Titian, 1512 - Eserese nke Venetian Painter Giovanni Bellini? - ọmarịcha nka

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(© - Statens Museum for Kunst (National Gallery of Denmark) - www.smk.dk)

According to the Italian artist and historiographer Giorgio Vasari’s (1511-1574) biography from 1568, Titian studied under Gentile Bellini (1429-1507), whose brother – and fellow artist – is believed to be the person portrayed here.

A nod to Bellini Titian divided the background into two parts – a dark, uniform surface and a narrow glimpse of a rolling landscape with shepherds – as a nod to his old master, for Giovanni Bellini was among the artists who introduced this particular element in Venetian portraits.

Introducing movement to the painting Titian added a new element to the traditional static pose: the model’s gaze and the twist of the body go in different directions thereby introducing movement. As the official painter of the Republic, Bellini chose to be portrayed wearing his official dress, a black costume worn by doctors, lawyers, civil servants, merchants, and aristocrats. At the time, the Sala del Maggior Consiglio in the Ducal Palace was just about to be decorated.

The young Titian vied with his far older mentor and many other Venetian painters for a portion of the commission. It is possible that Titian’s objective with this portrait was to prove that he could paint as well as his master – even surpass him by introducing new dynamics.

Ozi nka

Aha nke eserese ahụ: "Portrait of the Venetian Painter Giovanni Bellini?"
nhazi ọkwa: sere
Okwu mkpokọta: nka ochie
Century: 16th narị afọ
Emepụtara n'afọ: 1512
Ogologo afọ nka nka: ihe karịrị 500 afọ
Ọkara nke ihe osise izizi: mmanụ na kwaaji
Nha izizi nka: 80 x 66 cm
Ụlọ ihe ngosi nka / ebe: Statens Museum maka Kunst (National Gallery nke Denmark)
Ebe ngosi nka: Copenhagen, Denmark
weebụsaịtị nke Museum: Statens Museum maka Kunst (National Gallery nke Denmark)
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: National Gallery nke Denmark

Nchịkọta nkenke nke onye na-ese ihe

Ihe nkiri: Titian
okike onye nka: nwoke
Nationality: Italian
Ọrụ onye na-ese ihe: onye na-ese ihe
Country: Italy
Otu nka: nna ukwu ochie
Ụdị nka: Akwa Renaissance
Akwụsị: 99 afọ
Amụrụ n'afọ: 1477
Obodo amụrụ: Pieve di Cadore
Afọ nwụrụ: 1576
Nwụrụ na (ebe): Venice

Nkọwa ngwaahịa ahaziri ahazi

Nkewa ngwaahịa: ezi nka mmeputakwa
Mmeputakwa: dijitalụ mmeputakwa
Usoro nhazi: Mbipụta UV ozugbo (mbipụta dijitalụ)
Ihe ngosi: German mere
Ụdị ngwaahịa: na mmepụta ihe
Eji ngwaahịa emebere: mgbidi mgbidi, foto mgbidi
Nhazi onyonyo: usoro eserese
Oke akụkụ: 1: 1.2
Mmetụta ihe onyonyo: ogologo bụ 20% mkpụmkpụ karịa obosara
Ụdị dị iche iche dị: Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 50x60cm - 20x24", 100x120cm - 39x47"
Mpempe akwụkwọ Dibony (ihe alumnium) nha: 50x60cm - 20x24", 100x120cm - 39x47"
Nhazi mbipụta nka: biko mara na nka nka enweghi fremu

Kedu ụdị ngwaahịa ị na-akwado?

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Ebipụta akwụkwọ mmado na ihe akwa akwa: The Artprinta poster print is a printed flat cotton canvas with a slight surface structure. It is particularly suited for putting the art copy in a personal frame. Please note, that depending on the size of the canvas poster print we add a white margin 2-6cm around the artwork, which facilitates the framing.
  • Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are metal prints with a true effect of depth. The Aluminium Dibond Print is the excellent start to fine art prints manufactured on aluminum. The white and bright parts of the work of art shine with a silk gloss but without any glow.
  • Kwaaji: A printed canvas, which shall not be confused with an artwork painted on a canvas, is a digital copy printed onto cotton canvas material. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang up the Canvas print without the help of extra wall-mounts. Hence, canvas prints are suitable for all kinds of walls.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, which is sometimes described as a print on plexiglass, will convert your favorite original work of art into lovely wall decoration. The major upside of an acrylic glass fine art print is that contrasts and color details become recognizeable because of the very fine gradation of the print. Our plexiglass protects your chosen art print against sunlight and external influences for many more years to come.

Ihe karịrị 500 afọ artwork e kere site na elu Renaissance nwe- Titian. The 500 years old version of the artwork measures the dimensions: 80 x 66 cm. Oil on canvas was used by the painter as the technique for the work of art. Besides, this work of art is in the the Statens Museum for Kunst (National Gallery of Denmark)'s collection, which is located in Copenhagen, Denmark. a nka ochie A na-enye ọrụ nka, nke dị na mpaghara ọha na eze site n'ikike nke National Gallery nke Denmark.Ebe E Si Nweta nke ihe osise:. N'elu nke ahụ, nhazi nke mmepụta dijitalụ na-abanye Eserese format with a ratio of 1 : 1.2, which means that the length is 20% shorter than the width. Titian was a male painter from Italy, whose artistic style can be attributed mainly to High Renaissance. The Italian painter lived for 99 afọ - a mụrụ n'afọ 1477 na Pieve di Cadore wee nwụọ na 1576 na Venice.

Disclaimer: We try the best we can in order to describe the art products in as much detail as possible and to showcase them visually on the different product detail pages. However, the pigments of the print products, as well as the imprint may differ to a certain extent from the image on the device's screen. Depending on the screen settings and the quality of the surface, colors may not be printed 100% realistically. Bearing in mind that our art reproductions are processed and printed by hand, there may as well be minor variations in the exact position and the size of the motif.

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