Goya, 1804 - Josefa de Castilla Portugal na van Asbrock Garcini (1775-ihe dịka 1850) - mbipụta nka mara mma.

59,99 €

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Product nkọwa

Nke a masterpiece Josefa de Castilla Portugal and van Asbrock Garcini (1775-about 1850) bụ nwoke na-ese ihe sere ya Goya in 1804. Ọkachamara ahụ nwere nha: 41 x 32 3/8 na (104,1 x 82,2 cm) ma were ihe osise ese Usoro mmanụ na kwaaji. Ihe osise a bụ nke Ụlọ ihe ngosi nka nke Metropolitan nchịkọta dijitalụ na New York City, New York, Njikota Obodo Amerika. The nkà nke oge a artpiece, nke bụ nke ngalaba ọha is being supplied with courtesy of The Metropolitan Museum of Art, New York, Bequest of Harry Payne Bingham, 1955. : Bequest of Harry Payne Bingham, 1955. The alignment is Eserese na nwere akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.

Ihe di

Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:

  • Mbipụta kwaaji: The canvas print, which should not be mistaken with a real artwork painted on a canvas, is a digital image applied directly on canvas material. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang up your Canvas print without the support of additional wall-mounts. Canvas prints are suitable for all types of walls.
  • Mbipụta nke aluminom: An Aluminium Dibond print is a print with a true depth. Its non-reflective surface make a modern look. The Direct Print on Aluminum Dibond is your perfect start to art prints made on aluminum. The bright & white parts of the artwork shimmer with a silk gloss but without any glow. The colors are luminous, the details appear crisp.
  • Mbipụta enyo acrylic: The print on acrylic glass, which is sometimes referenced as a print on plexiglass, will transform the original artwork into lovely décor. Besides, it forms a good alternative to canvas and aluminidum dibond fine art replicas. The work of art is manufactured with modern UV direct print technology. With an acrylic glass art print contrasts plus minor image details become more visible thanks to the precise gradation in the picture.
  • Poster (akwa akwa akwa): A poster print is a UV printed sheet of cotton canvas with a fine surface texture. A poster print is qualified for framing your art print with the help of a custom frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2 - 6cm around the print, which facilitates the framing.

Disclaimer: We try our best in order to depict the products as accurate as possible and to illustrate them visually on the respective product detail pages. Still, the tone of the print materials and the printing may differ slightly from the representation on the device's monitor. Depending on the screen settings and the nature of the surface, not all color pigments will be printed as realistically as the digital version depicted here. Given that the art reproductions are printed and processed manually, there may also be slight deviations in the size and exact position of the motif.

Banyere ihe

Ụdị ngwaahịa: mmepụta nka
Mmeputakwa: dijitalụ mmeputakwa
Produzọ mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Mmalite nke ngwaahịa a: German mmepụta
Stockdị ngwaahịa: na mmepụta ihe
Eji ngwaahịa emebere: ụlọ mmepụta ihe nka, nka mgbidi
Nhazi nka nka: usoro eserese
Oke akụkụ: ogologo: obosara 1:1.2
Nsonaazụ: ogologo bụ 20% mkpụmkpụ karịa obosara
Nhọrọ dị: Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Nha n'arọwa n'elu ihe ndọtị (mbipụta akwa akwa): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Aluminium dibond ebipụta (ihe aluminium) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Igwe onyonyo: enweghị etiti

Nkọwa na mpempe nka

Aha nka nka: "Josefa de Castilla Portugal and van Asbrock Garcini (1775-about 1850)"
Nhazi nka: sere
Category: nkà nke oge a
Narị afọ nka: 19th narị afọ
Emepụtara n'afọ: 1804
Afọ nka: 210 afọ
Usoro izizi: mmanụ na kwaaji
Nha izizi: 41 x 32 3/8 na (104,1 x 82,2 cm)
Ụlọ ihe ngosi nka / ebe: Museumlọ ihe ngosi nka nke Obodo
Ebe ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Weebụsaịtị ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Ụdị nka nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, Arịrịọ nke Harry Payne Bingham, 1955
Ebe E Si Nweta: Arịrịọ nke Harry Payne Bingham, 1955

Onye na-ese ihe

Aha onye nka: Goya
okike onye nka: nwoke
Nationality: spanish
Ọrụ: onye na-ese ihe
Country: Spain
Otu nka: omenkà nke oge a
Akwụsị: 82 afọ
Afọ ọmụmụ: 1746
Nwụrụ n'afọ: 1828

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Ozi izizi gbasara nka nke weebụsaịtị The Metropolitan Museum of Art (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

In this pendant to the portrait of her husband, Ignacio Garcini y Queralt, Doña Garcini is evidently pregnant, which may account for the informality of her hair and dress. Josefa's mother, whose name was Van Asbrock, was of Flemish descent. This may explain Goya’s palette and his handling of paint in a manner reminiscent of portraits by Rubens.

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