Velázquez, 1651 - Maria Teresa (1638-1683), Infanta nke Spain - ọmarịcha akwụkwọ nka.

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• Mbipụta kanvas: The canvas direct print is a printed canvas mounted on a wooden stretcher. A canvas creates the particular impression of three-dimensionality. Hanging your canvas print: Canvas prints are relatively low in weight, meaning that it is easy to hang your Canvas print without extra wall-mounts. Canvas prints are suited for any type of wall.
• Bipụta akwụkwọ mmado n'ihe kwaaji: Our poster print is a printed cotton canvas paper with a slightly roughened finish on the surface. The printed poster is excellently suited for framing the art copy with the help of a special frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm around the work of art, which facilitates the framing.
• Aluminom ihe eji eme ihe: An Aluminium Dibond print is a material with a true effect of depth. For the Direct Print On Aluminum Dibond, we print the chosen artpiece onto the aluminium composite white-primed surface. The bright and white components of the original work of art shine with a silk gloss but without any glare. The direct UV print on Aluminum Dibond is the most popular entry-level product and is a contemporary way to display fine art prints, as it draws attention on the image.
• Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, which is often denoted as a an art print on plexiglass, transforms the original artwork into amazing décor. What is more, it offers a great alternative option to dibond or canvas art prints. The work of art is being manufactured with the help of state-of-the-art UV direct print technology. This has the image effect of rich and stunning colors. Our real glass coating protects your custom fine art print against light and external influences for many decades.

Disclaimer: We try everything in order to describe our art products as clearly as possible and to display them visually in our shop. However, the colors of the print products and the print result might vary to a certain extent from the presentation on your device's screen. Depending on your settings of your screen and the nature of the surface, not all color pigments are printed 100% realistically. Considering that all art prints are processed and printed manually, there may as well be minor differences in the motif's exact position and the size.

(© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

The daughter of King Philip IV of Spain, María Teresa became the presumptive heir to the throne in 1646. Princely suitors from around Europe were keen to have a portrait of the young infanta as she reached marriageable age. Originally bust length but subsequently cut down and then reenlarged at the bottom, this likeness of María Teresa wearing a wig with butterfly ribbons may have served as a model for Velázquez's assistants to copy as they met the demand for official portraits of the young princess. In 1660 the infanta married Louis XIV, her first cousin, becoming queen of France.

Maria Teresa (1638-1683), Infanta of Spain was by Velázquez in 1651. Ọrụ nka tụrụ nha: Overall 13 1/2 x 15 3/4 in (34,3 x 40 cm); original painted surface 12 7/8 x 15 1/8 in (32,7 x 38,4 cm) and was painted with oil on canvas. Today, this artwork belongs to the art collection of Museumlọ ihe ngosi nka nke Obodo, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka na-agbaso puku afọ ise nke omenala ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Site n'ikike nke: Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Jules Bache, 1949 (ikike - ngalaba ọha). Creditline of the artwork: The Jules Bache Collection, 1949. Furthermore, alignment is in landscape format ma nwee oke akụkụ nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara.

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