Samuel Scott - Eserese nke Ụlọ nke Westminster Bridge - ọmarịcha nka

Ozi nkowa mgbakwunye sitere na webụsaịtị ihe ngosi nka (© - Ụlọ ihe ngosi nka nke obodo ukwu - www.metmuseum.org)

To the left in this view of London and the Thames River is the still unfinished Westminster Bridge. Behind it from left to right are Saint Johns, Smith Square, Westminster Hall, Westminster Abbey, and the tower of Saint Margaret's church. Work on Westminster Bridge began in 1738 and was completed in 1750. It is shown here in approximately the state it would have reached by 1742.

Onyinye ngwaahịa

Nke a masterpiece e kere nwoke artist Samuel Scott. The work of art measures the size: 24 x 44 3/8 in (61 x 112,7 cm) and was made on the medium mmanụ na kwaaji. E wezụga nke ahụ, ọrụ nka nwere ike na-elele na Ụlọ ihe ngosi nka nke Metropolitan art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The masterpiece, which is part of the public domain is being provided with courtesy of The Metropolitan Museum of Art, New York, Purchase, Charles B. Curtis Fund and Joseph Pulitzer Bequest, 1944. : Purchase, Charles B. Curtis Fund and Joseph Pulitzer Bequest, 1944. Further, the alignment of the digital reproduction is odida obodo na a akụkụ ruru nke 16: 9, which means that the length is 78% longer than the width. Samuel Scott was a male painter, whose artistic style can primarily be attributed to Baroque. The Baroque artist was born in the year 1697 na London, Greater London, England, United Kingdom na nwụrụ anwụ mgbe ọ dị afọ 75 in 1772 in Bath, Bath and Northeast Somerset, England, United Kingdom.

Họrọ ihe ị ga-ekwu

Nchịkọta ndetu ngwaahịa na-enye gị ohere ịhọrọ ngwa na nha dabere na mmasị gị. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

• Aluminom dibond (ọkpụkpụ ọla): Aluminium Dibond prints are prints on metal with a true effect of depth. The colors of the print are vivid and luminous in the highest definition, the fine details of the print are crisp. The UV print on Aluminum Dibond is the most popular entry-level product and is a sophisticated way to showcase art, as it puts the viewer’s focus on the whole artwork.
• Kwaaji: A printed canvas, which shall not be mistaken with a real artwork painted on a canvas, is a digital image applied directly on canvas fabric. It produces the unique impression of three-dimensionality. The canvas creates a cosy, warm effect. A canvas print has the advantage of being low in weight, which means that it is quite simple to hang up your Canvas print without extra wall-mounts. Hence, a canvas print is suited for any type of wall.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): A poster is a UV printed canvas paper with a fine structure on the surface. The poster is suited for framing your art print with a custom-made frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm around the print, which facilitates the framing.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, often labelled as a plexiglass print, will change your favorite original work of art into magnificient décor. Your favorite work of art is being manufactured with the help of state-of-the-art UV direct print technology. With an acrylic glass fine art print contrasts and also smaller artwork details become recognizeable because of the delicate gradation in the picture. Our real glass coating protects your selected art replica against light and heat for many years to come.

Onye na-ese ihe

Ozi ndabere na ọrụ nka

Banyere ngwaahịa a

Ihe dị mkpa: We try the best we can in order to depict the art products as exact as possible and to demonstrate them visually in our shop. Still, the tone of the print materials and the imprint might differ slightly from the presentation on your device's screen. Depending on your settings of your screen and the quality of the surface, not all color pigments can be printed 100% realistically. Because our are printed and processed manually, there might as well be minor differences in the size and exact position of the motif.

© nwebiisinka | Artprinta (www.artprinta.com)