịa afọ 210 |
Ihe osise izizi: | mmanụ na kwaaji |
Akụkụ izizi nka: | 94 1/4 x 58 inch (239,4 x 147,3 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
weebụsaịtị nke Museum: | www.metmuseum.org |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Gift of Mrs. Guy Fairfax Cary, in memory of her mother, Mrs. Burke Roche, 1949 |
Ebe kredit nke ọrụ nka: | Gift of Mrs. Guy Fairfax Cary, in memory of her mother, Mrs. Burke Roche, 1949 |
Tebụl nchịkọta ihe nkiri
Aha onye nka: | Sir Henry Raeburn |
Gender: | nwoke |
Obodo onye nka: | Scottish |
Ọrụ: | onye na-ese ihe |
Obodo obibi: | Scotland |
Nkewa onye nka: | omenkà nke oge a |
styles: | Rococo |
Afọ ọnwụ: | 67 afọ |
Afọ ọmụmụ: | 1756 |
Afọ ọnwụ: | 1823 |
© nwebisiinka, Artprinta (www.artprinta.com)
Description by the museum's website (© - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)
The sitter, dressed in riding clothes, is George Harley Drummond of Stanmore, Middlesex, and Drumtochty. He married in 1801 and his son George, shown in The Drummond Children (50.145.31), was born in 1802. The foreshortened view of the grazing bay horse is the most complex part of the composition, though not the most important. It is curious, therefore, that the animal's hindquarters should be so prominently displayed.