Jean-Etienne Liotard, 1745 - Eserese nke Count Francis Pyle - ọmarịcha nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Kedu ụdị ngwaahịa nka anyị na-eweta ebe a?
Ọ bụ ya mere ihe osise a Jean-Etienne Liotard in 1745. Furthermore, this artwork belongs to the art collection of Rijksmuseum, nke dị na Amsterdam, Netherlands. Obi dị anyị ụtọ ikwu na ndị ngalaba ọha artwork gụnyere na n'ikike nke Rijksmuseum.: . N'elu nke ahụ, nhazi nke mmepụta dijitalụ bụ Eserese ya na oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.
Họrọ nhọrọ akụrụngwa gị
Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:
- Aluminom ihe eji eme ihe: Aluminium Dibond prints are prints on metal with an impressive effect of depth. For our Direct Aluminium Dibond print, we print the favorite work of art onto the aluminium white-primed surface. Colors are bright and vivid, the details of the print are clear and crisp. The direct print on aluminium is the most popular entry-level product and is a modern way to showcase art prints, because it puts all of the viewer’s focus on the whole artwork.
- Kwaaji: The printed canvas, not to be mistaken with a canvas painting, is an image printed from an industrial printing machine. Hanging a canvas print: A canvas print has the advantage of being relatively low in weight, meaning that it is easy to hang your Canvas print without any wall-mounts. That is why, canvas prints are suited for all kinds of walls in your house.
- Bipụta na iko acrylic na-egbuke egbuke: A glossy print on acrylic glass, which is often labelled as a UV print on plexiglass, makes your chosen original artwork into beautiful wall décor. Beyond that, the acrylic glass art print makes a viable alternative to aluminium and canvas prints. The work of art will be manufactured with the help of state-of-the-art UV print technology. This creates intense, deep colors. The plexiglass with real glass coating protects your chosen fine art print against light and external influences for between 4 and six decades.
- Akwụkwọ mmado ebipụtara (ihe kwaaji): The poster print is a UV printed sheet of canvas with a slightly rough structure on the surface. A print poster is used for framing your fine art print using a special frame. Please note, that depending on the absolute size of the poster print we add a white margin of around 2-6cm around the print motif, which facilitates the framing.
Ihe dị mkpa: We try our best in order to depict the art products as precisely as it is possible and to illustrate them visually in our shop. At the same time, the pigments of the print materials, as well as the print result might diverge marginally from the image on the monitor. Depending on your settings of your screen and the quality of the surface, not all colors can be printed as realisitcally as the digital version on this website. Considering that all fine art prints are printed and processed by hand, there may also be minor differences in the size and exact position of the motif.
Ihe nkọwa
Bipụta ụdị ngwaahịa: | mmepụta nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | UV kpọmkwem obibi |
Nlụpụta: | emepụtara na Germany |
Stockdị ngwaahịa: | na mmepụta ihe |
Ngwaahịa were: | mgbidi gallery, mgbidi ịchọ mma |
Ndepụta: | usoro eserese |
Oke akụkụ: | 3:4- (ogologo: obosara) |
Nkọwa: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Nhọrọ dị: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Mbipụta nke aluminom (ihe aluminom): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhazi mmeputa nka nka: | oyiri nka na-enweghị isi |
Iberibe tebụl nka
Aha eserese: | "Portrait of Count Francis Pyle" |
Nhazi nka: | sere |
Otu sara mbara: | nka ochie |
oge: | 18th narị afọ |
Afọ okike: | 1745 |
Afọ nka: | karịa afọ 270 |
Ụlọ ihe ngosi nka / ebe: | Rijksmuseum |
Ebe ngosi nka: | Amsterdam, Netherlands |
Weebụsaịtị ihe ngosi nka: | Rijksmuseum |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Rijksmuseum |
Nchịkọta dị mkpirikpi nke onye na-ese ihe
Aha onye nka: | Jean-Etienne Liotard |
A makwaara dịka: | Liotard Jean-Étienne, Liotard Jean Étienne, Jean Etienne Liotard, j. e. liotard, Liotard John Stephen, Léodard, Liotard Jean-É., Liotard Giovanni Stefano, Jean-Étienne Liotard, jan etienne liotard, Leotard, liotard j. e., j. liotard, etienne liotard, jean etienne liotart, Liotard |
Gender: | nwoke |
Obodo onye nka: | Swiss |
Ọrụ: | onye na-ese ihe |
Obodo obibi: | Switzerland |
nhazi ọkwa: | nna ukwu ochie |
Ndụ: | 97 afọ |
Afọ ọmụmụ: | 1692 |
Ebe omuma: | Geneva, Geneve, Switzerland |
Nwuru: | 1789 |
© Nchekwa ikike nwebisiinka, Artprinta.com
Nkọwa zuru oke site na ụlọ ngosi nka (© Nwebiisinka - site Rijksmuseum - www.rijksmuseum.nl)
Portrait of Count Francesco Algarotti (1712-64). Venetian literary at the court of Frederick the Great. At half length, left, aanziend. Part of the collection of pastels.