George Frederick Watts, 1866 - Oge, Ọnwụ na ikpe - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ihe di
Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ nha na ihe kachasị amasị gị n'ime nhọrọ ndị a:
- Mbipụta akwụkwọ mmado (akwa akwa akwa): Our poster print is a printed flat canvas paper with a nice surface finish, that reminds the actual work of art. Please bear in mind, that depending on the size of the poster print we add a white margin between 2-6cm around the artwork, which facilitates the framing with your custom frame.
- Ugogbe acrylic ebipụtara: A glossy acrylic glass print, often denoted as a print on plexiglass, will convert the artwork into brilliant décor and forms a distinct alternative option to canvas and dibond fine art replicas. Your own replica of the artwork is custom-made with modern UV print technology.
- Mbipụta kanvas: A UV printed canvas mounted on a wood stretcher frame. A canvas print of your favorite masterpiece will allow you to transform your individual art print into a large size work of art. Canvas Prints have the advantage of being relatively low in weight. This means, it is easy and straightforward to hang your Canvas print without any wall-mounts. Canvas prints are suitable for any type of wall.
- Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with an impressive effect of depth - for a modern impression and non-reflective surface structure. The bright & white parts of the original work of art shimmer with a silky gloss but without the glare. Colors are luminous, details of the print are crisp and clear.
Ihe dị mkpa: We try what we can in order to describe the products as closely as possible and to illustrate them visually. Nonetheless, the tone of the printing material, as well as the imprint might diverge somehwat from the image on the device's monitor. Depending on the screen settings and the nature of the surface, not all colors are printed one hundret percent realistically. Since the art reproductions are processed and printed manually, there may as well be minor differences in the motif's size and exact position.
Additional description as provided from the museum's website (© Copyright - by Art Institute Chicago - Ụlọ ọrụ Art Chicago)
George Frederick Watts exhibited this painting at the Royal Academy, London, in 1865 as Design for a Larger Picture. He later executed a number of versions of the same subject, which was identified by Mrs. Watts as Time bearing a scythe and pressing forward through the stream of life hand in hand with his mate, Death. The figure of Judgment follows behind, holding a sword. In the last half of his career, Watts, a celebrated Romantic painter, favored allegories like Time, Death, and Judgment, which were influenced by his studies of the heroic forms of the Renaissance artist Michelangelo and the warm palette of Titian.
Ozi ndabere gbasara ngwaahịa a
N’afọ 1866 George Frederick Watts made the piece of art. The original was made with the dimensions: 36 × 28 5/16 na (91,5 × 72 cm). Mmanụ na kwaaji was applied by the artist as the medium of the work of art. This work of art forms part of the digital collection of Ụlọ ọrụ Art Chicago in Chicago, Illinois, Njikota Obodo Amerika. This modern art masterpiece, which belongs to the ngalaba ọha A na-etinye ya na ikike nke Art Institute Chicago. : Arịrịọ nke Charles L. Hutchinson. E wezụga nke ahụ, nhazi ahụ dị n'ime Eserese format with a ratio of 3 : 4, which means that the length is 25% shorter than the width. George Frederick Watts was a male painter, sculptor of British nationality, whose artistic style can be attributed mainly to Realism. The British artist was born in the year 1817 in London, Greater London, England, United Kingdom and passed away at the age of 87 in 1904 in Compton, Surrey, England, United Kingdom.
Nkọwa nka ahaziri
Aha ọrụ nka: | "Time, Death and Judgment" |
Nhazi: | sere |
Okwu mkpokọta: | nkà nke oge a |
Nhazi oge: | 19th narị afọ |
Afọ okike: | 1866 |
Afọ nka: | ihe dị ka afọ 150 |
Ọkara nke ihe osise izizi: | mmanụ na kwaaji |
Nha izizi: | 36 × 28 5/16 na (91,5 × 72 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Ụlọ ọrụ Art Chicago |
Ebe ngosi nka: | Chicago, Illinois, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | Ụlọ ọrụ Art Chicago |
License: | ngalaba ọha |
Site n'aka: | Ụlọ ọrụ Art Chicago |
Ebe kredit nke ọrụ nka: | Arịrịọ nke Charles L. Hutchinson |
Nkọwapụta ngwaahịa
Ụdị edemede: | ọmarịcha nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Produzọ mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Production: | German mere |
Ụdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa a chọrọ: | mgbidi gallery, ihe ndozi ụlọ |
Nhazi nka nka: | usoro eserese |
Oke akụkụ onyonyo: | 3: 4 - ogologo: obosara |
Nkọwa nha onyonyo: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Nhọrọ akwa: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta ọla (aluminium dibbond) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Ụdị mbipụta aluminom: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhazi mbipụta nka: | biko buru n'uche na emebeghi mmeputakwa a |
Ozi ndabere izugbe na onye na-ese ihe
Ihe nkiri: | George Frederick Watts |
Aha ndị ọzọ: | Watts F. W., Watts George, G.F. Watts, G. F. Watts, George Frederick Watts, Watts George Frederic, George Frederic Watts, Watts George Frederick, Watts G. F., Watts, Watts G. F., Watts. G. F. |
okike onye nka: | nwoke |
Obodo onye nka: | British |
Ọrụ onye na-ese ihe: | onye ese, ọkpụkpụ |
Obodo obibi: | United Kingdom |
nhazi ọkwa: | omenkà nke oge a |
Ụdị nka: | Ihe ngosi |
Ndụ: | 87 afọ |
A mụrụ: | 1817 |
Amụrụ na (ebe): | London, Greater London, England, United Kingdom |
Afọ ọnwụ: | 1904 |
Obodo ọnwụ: | Compton, Surrey, England, United Kingdom |
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