Alfred Sisley, 1875 - Seine na Port-Marly, Piles of Sand - ọmarịcha nka.

63,99 €

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Ozi mgbakwunye site na webụsaịtị ihe ngosi nka (© Nwebiisinka - Art Institute Chicago - Ụlọ ọrụ Art Chicago)

Of all the landscapes Alfred Sisley painted in and around Marly-le-Roi, where he lived from 1875 to 1878, this scene of workers dredging sand to facilitate barge traffic is perhaps the most original. Generally, the Impressionists showed the Seine River as a place of weekend leisure for Parisians, painting activities such as boating, yachting, promenading, and dining. Sisley depicted the river during the workweek, along with some of the men who depended on it for their livelihood.

"The Seine at Port-Marly, Piles of Sand"dị ka ihe osise nka gị

Ọrụ nka nke oge a na aha ya The Seine at Port-Marly, Piles of Sand kere site na nwoke artist Alfred Sisley. The 140 ụdị nka nke afọ dị afọ tụrụ nha: 21 7/16 × 29 na (54,5 × 73,7 cm). Mmanụ na kwaaji was used by the British painter as the technique for the piece of art. The original artwork was inscribed with the following information: "inscribed lower left: Sisley. 75". It can be viewed in in the collection of Ụlọ ọrụ Art Chicago. Site n'ikike nke: Ụlọ ọrụ Art Chicago (nwere ikike: ngalaba ọha). Ọzọkwa, ihe osise ahụ nwere akara kredit na-esonụ: Mr. na Oriakụ Martin A. Ryerson mkpokọta. Na mgbakwunye na nke ahụ, nhazi nke mmepụta dijitalụ bụ odida obodo ma nwee oke akụkụ nke 1.4: 1, which implies that the length is 40% longer than the width. Alfred Sisley was a male painter, etcher, lithographer from the United Kingdom, whose art style can mainly be classified as Impressionism. The British painter was born in the year 1839 in Paris, Ile-de-France, France and passed away at the age of 60 N'afọ 1899 na Moret-sur-Loing, Ile-de-France, France.

Nweta nhọrọ ihe ebipụta nka kacha amasị gị

The product dropdown menu gives you the possibility to select the size and materialaccording to your preferences. We allow you to pick your favorite size and material among the following product individualization options:

  • Mbipụta nke aluminom: An Aluminium Dibond print is a print with a true depth effect. Its non-reflective surface creates a modern impression. A direct Aluminium Dibond Print is the excellent introduction to art replicas on aluminum. For the Aluminium Dibond print, we print the favorite work of art onto the surface of the white-primed aluminum. The bright & white components of the artwork shimmer with a silky gloss but without the glow. The colors are luminous and bright in the highest definition, the fine details of the print are very clear, and the print has a a matte appearance you can literally feel. The UV print on Aluminum Dibond is one of the most popular entry-level products and is a contemporary way to display art reproductions, because it draws attention on the artwork.
  • Mbipụta kwaaji: A canvas print is a printed cotton canvas mounted on a wood frame. A canvas creates the plastic impression of three dimensionality. A printed canvas of your favorite masterpiece will allow you to transform your fine art print into a large artpiece as you know from galleries. The great advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang the Canvas print without any wall-mounts. A canvas print is suitable for any kind of wall.
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  • Ugogbe acrylic ebipụtara: The acrylic glass print, often denoted as a print on plexiglass, will convert your favorite original artwork into brilliant décor. Further, it forms a good alternative to canvas or dibond fine art prints. The artwork is custom-made with the help of state-of-the-art UV print machines. This has the impression of impressive, rich colors.

Ozi omenkà Contextal

aha: Alfred Sisley
Aha ndị ọzọ: סיסלי אלפרד, alfred sissley, Alfred Sisley, Sisley, sisley a., Sisley Arthur, Sisley Alfred, a. sisley
okike onye nka: nwoke
Obodo onye nka: British
Ọrụ onye na-ese ihe: etcher, onye na-ese ihe, onye na-ese ihe
Country: United Kingdom
Nkewa onye nka: omenkà nke oge a
Ụdị nke onye na-ese ihe: Mmetụta
Ndụ: 60 afọ
Afọ amụrụ: 1839
Ebe omuma: Paris, Ile-de-France, France
Nwụrụ n'afọ: 1899
Ebe ọnwụ: Moret-sur-Loing, Ile-de-France, France

Tebụl nka nka

Akụkụ nka: "The Seine at Port-Marly, Piles of Sand"
Nhazi nka: sere
Nhazi nka: nkà nke oge a
Time: 19th narị afọ
Year: 1875
Ogologo afọ nka nka: ihe karịrị 140 afọ
Agba na: mmanụ na kwaaji
Akụkụ nke ọrụ nka mbụ: 21 7/16 × 29 na (54,5 × 73,7 cm)
Akara aka na nka nka: inscribed lower left: Sisley. 75
Ụlọ ihe ngosi nka: Ụlọ ọrụ Art Chicago
Ebe ebe ngosi nka: Chicago, Illinois, Njikota Obodo Amerika
Ibe weebụ: Ụlọ ọrụ Art Chicago
Ụdị ikike nka: ngalaba ọha
Site n'aka: Ụlọ ọrụ Art Chicago
Ebe kredit nke ọrụ nka: Mr. na Oriakụ Martin A. Ryerson mkpokọta

Nkọwa ihe ahaziri ahazi

Bipụta ụdị ngwaahịa: nka nka
Usoro mmeputakwa: dijitalụ mmeputakwa
Produzọ mmepụta: UV kpọmkwem obibi
Mmalite ngwaahịa: arụpụtara na Germany
Stockdị ngwaahịa: mmepụta ihe na-achọ
Ngwaahịa were: nchịkọta nka (mmeputakwa), ụlọ mmepụta nka nka
Ndepụta: usoro odida obodo
Oke akụkụ: ogologo ruo obosara 1.4: 1
Ntụgharị nkọwa akụkụ onyonyo: ogologo bụ 40% ogologo karịa obosara
Akụrụngwa dị: Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta kanvas, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: 70x50cm - 28x20", 140x100cm - 55x39"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 70x50cm - 28x20", 140x100cm - 55x39"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 70x50cm - 28x20"
Nhọrọ nha mbipụta aluminium dibond: 70x50cm - 28x20", 140x100cm - 55x39"
ụba: biko buru n'uche na mbiputa nka enweghi okpokolo agba

Ederede iwu dị mkpa: We try everythig possible in order to describe the art products as accurate as possible and to exhibit them visually. Nevertheless, the pigments of the printing material and the imprint might vary marginally from the presentation on your screen. Depending on your settings of your screen and the nature of the surface, not all color pigments are printed as exactly as the digital version. Since all are printed and processed by hand, there might as well be slight differences in the motif's size and exact position.

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