Francisco de Goya, 1804 - Therese Louise de Sureda - mbipụta nka mara mma

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• Mbipụta nke aluminom: This is a metal print manufactured on aluminium dibond material with an impressive depth - for a modern look and a non-reflective surface. The colors are bright and vivid, fine details of the print are crisp, and you can really feel the matte appearance of the surface. The UV print on aluminium is one of the most popular entry-level products and is an extremely sophisticated way to showcase fine art reproductions, because it draws focus on the replica of the artwork.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster print is a UV printed canvas paper with a granular surface finish. Please note, that depending on the size of the canvas poster print we add a white margin of something between 2-6 cm round about the print motif to facilitate the framing with a custom frame.
• Mbipụta kanvas: A canvas print, not to be mistaken with a canvas painting, is a digital image printed from a UV direct printer. Further, a canvas print creates a familiar, pleasant appearance. Hanging a canvas print: The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang your Canvas print without the use of additional wall-mounts. Hence, canvas prints are suitable for all kinds of walls.
• Mbipụta enyo acrylic: A glossy acrylic glass print, often denoted as a plexiglass print, makes the original artwork into beautiful wall decoration. In addition, the acrylic art print is a good alternative to aluminium or canvas art prints. Your work of art is being made with the help of state-of-the-art UV direct print machines. The great advantage of an acrylic glass art print is that contrasts and smaller painting details become more exposed due to the subtle gradation in the picture. The real glass coating protects your chosen art print against light and external influences for up to 60 years.

Legal disclaimer: We try the best we can in order to describe our art products in as much detail as possible and to illustrate them visually. At the same time, the tone of the print products and the printing might differ to a certain extent from the representation on the device's screen. Depending on your settings of your screen and the quality of the surface, color pigments might not be printed 100% realistically. Bearing in mind that all fine art prints are processed and printed by hand, there may as well be minor discrepancies in the exact position and the size of the motif.

What does the website of the National Gallery of Art state about this 19th century work of art from the engraver, painter, etcher, printmaker and lithographer Francisco de Goya? (© - nke National Gallery of Art - Nnukwu osisi nke Art)

mmanụ na kwaaji n'ozuzu: 119.7 x 79.4 cm (47 1/8 x 31 1/4 in.) ekpubere: 137.8 x 98.4 cm (54 1/4 x 38 3/4 in.)

In 1804 Francisco de Goya made the 19th narị afọ masterpiece. This piece of art belongs to the National Gallery of Art's nchịkọta. Nke nkà nke oge a artwork, nke bụ akụkụ nke ọha ngalaba na-gụnyere na site n'ikike nke National Gallery of Art, Washington.Moreover, the work of art has the following creditline: . Further, the alignment is Eserese ma nwee oke nke 2: 3, nke pụtara na ogologo bụ 33% mkpụmkpụ karịa obosara. The engraver, painter, etcher, printmaker, lithographer Francisco de Goya was an artist, whose art style can be attributed primarily to Romanticism. The Spanish painter lived for a total of 82 afọ and was born in the year 1746 in Fuendetodos, Zaragoza province, Aragon, Spain and died in the year 1828 in Bordeaux, Nouvelle-Aquitaine, France.

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